Hyperion Ensemble, Marisol Martinez's 'Ultima copa' had a release date set for October 2, 2025. The duration of This song is about 3 minutes long, at 3:24. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. Since Ultima copa only contains only one song in the album, we like to consider this song as a single. Based on our statistics, Ultima copa's popularity is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Ultima copa by Hyperion Ensemble, Marisol Martinez having a BPM of 135 with a half-time of 68 BPM and a double-time of 270 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song is in the music key of E Minor. Which also means that the camelot key for this song is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Quiero Verte una Vez Más | Pablo Ramos & los Herederos del Compás | F♯ Minor | 5 | 11A | 130 BPM | ||
| El Torito | La Tubatango | D Minor | 4 | 7A | 87 BPM | ||
| La Última Curda | Omar Mollo | C Major | 5 | 8B | 113 BPM | ||
| Domani (Live) | Antonella Ruggiero, Hyperion Ensemble | A Major | 3 | 11B | 110 BPM | ||
| A media luz | Mercedes Simone | G Major | 3 | 9B | 113 BPM | ||
| Vieja esquina | Ricardo Tanturi y Enrique Campos | C Major | 4 | 8B | 121 BPM | ||
| Lloran Las Campanas | José García Y Sus Zorros Grises | A Minor | 4 | 8A | 111 BPM | ||
| Por que regresas tú | Orquesta Carlos di Sarli, Roberto Florio | A Major | 3 | 11B | 170 BPM | ||
| Portenissimo | Hyperion Ensemble | G Minor | 3 | 6A | 117 BPM | ||
| Café Domínguez | Cuarteto Mulenga | G Minor | 4 | 6A | 124 BPM | ||
| Lo pasao paso | Tango Bardo, Chino Laborde, Roberto Minondi | D Major | 4 | 10B | 132 BPM | ||
| Amarras | Héctor Mauré con Juan D'Arienzo | D Major | 4 | 10B | 123 BPM | ||
| Reliquias porteñas | Tango Spleen Orquesta | F♯ Minor | 6 | 11A | 105 BPM | ||
| Sinfonía de Arrabal | Edgardo Donato | G Major | 3 | 9B | 119 BPM | ||
| Luna de Arrabal | Miguel Villasboas y Su Orquesta Típica | E Major | 5 | 12B | 101 BPM | ||
| Fruta amarga | El Cachivache Quinteto | G Minor | 1 | 6A | 82 BPM | ||
| Celos (Live) | Antonella Ruggiero, Hyperion Ensemble | D Major | 6 | 10B | 91 BPM | ||
| Duelo Criollo | Alberto Marino | G Minor | 3 | 6A | 116 BPM | ||
| Organito de la tarde | Orquesta Rodolfo Biagi, Cátulo Castillo, José Gonzalez Castillo | D Major | 3 | 10B | 142 BPM | ||
| Barreras de amor | Orquesta Roberto Firpo, Carlos Varela, Antonio Sureda, Geronimo Sureda | A Major | 3 | 11B | 150 BPM | ||
| El pollito | Orquesta Juan D' Arienzo | A Major | 4 | 11B | 129 BPM | ||
| Loca | Pablo Ramos & los Herederos del Compás | E Minor | 2 | 9A | 136 BPM | ||
| Olga | Los Reyes Del Tango | F♯ Minor | 4 | 11A | 106 BPM | ||
| Te Aconsejo Que Me Olvides | Pablo Valle Sexteto | F Minor | 3 | 4A | 138 BPM | ||
| Patio Porteño | Héctor Varela y su Orquesta Típica | F Minor | 2 | 4A | 103 BPM |