Chris Hall, Christopher Hall's ' "Direct Route - Direct Route (60 sec)" was released on its scheduled release date, March 6, 2017. With This song being less than two minutes long, at 1:00, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 75 in the song's album "Our World In Widescreen 1". In this album, this song's track order is #66. Furthermore, we believe that the track originated from United Kingdom. Based on our statistics, Direct Route - Direct Route (60 sec)'s popularity is unknown right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
With Direct Route - Direct Route (60 sec) by Chris Hall, Christopher Hall having a BPM of 120 with a half-time of 60 BPM and a double-time of 240 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
G Minor is the music key of this track. Which also means that the camelot key for this song is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Out | Dorian Concept | D Major | 5 | 10B | 96 BPM | ||
| In The Name Of | SEGA SOUND TEAM, 吉田 沙織 | E Major | 6 | 12B | 100 BPM | ||
| Runaway Quartet | Moments | F Minor | 7 | 4A | 130 BPM | ||
| Brisant | Uviris | A Minor | 1 | 8A | 133 BPM | ||
| Practicing | James Newberry | C Major | 2 | 8B | 119 BPM | ||
| Uncovering Ground | Steve Jablonsky | F♯ Major | 2 | 2B | 105 BPM | ||
| MALICIOUS SECOND HAND | Kenichiro Suehiro | E Minor | 7 | 9A | 98 BPM | ||
| We have to go | DOLKINS | F Major | 2 | 7B | 125 BPM | ||
| Pegui | dj lincon | G Major | 8 | 9B | 128 BPM | ||
| Lilith In Starlight | CopacetiCat | D♭ Minor | 2 | 12A | 120 BPM | ||
| Dustblown Travels | Phyrnna | A Minor | 2 | 8A | 112 BPM | ||
| Welcome to Woodburrow | Lorne Balfe | C Major | 0 | 8B | 130 BPM | ||
| The Wasteland | Ben Prunty | C Minor | 6 | 5A | 120 BPM | ||
| Bakumatsu I | Akihiro Manabe | G Major | 8 | 9B | 128 BPM | ||
| Gunnlod | Enizzyo | C Major | 4 | 8B | 150 BPM | ||
| Confronting The Wolf (Bonus Track) | Jim Guthrie | E Major | 6 | 12B | 145 BPM | ||
| Castle Tides | Crazyblox, Manel Navola | E♭ Minor | 2 | 2A | 140 BPM | ||
| Get Busy - Medieval Bardcore Version | Beedle The Bardcore | B♭ Minor | 6 | 3A | 90 BPM | ||
| Skittles Gang | Andrew Arcadi, Skyler Barto | E Major | 2 | 12B | 76 BPM | ||
| Dry Skin | DropAir ZZ | G Major | 8 | 9B | 128 BPM | ||
| No Glory in Killing | Soundscape | C Minor | 2 | 5A | 89 BPM | ||
| Out Of Place | Cris Velasco | G Major | 8 | 9B | 128 BPM | ||
| To the Monsters We're the Monsters | Dan Romer | A Minor | 3 | 8A | 65 BPM | ||
| 18 Hands Recomposed | Alfonso Peduto | E Minor | 4 | 9A | 138 BPM | ||
| Felbomlasztott Mentökocsi | Venetian Snares | F Major | 2 | 7B | 82 BPM |