Johnny Pearson's 'Thames Rhapsody - 60 Second Edit' had a release date set for January 1, 1988. With This song being less than two minutes long, at 1:04, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Johnny Pearson's "Kpm 1000 Series: Johnny Pearson Piano and Orchestra 1" album is number 16 out of 17. On top of that, United Kingdom appears to be the country where this track was created. In terms of popularity, Thames Rhapsody - 60 Second Edit is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Thames Rhapsody - 60 Second Edit by Johnny Pearson to be Andante (at a walking pace) because the track has a tempo of 93 BPM, a half-time of 46BPM, and a double-time of 186 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 3/4.
This song is in the music key of B Minor. This also means that this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Wedding In Agustinerkirche | Pino Donaggio | D Major | 2 | 10B | 58 BPM | ||
| Stay with Me Forever | Johnny Pearson and His Orchestra | A Major | 3 | 11B | 97 BPM | ||
| All Time High - From "Octopussy" | John Barry | C Minor | 0 | 5A | 85 BPM | ||
| Assault Course | Johnny Pearson | G Major | 0 | 9B | 0 BPM | ||
| Timebank Symphony | GGPoker | G Major | 3 | 9B | 121 BPM | ||
| Every Woman in the World | Ron Goodwin | C Minor | 2 | 5A | 75 BPM | ||
| I Sing to You (Souvenir): I Sing to You (Souvenir) | Eric Coates, BBC Philharmonic, John Wilson | F Major | 1 | 7B | 87 BPM | ||
| Walking and Step | John Chen Fitzgerald, Leonard The Van Giand | F Minor | 3 | 4A | 159 BPM | ||
| Interlude of My Imagination | Sibille Crawford, Chiara Brittanni, Metasymphony, Harold Harrison | F♯ Major | 5 | 2B | 144 BPM | ||
| A Breath of Summer | Johnny Pearson | A Major | 1 | 11B | 86 BPM | ||
| Try to Remember | Andre Kostelanetz & His Orchestra | F Major | 4 | 7B | 98 BPM | ||
| Brideshead Revisited Theme | Geoffrey Burgon | F Major | 1 | 7B | 147 BPM | ||
| Without You | 50 Guitars of Tommy Garrett | C Major | 3 | 8B | 72 BPM | ||
| Whispers of a Princess | Blush Notes | D Major | 2 | 10B | 81 BPM | ||
| To Love Again (adapted from a Chopin Nocturne) - The Eddy Duchin Story, 1956 | Tyrone Power, Carmen Cavallaro | E♭ Major | 3 | 5B | 96 BPM | ||
| Nineteen Twelve | John Barry, John Debney, Royal Scottish National Orchestra | C Major | 2 | 8B | 77 BPM | ||
| Baubles, Bangles and Beads | The Percy Faith Strings | C Major | 4 | 8B | 137 BPM | ||
| Morning Train | Ron Goodwin | A Minor | 3 | 8A | 125 BPM | ||
| 華麗なる賭け~風のささやき | シネマサウンズ・オーケストラ | C Minor | 3 | 5A | 119 BPM | ||
| Scarlet Ribbons | Enoch Light | E Minor | 2 | 9A | 65 BPM | ||
| All The Rivers Run - Opening Titles | Bruce Rowland | G Major | 4 | 9B | 133 BPM | ||
| Winning | John Barry, English Chamber Orchestra | F Major | 2 | 7B | 135 BPM | ||
| Susurros del Viento Tibio | Canto de Sueños Studio | B♭ Major | 2 | 6B | 180 BPM | ||
| Canta ao Pai | Cordas Divinas | G Major | 1 | 9B | 115 BPM | ||
| With You I’m Born Again | Philippe Dubois | B Minor | 4 | 10A | 90 BPM |