"Bones" by Mark Slater had its release date on March 18, 2022. With this song being around four minutes long, at 4:16, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Mark Slater's "Insula" album is number 7 out of 10. On top of that, United Kingdom appears to be the country where this track was created. Bones is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Bones by Mark Slater to be Adagio (slowly with great expression) because the track has a tempo of 71 BPM, a half-time of 36BPM, and a double-time of 142 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of A♭ Minor. Because this track belongs in the A♭ Minor key, the camelot key is 1A. So, the perfect camelot match for 1A would be either 1A or 12B. While, a low energy boost can consist of either 1B or 2A. For moderate energy boost, you would use 10A and a high energy boost can either be 3A or 8A. However, if you are looking for a low energy drop, finding a song with a camelot key of 12A would be a great choice. Where 4A would give you a moderate drop, and 11A or 6A would be a high energy drop. Lastly, 4B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Last to Let Go - Daigo Hanada Rework | Richard Luke, Daigo Hanada | C Minor | 1 | 5A | 98 BPM | ||
| Wandering II | Eydís Evensen | G Minor | 2 | 6A | 81 BPM | ||
| Traces | Cedric Vermue | F Minor | 0 | 4A | 110 BPM | ||
| Heartbreak | Alstad | A Minor | 0 | 8A | 117 BPM | ||
| Bára | Gabríel Ólafs | E♭ Major | 0 | 5B | 75 BPM | ||
| Hakea | Thrupence | E Minor | 5 | 9A | 85 BPM | ||
| Drive Me Somewhere Nice | Tim Linghaus | E♭ Major | 2 | 5B | 178 BPM | ||
| Hallonlandet (Reimagined by Manu Delago) | Henrik Lindstrand, Manu Delago | D Major | 3 | 10B | 77 BPM | ||
| See You in São Paulo | Chelsea McGough | E♭ Major | 3 | 5B | 105 BPM | ||
| Llŷr - OUTER Rework | Illuminine, OUTER | G Major | 0 | 9B | 126 BPM | ||
| Tramlines | Neil Cowley | D Minor | 0 | 7A | 68 BPM | ||
| L'histoire | Subsona, Stuart McCallum, Mark Slater | F Minor | 0 | 4A | 169 BPM | ||
| Circle 29 | Foam and Sand, Robot Koch, TWO LANES | F Major | 1 | 7B | 64 BPM | ||
| Aarya 2y | Peter Ries | C Minor | 0 | 5A | 65 BPM | ||
| To Ourselves | Jon Notar | D Major | 2 | 10B | 140 BPM | ||
| New Bags For Henry | Iskra Strings, Pablo Nouvelle | A♭ Major | 3 | 4B | 168 BPM | ||
| À la prochaine… | Stephan Moccio | F Major | 1 | 7B | 152 BPM | ||
| morning fields | Adam Bokesch | E Major | 3 | 12B | 140 BPM | ||
| Ritornello - Ed Carlsen Remix | Francesco Tristano, Ed Carlsen | D Minor | 2 | 7A | 65 BPM | ||
| basis | Lara Somogyi | B♭ Major | 2 | 6B | 120 BPM | ||
| The Passage | Martin Herzberg, Felix Räuber | G Major | 3 | 9B | 196 BPM | ||
| Where Do We Go From Here | Njord | B♭ Major | 1 | 6B | 180 BPM | ||
| Moments in Tone | Auren Noah | B Minor | 2 | 10A | 138 BPM | ||
| You Left (Rework) | Kyle McEvoy, Async Ross, The Field Tapes, Kevin Kuh | B Major | 3 | 1B | 126 BPM | ||
| Composite 06 | Thrupence, Josh Hooke, Jack Vanzet | C Major | 0 | 8B | 130 BPM |