Dharampreet's ' "Baganian Ch Na" was released on its scheduled release date, 2013. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Dharampreet's "Hits of Dharampreet" album is number 5 out of 10. On top of that, India appears to be the country where this track was created. In terms of popularity, Baganian Ch Na is currently not that popular. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
We consider the tempo marking of Baganian Ch Na by Dharampreet to be Andante (at a walking pace) because the track has a tempo of 104 BPM, a half-time of 52BPM, and a double-time of 208 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
G Minor is the music key of this track. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Colage Ki Choore Nay | Vijendra, Sunita | D Major | 8 | 10B | 95 BPM | ||
| Sorry Kehke Tod Dindiya | Kuldeep Rasila, Lal Kamal, Buta Bhairupa | D Major | 9 | 10B | 143 BPM | ||
| Kam Ta Najaij | Sandhu Surjit | G Minor | 9 | 6A | 166 BPM | ||
| Shaheed Jaagdian Qauma Da | Harjit Singh Harman | B Major | 8 | 1B | 93 BPM | ||
| Do Eko Jahiyan Mutiaran | Didar Sandhu, Amar Noorie | G Major | 3 | 9B | 131 BPM | ||
| Addian da Jor Lag Geya | Jagga Safri, Kiranjoti | E♭ Minor | 6 | 2A | 88 BPM | ||
| Tere Sister | Rajbala | F♯ Major | 8 | 2B | 99 BPM | ||
| Lagda Vichhdangay | Manmohan Waris | E Major | 9 | 12B | 131 BPM | ||
| Manva Kin Vidh Kah Samjhau | Prem Nath | A♭ Minor | 8 | 1A | 84 BPM | ||
| Rang Birange Supne | Yudhveer, Davinder Kohinoor, Sandeep Akhtar, Lovely Nirman | D♭ Major | 4 | 3B | 120 BPM | ||
| Raja Ne Kangal Bana De Nirdhan Ne Dhan Dera | Jagat Bidhuri | A♭ Major | 10 | 4B | 153 BPM | ||
| Laare Tere Nahi Mukne | Debi Makhsoospuri | D Minor | 6 | 7A | 78 BPM | ||
| Khatu Aale (khatu Shyam Bhajan) | Rahul Hisariya | E Minor | 6 | 9A | 168 BPM | ||
| Sui Teri Tute Mar Joyo Darji | Rajbala, Nardev | F Major | 9 | 7B | 135 BPM | ||
| Pardesiyan Naal Yaari | Amrik Toofan, Harjit Mattu | D♭ Major | 7 | 3B | 173 BPM | ||
| Telephone | Anmol Virk | B Minor | 8 | 10A | 130 BPM | ||
| Halki Si Dadi Rakhe | DG Mawai | F Minor | 10 | 4A | 82 BPM | ||
| Dard Purana | Davinder Kohinoor | D Minor | 7 | 7A | 120 BPM | ||
| A.K. 47 Farhi Gayi | Sandeep Akhtar | F♯ Minor | 7 | 11A | 74 BPM | ||
| Hira Pana Ro Rukh | Jalal Khan | D♭ Major | 8 | 3B | 83 BPM | ||
| Sarpanch Da Model Town | Veer Sukhwant, Renu Ranjit | A♭ Major | 10 | 4B | 110 BPM | ||
| Pehli Mulakat Ve Rabba | Major Rajasthani | F Minor | 4 | 4A | 131 BPM | ||
| Supne Ch Ronda | Dharampreet | F Minor | 7 | 4A | 130 BPM | ||
| Bhulgi Canada Jaake | Dharampreet, Kuldeep Rasila, Surinder Bachan, Amardeep Gill | G Major | 8 | 9B | 76 BPM | ||
| Chandi Maiyan De Dware | Naveen Punjabi | G Major | 9 | 9B | 88 BPM |