岡田奈々's ' "だめですか" was released on its scheduled release date, November 5, 1978. The duration of This song is about 3 minutes long, at 3:13. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in 岡田奈々's "Mr. アレンジャー" album is number 5 out of 10. On top of that, Japan appears to be the country where this track was created. The popularity of だめですか is currently unknown right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
We consider the tempo marking of だめですか by 岡田奈々 to be Prestissimo (even faster than presto) because the track has a tempo of 206 BPM, a half-time of 103BPM, and a double-time of 412 BPM. The time signature for this track is 4/4.
D Minor is the music key of this track. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| GOOD-BYE MORNING | Mayo Shono | G Major | 3 | 9B | 74 BPM | ||
| 歌、この不思議なもの | Sayuri Ishikawa | B Major | 2 | 1B | 144 BPM | ||
| 野暮 | Yasuko Naito | F♯ Minor | 4 | 11A | 80 BPM | ||
| くちづけは永遠に終わらない | Midori Karashima | A Minor | 8 | 8A | 124 BPM | ||
| そこには 幸せが もう生まれているから | Agnes Chan | F Minor | 6 | 4A | 105 BPM | ||
| これからのI Love You | 中山美穂 | A Major | 5 | 11B | 138 BPM | ||
| 砂浜 | N.S.P | A Minor | 4 | 8A | 89 BPM | ||
| Sunriseフィーリング | 岡田奈々 | E Minor | 5 | 9A | 107 BPM | ||
| 君がここにいてほしい - 2022 Remaster | Kiyotaka Sugiyama | F♯ Major | 5 | 2B | 80 BPM | ||
| 夜更けのスローダンス | Beat Flickers | E Minor | 5 | 9A | 107 BPM | ||
| Twinkle Talk (「七つの海のティコ」より) | 篠塚満由美 | E♭ Major | 4 | 5B | 83 BPM | ||
| ひとりぼっちのサーカス | Hitomi Ishikawa | G Minor | 5 | 6A | 98 BPM | ||
| 歳時記 | Masashi Sada | G Major | 4 | 9B | 112 BPM | ||
| 恋占いはいかが? | 岡田奈々 | E Minor | 5 | 9A | 107 BPM | ||
| この夜に | Yumi Tanimura | E Major | 9 | 12B | 120 BPM | ||
| ふる里に帰ろう | Sayuri Ishikawa | B Minor | 6 | 10A | 166 BPM | ||
| スタンダード | 森川美穂 | D Major | 7 | 10B | 83 BPM | ||
| セシル - 2015 Remaster | 浅香 唯 | A Major | 3 | 11B | 171 BPM | ||
| 快盗ルビイ(Live at 中野サンプラザホール 2022.3.21) | Kyoko Koizumi | E Major | 8 | 12B | 88 BPM | ||
| 聖なる山に私を連れて行き | Vineyard Christian Fellowship Japan | G Major | 3 | 9B | 130 BPM | ||
| 心だけでも… | 長山洋子 | B Minor | 2 | 10A | 81 BPM | ||
| 変わったのは私 | From Next Door | D Minor | 5 | 7A | 145 BPM | ||
| Espressoでお別れ | Machiko Watanabe | A Minor | 5 | 8A | 133 BPM | ||
| 二人の夏 | Megumi Shiina | F Major | 4 | 7B | 120 BPM | ||
| うりずんの頃 | Aiko Moriyama | G Major | 4 | 9B | 144 BPM |