- BPM
- 70
- Key
- B Minor
- Camelot
- 10A
Sonata Trilogica: II. Allegro con fuoco by Julius Röntgen, Atsuko Sahara, John Lenehan Song Details
"Sonata Trilogica: II. Allegro con fuoco" by Julius Röntgen, Atsuko Sahara, John Lenehan had its release date on July 1, 2014. This song is about six minutes long, preciously at 5:52, making this song fairly long compared to other songs. The song is number 17 out of 18 in Chamber Music, Vol. 1 by Julius Röntgen, John Lenehan, Atsuko Sahara. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. Sonata Trilogica: II. Allegro con fuoco is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
BPM and Tempo
The tempo marking of Sonata Trilogica: II. Allegro con fuoco by Julius Röntgen, Atsuko Sahara, John Lenehan is Adagio (slowly with great expression), since this song has a tempo of 70 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
Music Key
This song is in the music key of B Minor. This also means that this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
- Popularity
- 0%
- Loudness
- -21.462 dB
- Acousticness
- 97%
- Danceability
- 21%
- Energy
- 7%
- Instrumentalness
- 8%
- Liveness
- 9%
- Loudness
- 64%
- Speechiness
- 4%
- Valence
- 10%
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Dvorak: Violin Concerto in A Minor, Op. 53, B. 108: II. Adagio ma non troppo | Antonín Dvořák, Augustin Hadelich, Jakub Hrůša, Bavarian Radio Symphony Orchestra | F Major | 1 | 7B | 84 BPM | |
 | Piano Quartet in E-Flat Major, Op. 47: I. Sostenuto assai - Allegro ma non troppo | Robert Schumann, Isabelle Faust, Antoine Tamestit, Jean-Guihen Queyras, Alexander Melnikov | B♭ Major | 3 | 6B | 108 BPM | |
 | 3 Romances, Op. 22: I. Andante molto | Clara Schumann, Cédric Tiberghien, Alina Ibragimova | A Major | 1 | 11B | 87 BPM | |
 | Piano Concerto in F-Sharp Minor, Op. 20: IId. Var. 3. Adagio | Alexander Scriabin, Julius Asal, Danish National Symphony Orchestra, Fabio Luisi | B♭ Minor | 2 | 3A | 86 BPM | |
 | No. 1, Prélude. Moderato | César Franck, Jean-Pierre Armengaud | B Minor | 0 | 10A | 70 BPM | |
 | Miniatures, Op. 75a, B. 149: No. 3 in B-Flat Major, Romanza. Allegro | Antonín Dvořák, Josef Suk, Miroslav Ambroš, Karel Untermüller | G Major | 2 | 9B | 121 BPM | |
 | Broken Promises | Orithia | D Major | 6 | 10B | 98 BPM | |
 | Serenade for String Orchestra in C Minor, Op. posth.: VI. Andante sostenuto | Max Bruch, George Hanson, Sinfonieorchester Wuppertal | E♭ Major | 0 | 5B | 87 BPM | |
 | Du bist die Ruh, D 776 | Nils Mönkemeyer | E♭ Major | 0 | 5B | 68 BPM | |
 | Piano Trio No. 10 in A Major, "Gaudeamus": I. Con moto | Julius Röntgen, Storioni Trio | E Major | 0 | 12B | 135 BPM | |
 | Pie Jesu from Requiem, Op. 48 | Gabriel Fauré, Louis Lortie | B♭ Major | 0 | 6B | 74 BPM | |
 | Variations on a Rococo Theme, Op. 33: Var. 2 - Tempo della Thema | Pyotr Ilyich Tchaikovsky, Pablo Ferrandez, Martin Fröst, Swedish Chamber Orchestra | D Minor | 1 | 7A | 109 BPM | |
 | 10 Preludes, Op. 23: No. 10 in G-Flat Major | Sergei Rachmaninoff, Jean-Baptiste Fonlupt | D♭ Major | 1 | 3B | 126 BPM | |
 | Sonata for Piano and Violin No. 3 in G Minor, Op. Posth. 137, D. 408: II. Andante | Franz Schubert, David Grimal, Valery Afanassiev | E♭ Major | 0 | 5B | 89 BPM | |
 | Grieg: Cello Sonata in A Minor, Op. 36: I. Allegro agitato | Edvard Grieg, Truls Mørk, Håvard Gimse | D♭ Major | 1 | 3B | 121 BPM | |
 | Cello Sonata No. 1 in B-Flat Major, Op. 3: I. Allegro moderato | Julius Röntgen, Jean Decroos, Danielle Dechenne | B Major | 1 | 1B | 64 BPM | |
 | Shostakovich: String Quartet No. 10 in A-Flat Major, Op. 118: III. Adagio | Dmitri Shostakovich, Brodsky Quartet | A Major | 1 | 11B | 78 BPM | |
 | Entr'acte to Act III | Heinrich Marschner, Czech Philharmonic Chamber Orchestra, Dario Salvi | A Major | 1 | 11B | 110 BPM | |
| Auf dem Wasser zu singen, D 774 | Nils Mönkemeyer | A♭ Minor | 1 | 1A | 176 BPM | |
 | Piano Concerto for the Left Hand No. 1: III. Var. 3 | Josef Labor, Oliver Triendl, Deutsche Staatsphilharmonie Rheinland-Pfalz, Eugene Tzigane | E♭ Major | 1 | 5B | 109 BPM | |
 | 5 Pieces for 2 Violins & Piano (Arr. for 2 Violins & Piano by Lev Atovmyan): No. 2, Gavotte. Tranquillo, molto leggiero | Dmitri Shostakovich, Julia Fischer, Kirill Troussov, Henri Bonamy | A Major | 1 | 11B | 81 BPM | |
 | Sinfonietta, FP 141: IV. Finale | Francis Poulenc, RTÉ National Symphony Orchestra, Jean-Luc Tingaud | B♭ Major | 1 | 6B | 79 BPM | |
 | Haydn: String Quartet in D Minor, Op. 76 No. 2, Hob. III:76 "Fifths": IV. Finale. Vivace assai | Joseph Haydn, Quatuor Arod | C Minor | 2 | 5A | 82 BPM | |
 | Piano Sonata No. 32, Op. 111: I. Maestoso - Allegro Con Brio Ed Appassionato - Duca 146 | Ludwig van Beethoven, Julius Röntgen, Peter Phillips | A♭ Major | 1 | 4B | 65 BPM | |
 | The Seasons, Op. 37a: I. January. Au coin du feu. Moderato semplice ma espressivo | Pyotr Ilyich Tchaikovsky, Pavel Kolesnikov | B Minor | 4 | 10A | 75 BPM |
- ISRC
- GBJZY1402417
- Label
- L-M Records/RCA Records