"Inductee [Bonus Track] - Instrumental" by H. Anton Riehl had its release date on April 21, 2020. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 15 in the song's album "Receiver II (Original Game Soundtrack)". In this album, this song's track order is #12. Based on our statistics, Inductee [Bonus Track] - Instrumental's popularity is not that popular right now. Although the overall vibe is very danceable, it does project more negative sounds.
With Inductee [Bonus Track] - Instrumental by H. Anton Riehl having a BPM of 140 with a half-time of 70 BPM and a double-time of 280 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with jogging or cycling. The time signature for this track is 5/4.
This song is in the music key of C Minor. Which also means that the camelot key for this song is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Individualmente Imprescindible | Antiguo Futuro | D Minor | 6 | 7A | 167 BPM | ||
| シモヤマケース 〜Misty Train D51~ | Kenji Kawai | G Minor | 0 | 6A | 120 BPM | ||
| The Underground | Mark Morgan | A Major | 4 | 11B | 84 BPM | ||
| Hurry Up | Mikołaj Kurpios | B Minor | 1 | 10A | 79 BPM | ||
| Walking the Whaleyard | Hudson Bikichky | F♯ Major | 2 | 2B | 94 BPM | ||
| La Carte | Martin Madrazo, Martin Lamo | F♯ Major | 0 | 2B | 43 BPM | ||
| Meditation to Prevent the Mindkill | H. Anton Riehl | G Major | 0 | 9B | 108 BPM | ||
| Saturation | Joel Sandro, Joel | F Minor | 2 | 4A | 95 BPM | ||
| The Hole in the Web | Witch Bolt | G Minor | 0 | 6A | 63 BPM | ||
| Il Cerchio Infuocato | Non Binary | D Major | 2 | 10B | 80 BPM | ||
| Pozos Sin Fondos | Jardin De Dudas | A Minor | 2 | 8A | 111 BPM | ||
| Meditation of the Threat | H. Anton Riehl | C Minor | 1 | 5A | 85 BPM | ||
| A Su Salud | Moon Vagrants | G Minor | 3 | 6A | 80 BPM | ||
| Noir Blanc | Safura Gokmen, Snizilla | E Major | 2 | 12B | 83 BPM | ||
| Desvaneciendo Detalles | Antiguo Futuro | A Minor | 0 | 8A | 75 BPM | ||
| Beneath the Shadows | Mikko Tarmia, H. Anton Riehl | D♭ Minor | 2 | 12A | 74 BPM | ||
| Apocalyptic Fog | Ambience Mastery | C Minor | 2 | 5A | 61 BPM | ||
| The Realm of Coral | Charlotte Trapasso | D Minor | 1 | 7A | 83 BPM | ||
| Lagrimas | Verdes Atardeceres | A Minor | 1 | 8A | 69 BPM | ||
| Meadows | Mikko Tarmia, H. Anton Riehl | B♭ Major | 2 | 6B | 56 BPM | ||
| Southern Swamp (Day) | Kassil | D♭ Major | 0 | 3B | 100 BPM | ||
| Sweet Poison | Liliya Kumar, Lofi Chills | D♭ Major | 2 | 3B | 105 BPM | ||
| Venizia | Nonyas | C Major | 2 | 8B | 132 BPM | ||
| An Inductees First Meditation | H. Anton Riehl | D♭ Minor | 1 | 12A | 140 BPM | ||
| Perambulation in Praetor | Antonio Gradanti, Interleave | G Minor | 2 | 6A | 121 BPM |