Francesca da Rimini, Act IV: Mia cara donna, voi m'attendevate? (Gianciotto) by Riccardo Zandonai, Orchestra Sinfonica Nazionale della RAI di Roma, Carlo Tagliabue, Antonio Guarnieri Song Details

"Francesca da Rimini, Act IV: Mia cara donna, voi m'attendevate? (Gianciotto)" by Riccardo Zandonai, Orchestra Sinfonica Nazionale della RAI di Roma, Carlo Tagliabue, Antonio Guarnieri had its release date on August 5, 2014. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. This song is part of Zandonai: Francesca da Rimini by Riccardo Zandonai, Antonio Guarnieri, Maria Caniglia, Orchestra Sinfonica Nazionale della RAI di Roma, Giacinto Prandelli, Carlo Tagliabue, Mario Carlin, Ornella Rovero, Mario Tommasini. The song's track number on the album is #8 out of 24 tracks. Based on our data, Italy was the country where this track was produced or recorded. Francesca da Rimini, Act IV: Mia cara donna, voi m'attendevate? (Gianciotto) is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

BPM and Tempo

Since Francesca da Rimini, Act IV: Mia cara donna, voi m'attendevate? (Gianciotto) by Riccardo Zandonai, Orchestra Sinfonica Nazionale della RAI di Roma, Carlo Tagliabue, Antonio Guarnieri has a tempo of 64 beats per a minute, the tempo markings of this song would be Larghetto (rather broadly). With Francesca da Rimini, Act IV: Mia cara donna, voi m'attendevate? (Gianciotto) being at 64 BPM, the half-time would be 32 BPM with a double-time of 128 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 4/4.

Music Key

This song has a musical key of C Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.

Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!

Popularity: 0%
Loudness: -17.449 dB
Acousticness: 99%
Danceability: 26%
Energy: 13%
Instrumentalness: 1%
Liveness: 41%
Loudness: 71%
Speechiness: 5%
Valence: 8%

Recommendations

Track	Artist	Key	Energy	Camelot	BPM
Lucia di Lammermoor / Act 3: "Oh! qual funesto avvenimento!"	Gaetano Donizetti, Nicolai Ghiaurov, Chorus of the Royal Opera House, Covent Garden, Orchestra of the Royal Opera House, Covent Garden, Richard Bonynge	F♯ Minor	2	11A	81 BPM
Don Pasquale, Act I Seconda Scena: Son rinato. Or si parli al nipotino (Pasquale/Ernesto)	Gaetano Donizetti, Sesto Bruscantini/Leo Nucci/Philharmonia Orchestra/Riccardo Muti, Riccardo Muti, Philharmonia Orchestra	C Major	1	8B	77 BPM
Spleen, RZ 228	Riccardo Zandonai, Stefano Guarino, Orchestra da Camera di Trento, Giancarlo Guarino	A Minor	2	8A	102 BPM
Lasciatemi, lasciatemi andar via !	Riccardo Zandonai, Gianandrea Gavazzeni	D Major	4	10B	115 BPM
Attila, Act II: Ah! - Lo spirto de'monti	Giuseppe Verdi, Samuel Ramey, Cheryl Studer, Giorgio Zancanaro, Neil Shicoff, Ernesto Gavazzi, Coro Del Teatro Alla Scala Di Milano, Riccardo Muti, Giorgio Surian, Orchestra Del Teatro Alla Scala, Milano	C Major	2	8B	78 BPM
Tosca, Act I: Eccellenza, vado? – Gente là dentro!	Giacomo Puccini, Eleonora Buratto, Jonathan Tetelman, Giorgi Manoshvili, Davide Giangregorio, Orchestra dell'Accademia Nazionale di Santa Cecilia, Daniel Harding	E♭ Minor	3	2A	135 BPM
Norma (Ed. Biondi & Minasi), Act I Scene 1: Me protegge, me difende	Vincenzo Bellini, John Osborn, Reinaldo Macias, International Chamber Vocalists, Orchestra La Scintilla, Giovanni Antonini	E♭ Major	4	5B	59 BPM
Tosca, Act I: Sommo giubilo, Eccelenza!	Giacomo Puccini, Davide Giangregorio, Coro dell'Accademia Nazionale Di Santa Cecilia, Orchestra dell'Accademia Nazionale di Santa Cecilia, Daniel Harding	E♭ Minor	3	2A	135 BPM
Lucia di Lammermoor / Act 3: "Ah! cessate quel contento"	Gaetano Donizetti, Nicolai Ghiaurov, Chorus of the Royal Opera House, Covent Garden, Orchestra of the Royal Opera House, Covent Garden, Richard Bonynge	G Major	1	9B	84 BPM
Cavalleria rusticana: Duet. Ah! lo vedi – Turiddu, ascolta!	Pietro Mascagni, Fiorenza Cossotto, Carlo Bergonzi, Orchestra Del Teatro Alla Scala, Milano, Herbert von Karajan	F Minor	3	4A	133 BPM
Puccini : Tosca : Act 2 "Vissi d'arte" [Tosca]	Giacomo Puccini, Zubin Mehta, Orchestra Sinfonica	E Major	1	12B	106 BPM
Bolivar, Op. 236: Berceuse	Darius Milhaud, Orchestre De La Société Des Concerts Du Conservatoire, Janine Micheau	B Minor	2	10A	84 BPM
Verdi: Otello, Act 4: "Ave Maria, piena di grazia" (Desdemona)	Giuseppe Verdi, Herbert von Karajan, Mirella Freni, Berliner Philharmoniker	A♭ Major	0	4B	91 BPM
Francesca da Rimini, Act IV: Perchè tanto sei strano? (Live)	Riccardo Zandonai, Orchestra Del Teatro Alla Scala, Milano, Magda Olivero, Piero de Palma, Gianandrea Gavazzeni	E♭ Major	5	5B	140 BPM
Ultima rosa	Riccardo Zandonai, Ida Fratta, Gianna Fratta	G Minor	0	6A	88 BPM
Carmen / Act 2: Quintette: "Nous avons en tête une affaire!"	Georges Bizet, Christine Barbaux, Jane Berbié, Agnes Baltsa, Heinz Zednik, Gino Quilico, Berliner Philharmoniker, Herbert von Karajan	F Minor	1	4A	72 BPM
La Gioconda, Op. 9: "Enzo Grimaldo, Principe di Santafior, che pensi?"	Amilcare Ponchielli, Jonas Kaufmann, Ludovic Tezier, Antonio Pappano, Orchestra of the Accademia di Santa Cecilia, Rome	F Minor	0	4A	167 BPM
Francesca da Rimini, Op. 4, Act II: Questo cimento	Riccardo Zandonai, Christina Vasileva, Martin Mühle, Freiburger Kammerchor, Vokalensemble der Hochschule für Musik Freiburg, Extrachor des Theater Freiburg, Opernchor des Theater Freiburg, Philharmonisches Orchester Freiburg, Fabrice Bollon	D Major	4	10B	96 BPM
Madama Butterfly, SC 74, Act I: Bimba dagli occhi pieni ci malia	Giacomo Puccini, Miriam Gauci, Yordy Ramiro, Slovak Radio Symphony Orchestra, Ali Rahbari	A Major	1	11B	84 BPM
Andrea Chénier / Act 1: Passiamo la sera allegramente! ... O Pastorelle addio!	Umberto Giordano, Hugues Cuénod, Florindo Andreolli, Astrid Varnay, Luciano Pavarotti, Montserrat Caballé, Chorus of the Welsh National Opera, National Philharmonic Orchestra, Riccardo Chailly	A Major	1	11B	75 BPM
L'elisir d'amore / Act II: "Saria possibile?"	Gaetano Donizetti, Metropolitan Opera Chorus, David Stivender, Dawn Upshaw, Metropolitan Opera Orchestra, James Levine	B Major	0	1B	119 BPM
Donizetti: Don Pasquale, Act 2: "Via, da brava" (Malatesta, Norina, Pasquale)	Gaetano Donizetti, Riccardo Muti, Leo Nucci, Mirella Freni, Sesto Bruscantini, Philharmonia Orchestra	E Major	2	12B	122 BPM
Francesca da Rimini, Act III: O Smaragdi, non torna? (Live)	Riccardo Zandonai, Orchestra Del Teatro Alla Scala, Milano, Magda Olivero, Gabriella Carturan, Gianandrea Gavazzeni	A Minor	1	8A	69 BPM
Lucrezia Borgia / Act 1: Maffio Orsini, signora, son io	Gaetano Donizetti, Marilyn Horne, John Bröcheler, Piero de Palma, Graham Clark, Lieuwe Visser, Giacomo Aragall, National Philharmonic Orchestra, Richard Bonynge	F Minor	4	4A	103 BPM
The Dream of Gerontius, Op. 38, Part II: No. 3, My work is done (Angel)	Edward Elgar, Edward Gardner, London Philharmonic Orchestra, Jamie Barton	D Major	2	10B	86 BPM