George Shearing's 'The Continental' had a release date set for 2001. The duration of This song is about 3 minutes long, at 3:06. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in George Shearing's "George Meets The Lion: The Original Quintet & The Solos" album is number 6 out of 23. On top of that, United Kingdom appears to be the country where this track was created. The popularity of The Continental is currently not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of The Continental by George Shearing to be Vivace (lively and fast) because the track has a tempo of 176 BPM, a half-time of 88BPM, and a double-time of 352 BPM. Based on that, the speed of the song's tempo is fast. The time signature for this track is 3/4.
This song is in the music key of F♯ Minor. This also means that this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| In The Blue Of The Evening | Tommy Flanagan Trio | F Major | 2 | 7B | 135 BPM | ||
| Manhattan | Lee Wiley | B♭ Minor | 1 | 3A | 90 BPM | ||
| Nevertheless (I'm In Love With You) - 1958 version | The Mills Brothers | C Major | 1 | 8B | 79 BPM | ||
| Save Your Love For Me | Nancy Wilson, Cannonball Adderley | E Minor | 0 | 9A | 174 BPM | ||
| The Summer Wind | Madeleine Peyroux | A♭ Major | 2 | 4B | 100 BPM | ||
| I Guess I'll Have To Change My Plans | Annie Ross, Gerry Mulligan Quartet | F Minor | 3 | 4A | 116 BPM | ||
| Crazy He Calls Me | Anita O'Day | B♭ Major | 1 | 6B | 69 BPM | ||
| Loving You | Cyrille Aimee | D♭ Minor | 2 | 12A | 134 BPM | ||
| Cheek to Cheek | Steve Tyrell | C Major | 4 | 8B | 150 BPM | ||
| Fly Me To The Moon (In Other Words) | Nat King Cole, George Shearing | A♭ Minor | 1 | 1A | 101 BPM | ||
| You'll Never Know | Dick Haymes | D Minor | 1 | 7A | 81 BPM | ||
| I Get The Blues When It Rains | Sue Raney | G Minor | 3 | 6A | 114 BPM | ||
| Kiss & Run | Johnny Hartman | B♭ Minor | 1 | 3A | 117 BPM | ||
| Blame It On My Youth - Remastered | Nat King Cole | C Major | 1 | 8B | 66 BPM | ||
| These Foolish Things - Remastered 1995 | Lester Young | B♭ Major | 1 | 6B | 66 BPM | ||
| I Could Write A Book | Anita O'Day | D Minor | 3 | 7A | 148 BPM | ||
| Roses of Picardy | George Shearing | C Major | 3 | 8B | 114 BPM | ||
| Songs & Sonnets from Shakespeare: No. 7, Hey, Ho, the Wind and the Rain | George Shearing, Vasari Singers, Gareth Giles, Gareth Huw Davies, Jeremy Backhouse | F Major | 3 | 7B | 179 BPM | ||
| Misty - Remastered | Dakota Staton | B Major | 0 | 1B | 119 BPM | ||
| They Can't Take That Away from Me | Fred Astaire | C Major | 3 | 8B | 99 BPM | ||
| From Rags To Richards - 2003 Digital Remaster | George Shearing, Dakota Staton | A♭ Major | 4 | 4B | 102 BPM | ||
| You'd Be So Nice To Come Home To | Helen Merrill | C Major | 1 | 8B | 130 BPM | ||
| Lullaby of Birdland | George Shearing | B Major | 3 | 1B | 96 BPM | ||
| Isn't It Romantic? | Chet Baker Quartet | C Minor | 2 | 5A | 135 BPM | ||
| Mean to Me (2003 - Remaster) | Lester Young | C Major | 7 | 8B | 108 BPM |