"マードックからの最後の手紙" by 静岡大学吹奏楽団 had its release date on June 27, 2020. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There is only one song in 静岡大学吹奏楽団 第52回定期演奏会, so we believe that "マードックからの最後の手紙" is a single. マードックからの最後の手紙 is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of マードックからの最後の手紙 by 静岡大学吹奏楽団 is Adagio (slowly with great expression), since this song has a tempo of 73 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
G Minor is the music key of this track. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| 課題曲(Ⅱ)龍潭譚 | 常総学院高等学校吹奏楽部 | B♭ Minor | 3 | 3A | 149 BPM | ||
| 交響曲第4番 ヘ短調 Op. 36: IV. Finale. Allegro con fuoco | Pyotr Ilyich Tchaikovsky, NHK Symphony Orchestra, Tadaaki Otaka | A♭ Major | 2 | 4B | 67 BPM | ||
| Fascination Fanfare - Symphonic Version | Otto M. Schwarz, Military Band of Lower Austria & Colonel Adi Obendrauf | B♭ Major | 5 | 6B | 120 BPM | ||
| 華麗なる舞曲 | Claude T. Smith, 精華女子高等学校吹奏楽部 | B♭ Major | 4 | 6B | 74 BPM | ||
| カーニバルのマーチ(1988年) | Japan Air Self-Defense Force Central Band | D Minor | 5 | 7A | 126 BPM | ||
| ボレロ | Maurice Ravel, Tokyo Symphony Orchestra | E Minor | 6 | 9A | 175 BPM | ||
| Aurora Borealis | Rossano Galante, Ad Hoc Wind Orchestra | E♭ Major | 3 | 5B | 66 BPM | ||
| 組曲仮面舞踏会 5. ギャロップ | Aram Khachaturian, 山田和樹, Czech Philharmonic Orchestra | B♭ Major | 5 | 6B | 151 BPM | ||
| 「美女と野獣」より | Alan Menken, 埼玉県立伊奈学園総合高等学校吹奏楽部 | E Major | 3 | 12B | 77 BPM | ||
| ラッキードラゴン ~第五福竜丸の記憶~ | 福島 弘和, 伊奈学園OB吹奏楽団 | F Minor | 2 | 4A | 66 BPM | ||
| マードックからの最後の手紙 | 樽屋雅徳, 関西の吹奏楽 | B♭ Major | 2 | 6B | 108 BPM | ||
| Suite "The Planets" Op.32: 1. Mars - The Bringer of War | Gustav Holst, Djong Victorin Yu, Philharmonia Orchestra | A♭ Major | 3 | 4B | 135 BPM | ||
| アトラス ~夢への地図 (小編成版) | 土気シビックウインドオーケストラ, 加養浩幸 | B♭ Minor | 2 | 3A | 117 BPM | ||
| Journey through the Stratosphere | Rossano Galante, Ad Hoc Wind Orchestra | E♭ Major | 3 | 5B | 82 BPM | ||
| オセロ III- オセロとデズデモーナ | Alfred Reed, Kim Seong-hyang, Tokyo Kosei Wind Orchestra | G Minor | 1 | 6A | 60 BPM | ||
| 吹奏楽のための風景詩「陽が昇るとき」より | 神奈川大学吹奏楽部 | A Major | 3 | 11B | 137 BPM | ||
| 丘の上のレイラ | 神奈川大学吹奏楽部 | G Minor | 8 | 6A | 128 BPM | ||
| ブリュッセル・レクイエム | B.Appermont, 東海大学菅生高等学校吹奏楽部 | E♭ Major | 4 | 5B | 88 BPM | ||
| 組曲 展覧会の絵, 10. キエフの大門 | Modest Mussorgsky, Maurice Ravel, Ken-Ichiro Kobayashi, Arnhem Philharmonic Orchestra | F♯ Minor | 4 | 11A | 79 BPM | ||
| 高度な技術への指標 | 河辺公一, Yutaka Sado, Siena Wind Orchestra | E♭ Major | 7 | 5B | 134 BPM | ||
| シンフォニエッタ第2番「祈りの鐘」 | 東海大学付属札幌高等学校吹奏楽部 | B♭ Minor | 3 | 3A | 149 BPM | ||
| El Camino Real | Alfred Reed, Senzoku Gakuen Symphonic Wind Orchestra | D Minor | 3 | 7A | 79 BPM | ||
| フィールズ・オーバーチュア - 小編成版 | フィルハーモニック・ウインズ 大阪 | C Minor | 2 | 5A | 144 BPM | ||
| 沢地萃 - 吹奏楽版 | Japan Maritime Self-Defense Force Band,Tokyo | C Major | 2 | 8B | 143 BPM | ||
| Fanfare and Flourishes | James Curnow, CMVS Staff Band, Jonathan W. Corry | B♭ Major | 3 | 6B | 83 BPM |