"Unspecified Intentions (Arr. for voice and strings by Colin Alexander and Héloïse Werner)" by Héloïse Werner, Max Baillie, Julian Azkoul, Ruth Gibson, Colin Alexander, Marianne Schofield had its release date on June 28, 2024. The duration of This song is about two minutes long, specifically at 2:38. This song does not appear to have any foul language. Unspecified Intentions (Arr. for voice and strings by Colin Alexander and Héloïse Werner)'s duration is considered a little bit shorter than the average duration of a typical track. The song is number 10 out of 11 in Close-Ups by Héloïse Werner. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. Based on our statistics, Unspecified Intentions (Arr. for voice and strings by Colin Alexander and Héloïse Werner)'s popularity is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Unspecified Intentions (Arr. for voice and strings by Colin Alexander and Héloïse Werner) by Héloïse Werner, Max Baillie, Julian Azkoul, Ruth Gibson, Colin Alexander, Marianne Schofield is Allegro (fast, quick, and bright), since this song has a tempo of 129 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 5/4.
This song is in the music key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Havoun Havoun | Tigran Hamasyan, Yerevan State Chamber Choir, Harutyun Topikyan | B Minor | 0 | 10A | 137 BPM | ||
| Purcell: Dido and Aeneas, Z. 626, Act III: Thy Hand, Belinda | Henry Purcell, Thomas Dunford, Lea Desandre, Jupiter | F♯ Major | 1 | 2B | 77 BPM | ||
| Ariadne's Lament (Variations on a Theme by Claudio Monteverdi) | Vladimir Kobekin, Anastasia Kobekina | D♭ Minor | 1 | 12A | 85 BPM | ||
| Spell Book: No. 8, Spell for the Witch's Hammer | Freya Waley-Cohen, Manchester Collective, Katie Bray, Héloïse Werner, Fleur Barron | G Minor | 6 | 6A | 111 BPM | ||
| Guridi: 6 canciones castellanas: No. 1, Allá arriba, en aquella montaña | Jesús Guridi, Marianne Crebassa, Alphonse Cemin | C Minor | 1 | 5A | 177 BPM | ||
| Presto in C Minor, H.230 Wq.114/3 | Carl Philipp Emanuel Bach, Patricia Kopatchinskaja, Sol Gabetta | D♭ Major | 0 | 3B | 146 BPM | ||
| L'enfant et les sortilèges, M. 71, Pt. 1: J'ai pas envie de faire ma page! | Maurice Ravel, Helene Hebrard, Orchestre National De Lyon, Leonard Slatkin | D Major | 0 | 10B | 138 BPM | ||
| Signs, Games and Messages: Árnyak (Shadows) | György Kurtág, Anastasia Kobekina | F♯ Major | 2 | 2B | 142 BPM | ||
| Ave, dulcissima Maria | Carlo Gesualdo, The Monteverdi Choir, Jonathan Sells | D Minor | 2 | 7A | 74 BPM | ||
| Spell Book: No. 5, Spell for Joy | Freya Waley-Cohen, Manchester Collective, Héloïse Werner | C Major | 2 | 8B | 88 BPM | ||
| Candide, Act I: Glitter and Be Gay | Leonard Bernstein, Simone Kermes, Warsaw Chamber Opera Orchestra, Julien Salemkour | D♭ Major | 0 | 3B | 109 BPM | ||
| Oedipus: Music For A While, Z583 | Henry Purcell, Andreas Scholl, Accademia Bizantina, Stefano Montanari | E Minor | 1 | 9A | 85 BPM | ||
| After Lassus: VI. Sancti mei | Tom Coult, Anna Dennis, Andrew Gourlay, BBC Philharmonic | E Minor | 0 | 9A | 113 BPM | ||
| The Dreams & Prayers of Isaac the Blind: Postlude | Osvaldo Golijov, Emil Jonason, Vamlingbo Quartet | N/A | N/A | N/A | 0 BPM | ||
| Sicut lilium inter spinas | Antoine Brumel, The Gesualdo Six, Owain Park | D Major | 0 | 10B | 71 BPM | ||
| Misa Tango: III. Credo | MartÍn Palmeri, Astoria, Philippe Gérard | E Major | 5 | 12B | 131 BPM | ||
| September I | Sarah Neutkens, Nederlands Saxofoon Octet | C Minor | 0 | 5A | 81 BPM | ||
| Moro, lasso, al mio duolo | Carlo Gesualdo, Delitiæ Musicæ, Marco Longhini | A Minor | 2 | 8A | 137 BPM | ||
| Choral Hymns from the Rig Veda, 3rd Group, Op. 26: No. 1, Hymn to the Dawn | Gustav Holst, Etherea Vocal Ensemble, Grace Cloutier, Derek Greten-Harrison | G Major | 0 | 9B | 79 BPM | ||
| Heyr þú oss himnum á | Anna Thorvaldsdottir, Singer Pur | D Minor | 0 | 7A | 67 BPM | ||
| Te lucis ante terminum I | Thomas Tallis, Owain Park, The Gesualdo Six | A♭ Minor | 0 | 1A | 95 BPM | ||
| Poulenc: Dialogues des Carmélites, FP 159, Act 1 Tableau 1: "Où est Blanche ?" (Le Chevalier, Le Marquis) | Francis Poulenc, Jean-Luc Viala/Choeurs de l'Opéra National de Lyon/Orchestre de l'Opéra National de Lyon/Marco Zambelli/London Chorus/Kent Nagano/Richard Cooke, Kent Nagano, Orchestre De L'Opéra National De Lyon | F Major | 2 | 7B | 83 BPM | ||
| 3 Liriche, P. 099a (Orch. Salvatore Di Vittorio): No. 1, Notte | Ottorino Respighi, Alessandra Visentin, Chamber Orchestra of New York, Salvatore Di Vittorio | F Major | 1 | 7B | 75 BPM | ||
| Da pacem, Domine | Chloe May Evans, Ǣfendrēama | D♭ Major | 1 | 3B | 104 BPM | ||
| French: Dormant | Jacob French, Joel Cohen, Boston Camerata | D Major | 2 | 10B | 97 BPM |