Rajkot Gurukul's ' "Dari Mohani" was released on its scheduled release date, April 7, 2012. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 10 in the song's album "Rasik Piya Ghanshyam ...". In this album, this song's track order is #10. Furthermore, we believe that the track originated from India. Dari Mohani is not that popular right now. The mood doesn't appear to be that danceable, but it still produces a high amount of positive energy.
With Dari Mohani by Rajkot Gurukul having a BPM of 77 with a half-time of 38 BPM and a double-time of 154 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of D♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Hari Hari Te Van No Morlo Girdhari Re | Kiran Prajapati | E Major | 8 | 12B | 144 BPM | ||
| He Temarvani Aade Re Jo | Jashvant Rathva | F Minor | 8 | 4A | 112 BPM | ||
| Ame To Tara | Nidhi Dholakia | B♭ Minor | 4 | 3A | 144 BPM | ||
| HARI HARI BOL | NITIN DEVKA-NIDHO DHOLKIA | B♭ Minor | 7 | 3A | 51 BPM | ||
| Janani Ni Jod Sakhi | Nidhi Dholakia | B♭ Minor | 3 | 3A | 121 BPM | ||
| Paryushanam Vandanam | Roopesh Jain, Ankur Jain Ank | C Major | 8 | 8B | 120 BPM | ||
| Bahuchar Maa Ni Arti | Atul Purohit, Himali Vora, Iqbal Meer | A♭ Major | 6 | 4B | 137 BPM | ||
| Bhaktachintamani Prakaran 4 | Rajkot Gurukul | F♯ Major | 3 | 2B | 97 BPM | ||
| Guruwar Aapke Charno Mein Koti Koti Pranam | Rakesh Kumar Sharma | F♯ Major | 7 | 2B | 145 BPM | ||
| Ora Aavo Shyam | Harikrishna Patel | A Minor | 6 | 8A | 94 BPM | ||
| Itna Tu Karna Swami | Shri Prakash Gossai | F Major | 5 | 7B | 106 BPM | ||
| Te To Mathi Mathi Fervi Mala | Kiran Prajapati | F♯ Major | 7 | 2B | 135 BPM | ||
| Nirakhane Ganganamaan | Ashit Desai & Group | D♭ Major | 2 | 3B | 144 BPM | ||
| Moraliyo | Kanu Patel | B♭ Minor | 5 | 3A | 61 BPM | ||
| Sheelvant Sadhu Ne | Hari Bharwad | B♭ Minor | 4 | 3A | 78 BPM | ||
| Darshan Dejo Re Vahala Shrinathji | Nitin Devka, Nidhi Dholkiya | F♯ Major | 5 | 2B | 155 BPM | ||
| Aaj Mara Mandiriyama Male Shrinathji | Nidhi Dholakiya | F♯ Minor | 5 | 11A | 140 BPM | ||
| Shanidev Vandan | Nitin Devka | B Major | 3 | 1B | 75 BPM | ||
| Naman Hu Karu Visvapal Ne | Swami Shree Chhapaiyaprakashdasji | F♯ Major | 4 | 2B | 138 BPM | ||
| Venu Vagadto | Achal Mehta | B♭ Minor | 4 | 3A | 78 BPM | ||
| Aaj Utsav Ujvayo Re | Rajkot Gurukul | C Minor | 8 | 5A | 145 BPM | ||
| Bhajan Ek Satya Nam Nu Kariye | Kiran Prajapati | F♯ Major | 6 | 2B | 204 BPM | ||
| Hu Mukt Chhu 01 | Anmol Khatri | F Minor | 5 | 4A | 80 BPM | ||
| Aaj Mara Mandiriya Ma (feat. Priti Mandalia) | Paras Borkhatria, Priti Mandalia | F Minor | 6 | 4A | 90 BPM | ||
| Nirvikalp Uttam Ati | Artists Of Shree Swaminarayan Gurukul Rajkot Sansthan | B♭ Major | 6 | 6B | 106 BPM |