George Lewis's ' "Hindustan" was released on its scheduled release date, 1958. The duration of This song is about 3 minutes long, at 3:04. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 10 in the song's album "The Perennial George Lewis". In this album, this song's track order is #10. Furthermore, we believe that the track originated from Australia. Based on our statistics, Hindustan's popularity is unknown right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
With Hindustan by George Lewis having a BPM of 127 with a half-time of 64 BPM and a double-time of 254 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song is in the music key of B♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Composition No. 69 O | Anthony Braxton, Gerry Hemingway, George Lewis, John Lindberg | B♭ Major | 5 | 6B | 94 BPM | ||
| Rhythm Jam | Gene Krupa | B♭ Major | 8 | 6B | 116 BPM | ||
| Lovers Blues | Giorgio Cuscito, Karen Elizabeth Smith | B♭ Major | 6 | 6B | 98 BPM | ||
| Wail Of The Scromph | Gene Sedric, Al Casey | A♭ Major | 2 | 4B | 86 BPM | ||
| Indian Sagua | George Lewis | A Minor | 6 | 8A | 112 BPM | ||
| Now Is The Hour | George Lewis, Finn Otto Hansen, Arne Bue Jensen, Jørgen Svare, Bjarne Petersen, Mogens Seidelin, Ib Lindschouw | F Major | 8 | 7B | 192 BPM | ||
| Lead Me Saviour | George Lewis | C Minor | 2 | 5A | 111 BPM | ||
| Blues for Jimmie | Acker Bilk & His Paramount Jazz Band | F Major | 4 | 7B | 102 BPM | ||
| Ballin' the Jack (1942) | Bunk Johnson, George Lewis, Big Jim Robinson | E♭ Major | 8 | 5B | 153 BPM | ||
| Isle of Capri | Ken Colyer's Jazzmen | A Minor | 7 | 8A | 208 BPM | ||
| I've Found A New Baby | Willie & His Negro Band Lewis | C Major | 6 | 8B | 114 BPM | ||
| Dicty blues | The Veterinary Street Jazz Band | E♭ Major | 3 | 5B | 132 BPM | ||
| In The Sweet Bye And Bye | George Lewis, Finn Otto Hansen, Arne Bue Jensen, Jørgen Svare, Bjarne Petersen, Mogens Seidelin, Ib Lindschouw | B♭ Major | 5 | 6B | 94 BPM | ||
| The Pink Room | Giorgio Cuscito | D♭ Major | 4 | 3B | 175 BPM | ||
| Come on Coot & Do That Thing | Chris Barber's Jazz & Blues Band | F Major | 3 | 7B | 112 BPM | ||
| Storyville Blues (1942) | Bunk Johnson, George Lewis, Big Jim Robinson | B♭ Major | 5 | 6B | 94 BPM | ||
| Smiles - 1996 Remastered | Benny Goodman Quartet | B♭ Minor | 3 | 3A | 75 BPM | ||
| Beale Street Blues | George Lewis | A♭ Major | 3 | 4B | 158 BPM | ||
| Beautiful Dreamer | Gentlemen Of Jazz | C Minor | 4 | 5A | 96 BPM | ||
| Nice and Easy Blues | Vic Dickenson | A♭ Major | 4 | 4B | 118 BPM | ||
| Old Fashioned Love | Bridgetown Sextet | F Major | 2 | 7B | 119 BPM | ||
| Someday Sweetheart | The Charleston Chasers | F Major | 2 | 7B | 108 BPM | ||
| Bearcat shuffle | Andy Kirk & His 12 clouds of Joy, Andy Kirk | A Minor | 4 | 8A | 155 BPM | ||
| Deep Harlem | Irving Mills & His Hotsy Totsy Gang | D Minor | 2 | 7A | 94 BPM | ||
| Weary Blues | George Lewis, Elmer Talbert, Lawrence Marrero, Alcide "Slow Drag" Pavageau, Joe Watkins | F Major | 3 | 7B | 79 BPM |