Ray Russell's 'Guitar Strangler' had a release date set for July 31, 2002. The duration of This song is about two minutes long, specifically at 2:33. This song does not appear to have any foul language. Guitar Strangler's duration is considered a little bit shorter than the average duration of a typical track. The song is number 3 out of 13 in Dramatic Guitar by Ray Russell. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. The popularity of Guitar Strangler is currently unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Guitar Strangler by Ray Russell is Presto (very, very fast), since this song has a tempo of 178 BPM. With that information, we can conclude that the song has a fast tempo. The time signature for this track is 4/4.
This song has a musical key of B Minor. This also means that this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Goodbye | David Sanborn | G Minor | 6 | 6A | 114 BPM | ||
| 2 A.M. | Mike Moran | C Major | 0 | 8B | 115 BPM | ||
| The Power Game | Nicolo Bardoni, Stephen Warr | E Minor | 6 | 9A | 100 BPM | ||
| Announcement | Tojo-san | C Minor | 7 | 5A | 97 BPM | ||
| Blues for You | Manuel Backert | E Minor | 7 | 9A | 148 BPM | ||
| Digital Mirage | Universal Production Music | C Minor | 4 | 5A | 158 BPM | ||
| Cafe Agenda | roti. | G Major | 2 | 9B | 79 BPM | ||
| KEIK CARRADINE | 乾裕樹 | D Minor | 2 | 7A | 111 BPM | ||
| Drifting on Waves | Riverworn | F Major | 6 | 7B | 102 BPM | ||
| Preservation | Trevor Bastow, Geoffrey Bastow | G Major | 2 | 9B | 88 BPM | ||
| Pretty As A Picture | Ray Russell | A Major | 5 | 11B | 111 BPM | ||
| Phone Home | George Shaw | F Major | 8 | 7B | 196 BPM | ||
| Marrakech | Alan Hawkshaw, Brian Bennett | D Major | 5 | 10B | 168 BPM | ||
| Goldmund | Dancing Fantasy | F Major | 5 | 7B | 82 BPM | ||
| Final Inspection | Tony Hymas | B Minor | 1 | 10A | 81 BPM | ||
| ROSE | CASIOPEA | F♯ Minor | 6 | 11A | 79 BPM | ||
| FROM 03 TO 06 (Receivers) | T-SQUARE | C Minor | 7 | 5A | 123 BPM | ||
| SUNSHINE STREET | MALTA | A Minor | 3 | 8A | 136 BPM | ||
| サンタモニカ・ラリー(2021 BACKING TRACK) | Shigeru Suzuki | E Major | 8 | 12B | 148 BPM | ||
| Endless Longing Part Two | Rolf Schimmermann, Ray Russell | A Minor | 3 | 8A | 87 BPM | ||
| On a Clear Day | The Tony Hatch Orchestra | A Minor | 5 | 8A | 142 BPM | ||
| Secret Worlds | Richard Myhill | D Major | 4 | 10B | 85 BPM | ||
| Jamaica, Jamaica | Special EFX | B Minor | 4 | 10A | 131 BPM | ||
| Love De Luxe | Keith Mansfield | B♭ Major | 2 | 6B | 127 BPM | ||
| Chardonnay | Network Music Ensemble | F♯ Minor | 5 | 11A | 85 BPM |