Back to Hungaria
Roy Henley, Roland Kovac, Victor Cavini
Los Balcanes
3:58 September 21, 2000
BPM
89
Key
G Minor
Camelot
6A

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Back to Hungaria by Roy Henley, Roland Kovac, Victor Cavini Song Details

Roy Henley, Roland Kovac, Victor Cavini's ' "Back to Hungaria" was released on its scheduled release date, September 21, 2000. With this song being around four minutes long, at 3:58, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Roy Henley, Roland Kovac, Victor Cavini's "Los Balcanes" album is number 6 out of 14. On top of that, France appears to be the country where this track was created. Back to Hungaria is unknown right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.

BPM and Tempo

We consider the tempo marking of Back to Hungaria by Roy Henley, Roland Kovac, Victor Cavini to be Andante (at a walking pace) because the track has a tempo of 89 BPM, a half-time of 44BPM, and a double-time of 178 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.

Music Key

This song has a musical key of G Minor. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.

Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!

Popularity
Loudness
-9.387 dB
Acousticness
91%
Danceability
52%
Energy
42%
Instrumentalness
69%
Liveness
15%
Loudness
84%
Speechiness
5%
Valence
56%

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ISRC
FRX201705980
Label
L-M Records/RCA Records