On December 18, 2023, the song "Preludio: Rev. Seg. No. 11" was released by Manuel Maria Ponce, Andrea Rollo. With This song being less than two minutes long, at 1:13, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Manuel Maria Ponce, Andrea Rollo's "Manuel Ponce: 24 Preludios para Guitarra" album is number 20 out of 24. On top of that, Italy appears to be the country where this track was created. Based on our statistics, Preludio: Rev. Seg. No. 11's popularity is unknown right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
We consider the tempo marking of Preludio: Rev. Seg. No. 11 by Manuel Maria Ponce, Andrea Rollo to be Allegro (fast, quick, and bright) because the track has a tempo of 125 BPM, a half-time of 62BPM, and a double-time of 250 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 3/4.
This song is in the music key of G Minor. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Debussy: Petite Suite ~ En Bateau | Anthony & Joseph Paratore | G Major | 0 | 9B | 67 BPM | ||
| Ludvig's Dreams (Domestic) | Ola Kvernberg | A♭ Major | 0 | 4B | 95 BPM | ||
| Ravel: Ma mère l'Oye, M. 60: I. Pavane de la Belle au bois dormant | Maurice Ravel, Armin Jordan, Orchestre de Chambre de Lausanne | C Minor | 1 | 5A | 129 BPM | ||
| Fantasía para un gentilhombre: IV. Allegro con brio | Joaquín Rodrigo, Dale Kavanagh, Staatsphilharmonie Arad, Horst Bäcker | C Major | 2 | 8B | 118 BPM | ||
| Trio Sonata in E Minor: III. Adagio | Johann Rosenmüller, Anna Holbling, Quido Holbling, Jozef Zsapka | G Major | 0 | 9B | 83 BPM | ||
| Milonga del Angel - Arr. for Guitar and Strings by Dmitry Borodaev | Astor Piazzolla, Artyom Dervoed, David Molard Soriano, Russian National Orchestra | G Major | 1 | 9B | 145 BPM | ||
| Sonata, Op. 61: II. Andante | Joaquín Turina, Jan Depreter | A Minor | 0 | 8A | 106 BPM | ||
| Cançó i dansa No. 10 (Version for Guitar): II. Dansa. Amabile | Federico Mompou, Eugenio Della Chiara | D Major | 2 | 10B | 109 BPM | ||
| Tansman: Musique de cour d'après Robert de Visée: IV. Gavotte et Musette | Alexandre Tansman, Thibaut García, Ben Glassberg, Orchestre National Du Capitole De Toulouse | D Minor | 1 | 7A | 74 BPM | ||
| Tansman: Musique de cour d'après Robert de Visée: VIII. Finale | Alexandre Tansman, Thibaut García, Ben Glassberg, Orchestre National Du Capitole De Toulouse | A Major | 2 | 11B | 119 BPM | ||
| Sonata No. 2 in A Minor, Op. 27 No. 2: I. Obsession (Arr. For Mandolin by Alon Sariel) | Eugène Ysaÿe, Alon Sariel | G Minor | 5 | 6A | 99 BPM | ||
| Homenaje a Antonio de Cabezon: III. Glosa | Antonio Ruiz Pipó, Wolfgang Weigel | G Major | 0 | 9B | 124 BPM | ||
| Tansman: Musique de cour d'après Robert de Visée: II. Menuet | Alexandre Tansman, Thibaut García, Ben Glassberg, Orchestre National Du Capitole De Toulouse | G Minor | 1 | 6A | 69 BPM | ||
| Elegia | Edith Sohlström, SRK Musiikki | D Major | 1 | 10B | 177 BPM | ||
| The Legend, Op. 17 | Henryk Wieniawski, Filharmonie Brno, Petr Altrichter, Jan Stanovsky | G Minor | 1 | 6A | 112 BPM | ||
| Valses poeticos (arr. Peter Breiner): Valse 3. Tempo de Vals lento | Peter Breiner, Enrique Granados, Norbert Kraft, Polish National Radio Symphony Orchestra | E Minor | 2 | 9A | 100 BPM | ||
| Schwanengesang, D. 957: No. 4. Standchen (Leise flehen meine Lieder) (arr. J. K. Mertz) | Franz Schubert, Johann Kaspar Mertz, Gerald Garcia | A Major | 0 | 11B | 108 BPM | ||
| La Catedral: I. Preludio saudade | Agustín Barrios Mangoré, Raphaël Feuillâtre | B Minor | 1 | 10A | 90 BPM | ||
| Fantasía Morisca - Remastered | Orquesta Popular de Madrid de la Orqanización Nacional de Ciegos, Rafael Rodriguez Albert | E♭ Minor | 4 | 2A | 75 BPM | ||
| 6 Variations on "Hélas, j'ai perdu mon amant", K. 360 (Arr. for Flute & Harp by Anonymous): Var. 3 | Wolfgang Amadeus Mozart, Julien Beaudiment, Anaïs Gaudemard | G Minor | 0 | 6A | 138 BPM | ||
| Graceful Ghost Rag | Valérie Milot, William Bolcom | E♭ Minor | 0 | 2A | 93 BPM | ||
| Concerto Magna Carta: I. Sprightly and animated | John Brunning, Xuefei Yang, Royal Liverpool Philharmonic Orchestra, Clark Rundell | E Minor | 1 | 9A | 126 BPM | ||
| Quintet for Bassoon, Violin, 2 Violas and Violoncello in B-Flat Major, Op. 14: III. Andante | Johann Evangelist Brandl, Calamus Ensemble | B♭ Major | 1 | 6B | 136 BPM | ||
| Falla / Arr. Llobet & Pujol: 7 Canciones populares españolas: No. 5, Nana | Thibaut García, Edgar Moreau | A Minor | 0 | 8A | 50 BPM | ||
| Vivo: Rev. Seg. No. 4 | Manuel Maria Ponce, Andrea Rollo | A♭ Major | 0 | 4B | 98 BPM |