Sidney Bechet's ' "Black And Blue" was released on its scheduled release date, January 1, 2000. With this song being around four minutes long, at 3:36, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 17 in the song's album "The Fabulous Sidney Bechet". In this album, this song's track order is #11. In terms of popularity, Black And Blue is currently below average in popularity. The overall mood can be danceable to some, especially with it's high amount of postive energy.
With Black And Blue by Sidney Bechet having a BPM of 90 with a half-time of 45 BPM and a double-time of 180 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
This song has a musical key of A Minor. Which also means that the camelot key for this song is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Blues My Naughty Sweetie Gives To Me - Alternate Take | Sidney Bechet | G Minor | 4 | 6A | 131 BPM | ||
| Jeep's Blues | Johnny Hodges & His Orchestra | B♭ Major | 2 | 6B | 83 BPM | ||
| Le jazz hot | Jimmie Lunceford & His Orchestra, Jimmie Lunceford | G Major | 6 | 9B | 147 BPM | ||
| Moulin à café | Sidney Bechet | B♭ Major | 8 | 6B | 206 BPM | ||
| If Dreams Come True | Chick Webb | D Minor | 2 | 7A | 97 BPM | ||
| Shout 'Em Aunt Tillie | Chris Barber's Jazz Band | D Minor | 5 | 7A | 169 BPM | ||
| When the Quailccome Back to San Quentin | Hot Swing Sextet | C Major | 5 | 8B | 88 BPM | ||
| Twenty Four Robbers | Jimmie Lunceford | A♭ Major | 4 | 4B | 125 BPM | ||
| Shine | Sidney Bechet | G Major | 6 | 9B | 106 BPM | ||
| My Melancholy Baby | Benny Goodman | C Major | 3 | 8B | 133 BPM | ||
| If I Could Be With You | James P. Johnson | D♭ Major | 1 | 3B | 106 BPM | ||
| Confessin' (That I Love You) | Allen Toussaint | A♭ Major | 2 | 4B | 114 BPM | ||
| Wild Man Blues | Johnny Dodds | A♭ Major | 4 | 4B | 125 BPM | ||
| Big John Special | Chick Webb | G Minor | 5 | 6A | 160 BPM | ||
| Don't Be Flat | Reverent Juke | A♭ Major | 4 | 4B | 98 BPM | ||
| Dipper Mouth Blues, Pt. 1 | King Oliver | C Major | 4 | 8B | 95 BPM | ||
| Stompinin K.C. | Jay McShann | C Major | 1 | 8B | 86 BPM | ||
| (What I Did to Be So) Black and Blue | Muggsy Spanier | A♭ Major | 4 | 4B | 125 BPM | ||
| Makin' Runs | The Buddy Bolden Legacy Band | D♭ Major | 7 | 3B | 99 BPM | ||
| Muskrat Ramble | Sidney Bechet's Blue Note Jazzmen | A♭ Major | 5 | 4B | 180 BPM | ||
| Blues Around Dusk | Arnett Cobb | G Major | 1 | 9B | 100 BPM | ||
| Squeeze Me | Fats Waller | D Major | 1 | 10B | 92 BPM | ||
| My Daddy Rocks Me | Trixie Smith | A♭ Major | 4 | 4B | 125 BPM | ||
| Wild Man Blues | Johnny Dodds | E Minor | 1 | 9A | 92 BPM | ||
| Rock A Bye Basie | Illinois Jacquet | A♭ Major | 5 | 4B | 171 BPM |