Ali Samadpour, Afsaneh Rasaei, Ehsan Zabihifar, Siavash Roshan, Hamid Ghanbari's 'The Cloud' had a release date set for October 29, 2025. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Ali Samadpour, Afsaneh Rasaei, Ehsan Zabihifar's "Moonrise (Mahbarayan)" album is number 1 out of 11. On top of that, United States appears to be the country where this track was created. In terms of popularity, The Cloud is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of The Cloud by Ali Samadpour, Afsaneh Rasaei, Ehsan Zabihifar, Siavash Roshan, Hamid Ghanbari to be Andante (at a walking pace) because the track has a tempo of 92 BPM, a half-time of 46BPM, and a double-time of 184 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 3/4.
A♭ Major is the music key of this track. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Nafas | Rabih Abou-Khalil, Selim Kusur, Glen Velez, Setrak Sarkissian | G Minor | 0 | 6A | 117 BPM | ||
| Armenian Romances | Hossein Alizadeh & Djivan Gasparyan | G Minor | 4 | 6A | 124 BPM | ||
| In Road | Hooshyar Khayam, Milad Mohammadi | A♭ Major | 5 | 4B | 120 BPM | ||
| Samà-E Avà | Behdad Babaj, Parviz Meshkatian, Mohssen Kasirossafar | F Major | 5 | 7B | 170 BPM | ||
| Ba Man Sanama | Solmaz Badri | D Minor | 0 | 7A | 96 BPM | ||
| Siretzi Yares Daran (They Have Taken the One I Love) | Lévon Minassian | G Major | 2 | 9B | 74 BPM | ||
| Power Outage | Milo Paulus, Akram Ben Romdhane, Seyedarian Sadrayimousavi | G Minor | 0 | 6A | 130 BPM | ||
| Kereshmeh | Mohammad Reza Lotfi | A♭ Major | 1 | 4B | 98 BPM | ||
| Silent Stories - Instrumentale | Karim Baggili, Le Trio Joubran | G Minor | 1 | 6A | 82 BPM | ||
| Ba Pir I | Hossein Alizadeh | E Minor | 1 | 9A | 124 BPM | ||
| Guati | Ali Samadpour | F♯ Minor | 4 | 11A | 100 BPM | ||
| Separating Shades (Saayeh-Roshan) | Kayhan Kalhor & Madjid Khaladj | D Major | 3 | 10B | 82 BPM | ||
| Majnoon Naboodom | Hosein Behroozinia, Bijan Kamkar | C Major | 4 | 8B | 104 BPM | ||
| Jamehdaran | Hossein Alizadeh | C Major | 2 | 8B | 173 BPM | ||
| Santoor Crock | Pedram Derakhshani | E Minor | 5 | 9A | 78 BPM | ||
| Estado de Pasión | Naseer Shamma, Oyoun Arab Chamber Music | F Minor | 3 | 4A | 87 BPM | ||
| Soundtrack of Strangers, Pt. 10 | Peyman Yazdanian | A Minor | 3 | 8A | 108 BPM | ||
| Dua - Prayer | Sedat Anar | F♯ Major | 6 | 2B | 126 BPM | ||
| At the End of the Night | Ramin Kousha | G Minor | 2 | 6A | 166 BPM | ||
| Restless | Coşkun Karademir, Hesam Naseri | E Minor | 3 | 9A | 95 BPM | ||
| Memories | Karen Homayounfar | B Minor | 3 | 10A | 99 BPM | ||
| Pawzh | Ali Samadpour, Hossein Kamani | G Minor | 3 | 6A | 97 BPM | ||
| Sayr-i Badakhshan (A Stroll in Badakhshan) | Homayun Sakhi, Mukhtor Muborakqadomov, Sirojiddin Juraev, Salar Nader | D♭ Major | 5 | 3B | 175 BPM | ||
| The Ballerina | Behzad Khojasteh | A♭ Minor | 0 | 1A | 74 BPM | ||
| Farewelling the Moon | Siamak Jahangiry | G Major | 2 | 9B | 95 BPM |