"Andres End Credits" by Duncan Thum, David Bertok had its release date on August 13, 2025. The duration of This song is about two minutes long, specifically at 2:17. This song does not appear to have any foul language. Andres End Credits's duration is considered a little bit shorter than the average duration of a typical track. The song is number 22 out of 22 in Chef's Table: Legends - José Andrés (Score from the Netflix Documentary Series) by Duncan Thum, David Bertok. Based on our statistics, Andres End Credits's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Andres End Credits by Duncan Thum, David Bertok is Moderato (at a moderate speed), since this song has a tempo of 120 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
G Minor is the music key of this track. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Salvage | Debbie Wiseman, The Locrian Ensemble Of London | C Minor | 1 | 5A | 103 BPM | ||
| They've All Gone White | Duncan Thum | F Major | 1 | 7B | 75 BPM | ||
| A Game of Sabotage | Theodore Shapiro | B♭ Minor | 0 | 3A | 72 BPM | ||
| East Side | Guy Farley | A♭ Major | 4 | 4B | 137 BPM | ||
| Agent of Change | Duncan Thum, David Bertok | G Minor | 2 | 6A | 120 BPM | ||
| Ascensos Meteoriticos | Las Eternas | F♯ Major | 2 | 2B | 140 BPM | ||
| Eating the World | Nathan Barr, Dimitri Smith | G Minor | 1 | 6A | 65 BPM | ||
| The Rainmaker | Clinton Shorter | G Major | 1 | 9B | 119 BPM | ||
| Things Best Left Buried | Hannes De Maeyer | F♯ Minor | 1 | 11A | 137 BPM | ||
| The True Meaning Of Forever | Gabríel Ólafs | E♭ Major | 1 | 5B | 68 BPM | ||
| The Path Ahead | Chris Roe | E Minor | 1 | 9A | 100 BPM | ||
| Life: III | Oliver Davis, Huw Watkins, Royal Philharmonic Orchestra, Julian Kershaw | A Major | 3 | 11B | 120 BPM | ||
| Sequence Four (Arr. for Orchestra by Peter Gregson) | Peter Gregson, Annabelle Traves | F Major | 3 | 7B | 106 BPM | ||
| Minibar | Duncan Thum, David Bertok | G Minor | 2 | 6A | 120 BPM | ||
| Meditation 3 on Allegretto from Beethoven Symphony No. 7 Op. 92 | Laura Karpman | A Minor | 0 | 8A | 95 BPM | ||
| A Gift To The World | Tyler Strickland | A Major | 3 | 11B | 83 BPM | ||
| Day Trip | Bear McCreary, Sparks & Shadows | C Minor | 1 | 5A | 79 BPM | ||
| Dies Mercurii I Martius (From "The Da Vinci Code") - Church Organ Version | Hans Zimmer, Aureon Vale, Sacred Mystery | C Major | 2 | 8B | 124 BPM | ||
| Shaping My Movements | Roger Goula, Sam Thompson | G Major | 5 | 9B | 176 BPM | ||
| Le premier matin | Erwann Kermorvant, Anastasia Kobekina | A Minor | 1 | 8A | 157 BPM | ||
| Chronicle of Time | Guy Skornik, Elisabeth Skornik | G Minor | 4 | 6A | 134 BPM | ||
| Building | Dan Deacon | D Major | 3 | 10B | 165 BPM | ||
| The Mona Lisa | Caroline Shaw, Attacca Quartet, John Patitucci, Sō Percussion, Roomful of Teeth | G Major | 1 | 9B | 120 BPM | ||
| Capacity Max 6 Persons | Hannes De Maeyer, Ruben de Gheselle | E Minor | 0 | 9A | 173 BPM | ||
| Dolomites, pale mountains: I. Marmolada | Rachel Portman, LGT Young Soloists, Alexander Gilman | G Major | 0 | 9B | 86 BPM |