"Chorale" by Louis Andriessen, Ralph van Raat had its release date on March 24, 2024. The duration of This song is about two minutes long, specifically at 2:55. This song does not appear to have any foul language. Chorale's duration is considered a little bit shorter than the average duration of a typical track. The song is number 12 out of 27 in Base by Louis Andriessen, Ralph van Raat. Going off of the ISRC code of this track, we detected that the origin of this track is from Netherlands. In terms of popularity, Chorale is currently not that popular. Although the overall vibe is very danceable, it does project more negative sounds.
The tempo marking of Chorale by Louis Andriessen, Ralph van Raat is Andante (at a walking pace), since this song has a tempo of 99 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of E♭ Minor. Because this track belongs in the E♭ Minor key, the camelot key is 2A. So, the perfect camelot match for 2A would be either 2A or 1B. While, a low energy boost can consist of either 2B or 3A. For moderate energy boost, you would use 11A and a high energy boost can either be 4A or 9A. However, if you are looking for a low energy drop, finding a song with a camelot key of 1A would be a great choice. Where 5A would give you a moderate drop, and 12A or 7A would be a high energy drop. Lastly, 5B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Mishima / Opening | Philip Glass, Maki Namekawa | B♭ Major | 2 | 6B | 123 BPM | ||
| Somnoptera | Valgeir Sigurðsson, Liam Byrne, Ólafur Björn Ólafsson, James McVinnie | D♭ Major | 2 | 3B | 180 BPM | ||
| Piano & Violoncello 6 | Irena And Vojtech Havlovi | G Minor | 1 | 6A | 65 BPM | ||
| Eon | Meredith Monk | A Minor | 1 | 8A | 157 BPM | ||
| Knee 4 | Philip Glass Ensemble | E Minor | 1 | 9A | 135 BPM | ||
| Multi-Music Canada for Orchestra: I. Genesis - Live | Maya Badian, Gheorghe Mustea, National Symphony Orchestra of Teleradio-Moldova | D♭ Major | 2 | 3B | 90 BPM | ||
| Quatuor pour la fin du Temps: I. Liturgie de cristal | Olivier Messiaen, Louise Bessette, Cameron Crozman, Dominic Desautels, Mark Lee | D♭ Major | 2 | 3B | 180 BPM | ||
| Der Bote | Valentin Silvestrov, Alexei Lubimov | C Minor | 0 | 5A | 70 BPM | ||
| Knee 3 | Philip Glass Ensemble | G Major | 2 | 9B | 114 BPM | ||
| In Nomine (2001) for bass flute, english horn, clarinet, piano, vibraphone, violin, viola and Violoncello | Georg Friedrich Haas, Ensemble Recherche | G Minor | 0 | 6A | 127 BPM | ||
| Minipulsars, Pt. 2: Bing 4 | Tomasz Trzcinski | D Minor | 3 | 7A | 82 BPM | ||
| Music for 18 Musicians: Section II | Steve Reich, Colin Currie, Colin Currie Group, Synergy Vocals | A Major | 2 | 11B | 100 BPM | ||
| Chorale | Igor Stravinsky, Dirk Luijmes, Martin Logar | D♭ Major | 2 | 3B | 180 BPM | ||
| Shaker Loops: A Final Shaking (Version for string orchestra) | John Adams, Bournemouth Symphony Orchestra, Marin Alsop | C Major | 0 | 8B | 72 BPM | ||
| Les Noces, Première partie, Premier tableau: Le départ de la mariée | Igor Stravinsky, RIAS Kammerchor, Ensemble Musikfabrik, Carolyn Sampson, Susan Parry, Vsevolod Grivnov, Maxim Mikhailov, Daniel Reuss | B♭ Major | 1 | 6B | 153 BPM | ||
| Trois Mélodies: Sylvie | Erik Satie, Barbara Hannigan, Reinbert de Leeuw | E Minor | 1 | 9A | 132 BPM | ||
| Organ Concerto in G Minor, FP 93: IV. Tempo allegro. Molto agitato | Francis Poulenc, Philippe Lefebvre, Orchestre National de Lille, Jean-Claude Casadesus | B♭ Minor | 0 | 3A | 133 BPM | ||
| I. Thème. Modéré | Olivier Messiaen, Benjamin Frith, Lucy Gould | C Minor | 0 | 5A | 84 BPM | ||
| Séries: Part X (1958) | Cees Van Zeeland, Louis Andriessen, Huba de Graaff, Huib Emmer, Klas Torstensson, Gerard Bouwhuis | C Major | 3 | 8B | 114 BPM | ||
| Symphony for Eight | Philip Glass, Cello Octet Conjunto Ibérico, Elias Arizcuren | F Major | 2 | 7B | 122 BPM | ||
| The Cunning Little Vixen (Prihody Lisky Bystrousky): Prelude | Leoš Janáček, Wiener Philharmoniker, Sir Charles Mackerras | D♭ Minor | 1 | 12A | 99 BPM | ||
| Romance | Kotaro Fukuma | G Minor | 0 | 6A | 164 BPM | ||
| 11 Gates: No. 1, Drifting into D Major | Anders Hillborg, Royal Stockholm Philharmonic Orchestra, Esa-Pekka Salonen | G Major | 1 | 9B | 65 BPM | ||
| Klavierstück V, Work No. 4: Klavierstuck V, Work No. 4 | Karlheinz Stockhausen, Fredrik Ullén | D♭ Major | 0 | 3B | 95 BPM | ||
| Postlude 8 | Elliot Cole, Blow Up Roma Percussion | F Minor | 1 | 4A | 86 BPM |