Chitra Roy's ' "Satya Maa Maa" was released on its scheduled release date, January 1, 2008. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 10 in the song's album "Nivedan". In this album, this song's track order is #4. Furthermore, we believe that the track originated from India. Satya Maa Maa is not that popular right now. The mood doesn't appear to be that danceable, but it still produces a high amount of positive energy.
With Satya Maa Maa by Chitra Roy having a BPM of 77 with a half-time of 38 BPM and a double-time of 154 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
F Minor is the music key of this track. Because this track belongs in the F Minor key, the camelot key is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Hare Krishna Kirtan 8 | Sachi kumar Das | B Minor | 7 | 10A | 120 BPM | ||
| Ramam Bhajo Raghu Ramam Bhajo | Sri Sathya Sai Bhajans | E♭ Minor | 5 | 2A | 153 BPM | ||
| Parshwanath Prabhu Chalisa | Arohi Anil Agarkar, Rageshree Anil Agarkar | B♭ Minor | 4 | 3A | 124 BPM | ||
| Traipuraagra Vaase | Sri Ganapathy Sachchidananda Swamiji | F♯ Minor | 5 | 11A | 170 BPM | ||
| Madurapuri Nilaye Meenakshi | Sri Sathya Sai Bhajans | E Major | 6 | 12B | 129 BPM | ||
| Gurudebo Daya Karo Dinojane | Aparajita Chakraborty | B♭ Major | 6 | 6B | 82 BPM | ||
| Vishwambhari Stuti | Suresh Vadekar, Praful Dave, Pooja Kanodia | A Major | 8 | 11B | 131 BPM | ||
| Shri Shiv Sadakshar Stotra | Roop Kumar Rathod, Brijesh Shandilya | G Major | 3 | 9B | 81 BPM | ||
| Jage Alo Jage Pran | Aditi Munshi, Indranil Dutta | F Minor | 7 | 4A | 147 BPM | ||
| Bhabo Sagar Taran Karon He - Original | Apily Dutta Bhowmick, NA | C Major | 7 | 8B | 78 BPM | ||
| Shri Swami Samarth | Vinay Dolase | F♯ Minor | 5 | 11A | 142 BPM | ||
| Jai Vaishnavi Mata | Anuradha Paudwal, Kavita Paudwal | F Minor | 7 | 4A | 94 BPM | ||
| Is Bhavsagar Ka | Sharma Bandhu | A Major | 5 | 11B | 73 BPM | ||
| Govind Bolo Gopal Bolo | Meenal Jain, Prithvi Gandharv, Sudeep Banerji | D Major | 3 | 10B | 92 BPM | ||
| Srirudrashtakam; Goswami Tulsidas (Raga Kedar) | Pandit Chhannulal Mishra | E♭ Major | 5 | 5B | 141 BPM | ||
| Mata Chintpurni Aarti | BHAKTI MARG, Saleem | A♭ Minor | 4 | 1A | 90 BPM | ||
| O Radhy | Chitra Roy | D Minor | 6 | 7A | 122 BPM | ||
| Bad Sukh Saar | Rajni Pallavi | E♭ Major | 5 | 5B | 100 BPM | ||
| Sharade Jaya Sharade | Sri Sathya Sai Bhajans | E♭ Major | 5 | 5B | 134 BPM | ||
| Shiva Shambho | Vikram Hazra | F♯ Major | 2 | 2B | 129 BPM | ||
| Nitayi Gour Radhe Shyam Hare Krishna Hare Ram | Sur Shyam Gaushala Rajendra Das ji Maharaj | B♭ Major | 3 | 6B | 124 BPM | ||
| Darshanam Dev Devasya Stuti | Kishore Manraja | D Major | 1 | 10B | 133 BPM | ||
| O Vishvapati Tara Vishvase | Nidhi Dholakia | A♭ Major | 4 | 4B | 100 BPM | ||
| Hanuman Ji Ki Aarti | Shri. Mridul Krishna Shastri | D♭ Major | 6 | 3B | 95 BPM | ||
| Kali Durge | Vikram Hazra | D Major | 3 | 10B | 80 BPM |