"The Underworld" by Ricky Ian Gordon had its release date on January 1, 2006. The duration of This song is about 3 minutes long, at 3:27. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 15 in the song's album "Orpheus & Euridice: A Song Cycle in Two Acts". In this album, this song's track order is #11. Furthermore, we believe that the track originated from United States. Based on our statistics, The Underworld's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With The Underworld by Ricky Ian Gordon having a BPM of 153 with a half-time of 76 BPM and a double-time of 306 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with running. The time signature for this track is 3/4.
This song has a musical key of D Minor. Which also means that the camelot key for this song is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Will There Really Be a Morning? | Ricky Ian Gordon, Nadine Sierra, Royal Philharmonic Orchestra, Robert Spano | B♭ Major | 2 | 6B | 166 BPM | ||
| Marta | Anthony Crivello, Keith McDaniel, Robert Montano, Dan O'Grady, Raymond Rodriguez, John Norman Thomas, Joshua Finkel, Gary Schwartz, Jerry Christakos, Aurelio Padron | D♭ Major | 1 | 3B | 57 BPM | ||
| Song on the Sand (La Da Da Da) | Gene Barry, Original Broadway Cast of La Cage Aux Folles | B Major | 1 | 1B | 79 BPM | ||
| Lasciatemi morire! | Claudio Monteverdi, Holly Bewlay, Sarah Rhee | D Minor | 1 | 7A | 83 BPM | ||
| Trial by Jury: I Love Him | Gilbert & Sullivan Society of Houston | G Major | 3 | 9B | 75 BPM | ||
| Simple | Maury Yeston, Jane Krakowski, Laura Benanti | B♭ Major | 1 | 6B | 77 BPM | ||
| Awaiting You | Adam Guettel, Billy Porter | C Major | 2 | 8B | 99 BPM | ||
| Let's Walk | Mark Harelik, Victoria Clark, Adam Guettel | E♭ Major | 1 | 5B | 84 BPM | ||
| One More Kiss | Stephen Sondheim, Rosalind Elias, Leah Horowitz | D♭ Major | 3 | 3B | 84 BPM | ||
| Suor Angelica: Suor Angelica! Madre, Madre, parlate! | Giacomo Puccini, Anne Collins, Dame Joan Sutherland, The London Opera Chorus, National Philharmonic Orchestra, Richard Bonynge | D Major | 4 | 10B | 80 BPM | ||
| Songs of Travel: Let Beauty awake | Ralph Vaughan Williams, Roderick Williams, Iain Burnside | D♭ Minor | 1 | 12A | 71 BPM | ||
| Unusual Way | Maury Yeston, Laura Benanti, Antonio Banderas | D♭ Minor | 2 | 12A | 77 BPM | ||
| ‘I Am Cherry Alive’ | Melanie Helton, Ricky Ian Gordon | C Major | 2 | 8B | 135 BPM | ||
| Black Market | Kate Lindsey, Steven Blier, New York Festival Of Song | E Major | 2 | 12B | 69 BPM | ||
| La ville morte, Act I: Eros invaincu au combat | Nadia Boulanger, Raoul Pugno, Talea Ensemble, Neal Goren, Melissa Harvey, Laurie Rubin | C Major | 2 | 8B | 93 BPM | ||
| February fifteenth | Ricky Ian Gordon, Frank Bidart, Nathan Gunn, Jennifer Zetlan, Lidiya Yankovskaya | E Major | 1 | 12B | 92 BPM | ||
| The Highest Judge Of All | Joshua Henry | F♯ Major | 3 | 2B | 121 BPM | ||
| Porter: Seven Lively Arts: "Drink" | Cole Porter, Thomas Hampson, Ambrosian Chorus, London Symphony Orchestra, John McGlinn | C Major | 4 | 8B | 142 BPM | ||
| Lachen und Weinen, D. 777 | Franz Schubert, Edith Wiens, Rudolf Jansen | A Major | 0 | 11B | 99 BPM | ||
| If I Sing | Alan Stevens Hewitt, Andrew Gerle, George Dvorsky | B Major | 1 | 1B | 83 BPM | ||
| Farewell Letter | Original Broadway Cast Of 'Passion' | D♭ Minor | 2 | 12A | 89 BPM | ||
| Bee! I'm Expecting You | Jennifer Zetlan, Ricky Ian Gordon | B♭ Major | 2 | 6B | 165 BPM | ||
| I'm Nobody | Jennifer Zetlan, Ricky Ian Gordon | E♭ Minor | 2 | 2A | 101 BPM | ||
| Where Is the Warmth? | Sharon Lee Hill | F♯ Minor | 2 | 11A | 77 BPM | ||
| Six Lieder, Op. 13: 3. Liebeszauber | Clara Schumann, Barbara Bonney, Vladimir Ashkenazy | E♭ Major | 1 | 5B | 103 BPM |