Raksha Bhandari's ' "Govind Jai Jai" was released on its scheduled release date, July 21, 2008. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Anuradha Paudwal, Raksha Bhandari, Shivani Chanana's "Jai Bolo Shri Krishan Kanhai" album is number 4 out of 8. On top of that, India appears to be the country where this track was created. Based on our statistics, Govind Jai Jai's popularity is below average in popularity right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
We consider the tempo marking of Govind Jai Jai by Raksha Bhandari to be Allegro (fast, quick, and bright) because the track has a tempo of 147 BPM, a half-time of 74BPM, and a double-time of 294 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, jogging or cycling, can go well with this song. The time signature for this track is 4/4.
This song has a musical key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Devon Ke Dev | Hansraj Raghuwanshi, Salim Merchant | F Major | 3 | 7B | 115 BPM | ||
| Aap Meri Aankh Ke | Master Rana | B♭ Major | 6 | 6B | 138 BPM | ||
| Balaji Aacha Lage Se | Kanhaiya Mittal | B Major | 7 | 1B | 117 BPM | ||
| Raat Shayam Sapne Mein Aaye | Piyusha-Kailash Anuj | B♭ Minor | 8 | 3A | 82 BPM | ||
| Jai Hanuman Gyan | Shankar Sahney | D♭ Major | 7 | 3B | 95 BPM | ||
| Krishna-Bhajan - Mashup | Dhruv Sharma, Swarna Shri | D♭ Major | 4 | 3B | 106 BPM | ||
| Dukh Mein Sumiran Sab Kare | Satyendra Pathak | A♭ Minor | 7 | 1A | 97 BPM | ||
| Shankar Teri Jata Se Behti Hai Gang Dhara | The Bundeli Artists | A♭ Minor | 7 | 1A | 147 BPM | ||
| Radha Naam ( Unplugged ) – Track 3 | Shri Hit Radha Kripa | E Major | 6 | 12B | 120 BPM | ||
| Saanson Ki Mala Pe Simroo Main Shiv Ka Naam | Shagun Sodhi | D Minor | 6 | 7A | 134 BPM | ||
| Teri Banki Adaa Ne | Rusha Saha | B Major | 5 | 1B | 114 BPM | ||
| Mhara Mahakal Sarkar Jine Khamma Re Khamma 2.0 | Nitin Bagwan | A♭ Major | 8 | 4B | 108 BPM | ||
| Nagri Ho Ayodhya Si | Prakash Gandhi | A♭ Major | 8 | 4B | 90 BPM | ||
| Dena Ho To Deejiye Janm Janm Ka Saath | Mukesh Bagda | D♭ Major | 8 | 3B | 76 BPM | ||
| Shiv Kailasho Ke Vasi | Hansraj Raghuwanshi | G Major | 2 | 9B | 105 BPM | ||
| Bans Ki Bansuriya Pe | Dolly Sharma | F♯ Major | 7 | 2B | 97 BPM | ||
| Pakad Lo Hath Banwari | Rekha Rao | D♭ Minor | 6 | 12A | 170 BPM | ||
| Krishna Stuti | Devrishi, Rishiking, Rishikesh Pandey | C Minor | 3 | 5A | 125 BPM | ||
| Kailash Ke Niwasi | Gajendra Pratap Singh, Nikhar Juneja, Ravindra Pratap Singh | C Minor | 7 | 5A | 162 BPM | ||
| Radhe Braj Jan Man Sukhkari | Devi Neha Saraswat | E♭ Minor | 8 | 2A | 108 BPM | ||
| Veer Hanumana Ati Balwana | Gyanendra Sharma | A♭ Major | 7 | 4B | 114 BPM | ||
| Raghupati Raghav | Baal Gopal, Hladini | A Major | 3 | 11B | 113 BPM | ||
| Amrit Ki Barse Badariya | Lakhbir Singh Lakkha | D♭ Major | 9 | 3B | 128 BPM | ||
| Janki Nath Sahay | Chandrachur Singh | A♭ Major | 3 | 4B | 120 BPM | ||
| Mere Bhole Shambhu | Muktidan Gadhvi | B♭ Major | 8 | 6B | 90 BPM |