On July 7, 1960, the song "Arrivederci Roma" was released by Al Caiola. The duration of This song is about two minutes long, specifically at 2:48. This song does not appear to have any foul language. Arrivederci Roma's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Al Caiola's "Italian Guitars" album is number 5 out of 12. On top of that, United States appears to be the country where this track was created. In terms of popularity, Arrivederci Roma is currently not that popular. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
We consider the tempo marking of Arrivederci Roma by Al Caiola to be Moderato (at a moderate speed) because the track has a tempo of 115 BPM, a half-time of 58BPM, and a double-time of 230 BPM. Based on that, the speed of the song's tempo is moderate. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
G Minor is the music key of this track. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Acapulco 1922 | Al Caiola | D Minor | 5 | 7A | 120 BPM | ||
| Lo Que el Viento Se Llevó (Tara's Theme) | Sounds Unlimited Orchestra & The London Philarmonic Orchestra | A♭ Major | 3 | 4B | 92 BPM | ||
| Casatschok | Dimitri Dourakine | D Major | 7 | 10B | 132 BPM | ||
| Blue Bayou | Glen Lucas | B♭ Major | 3 | 6B | 112 BPM | ||
| Harbour Lights | Billy Vaughn y su Orquesta | G Major | 4 | 9B | 108 BPM | ||
| Andalucia | Mr. Ho's Orchestrotica | D Major | 6 | 10B | 155 BPM | ||
| Cuando Me Enamoro | Aldo Livorno Y Su Acordeón Napolitano | A♭ Major | 5 | 4B | 157 BPM | ||
| I Was Kaiser Bill'S Batman | Karel Duba se svým orchestrem | F Major | 5 | 7B | 130 BPM | ||
| Spanish Eyes | Al Hirt | B♭ Major | 3 | 6B | 114 BPM | ||
| Bésame Mucho | Pablo Beltran Ruiz Y Su Orquesta | B♭ Major | 6 | 6B | 124 BPM | ||
| La Bamba y Otras - Remasterizado | Juan José Espinosa, Traditional, Luis Cobos, Royal Philharmonic Orchestra | C Major | 5 | 8B | 131 BPM | ||
| Again | Kurt Edelhagen | G Major | 6 | 9B | 126 BPM | ||
| Red Roses For A Blue Lady | The British Ballroom Players | C Major | 5 | 8B | 115 BPM | ||
| Il mondo | Archibald and Tim | D Major | 4 | 10B | 125 BPM | ||
| De Nina a Mujer | Al Caiola | F Major | 2 | 7B | 102 BPM | ||
| Memory | Jean Claude Borelly | A♭ Major | 3 | 4B | 87 BPM | ||
| Never On Sunday | Billy Vaughn | A♭ Major | 4 | 4B | 88 BPM | ||
| El Condor Pasa | Roy Etzel | A♭ Major | 5 | 4B | 157 BPM | ||
| Pleasure Island | Ron Goodwin | D Major | 5 | 10B | 160 BPM | ||
| The Entertainer - The Sting/Soundtrack Version/Orchestra Version | Marvin Hamlisch | C Major | 4 | 8B | 157 BPM | ||
| Volare | Tony Mottola | C Major | 2 | 8B | 108 BPM | ||
| Theme From A Summer Place | The British Ballroom Players | F Major | 3 | 7B | 182 BPM | ||
| Volare | Tony Mottola | A♭ Major | 5 | 4B | 157 BPM | ||
| Serenata | Orquesta Serenata Tropical | F♯ Major | 7 | 2B | 158 BPM | ||
| Concorde | Franck Pourcel | F Major | 9 | 7B | 147 BPM |