Raj Barman's 'Ore Piya Re' had a release date set for March 7, 2017. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Savvy, Loy-Deep's "Meher Aali (Original Motion Picture Soundtrack)" album is number 6 out of 6. On top of that, India appears to be the country where this track was created. The popularity of Ore Piya Re is currently not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Ore Piya Re by Raj Barman to be Vivace (lively and fast) because the track has a tempo of 160 BPM, a half-time of 80BPM, and a double-time of 320 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, running, can go well with this song. The time signature for this track is 4/4.
This song has a musical key of A Minor. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Tera Hone Chala | Manny, Altaf Sayyed | B Minor | 6 | 10A | 82 BPM | ||
| Tor Mon Paray - Reprise Version | Jisan Khan Shuvo | E Minor | 3 | 9A | 168 BPM | ||
| Naino Ki To Baat Naina Jane Hai pt:2 | Stuti Jaiswal, Chandra-Surya | G Minor | 8 | 6A | 99 BPM | ||
| Gulabi Aankhen | Sanam | C Minor | 6 | 5A | 106 BPM | ||
| Dua Ban Ja - From "It Happened In Calcutta" | Harshdeep Kaur, Akhil Sachdeva | G Major | 6 | 9B | 78 BPM | ||
| Aise Zaroori Ho Mujhko Tum | Prashant Katheriya | A Minor | 4 | 8A | 95 BPM | ||
| Roohaniyat 2.0 - Female Vocals | Simran Choudhary, Rishabh Srivastava | B♭ Major | 5 | 6B | 186 BPM | ||
| Wo Ladka Nehi | Arpita Biswas | B♭ Major | 6 | 6B | 85 BPM | ||
| Kar Basore Ghumao Bondhu 2 | Atif Ahmed Niloy | A♭ Minor | 6 | 1A | 112 BPM | ||
| Dil Ke Arman | Abhay Jain, Tanishq | E Minor | 4 | 9A | 176 BPM | ||
| Khwab Sa Jo Tu Mila | Raj Barman | G Major | 6 | 9B | 110 BPM | ||
| Kya hua Tera Wada | Pranav Chandran | F♯ Major | 2 | 2B | 78 BPM | ||
| Taqleefein | Amit Mishra, Ritika Raj Singh | A Minor | 5 | 8A | 176 BPM | ||
| Dil Keh Rahaa Hai | Mohammad Faiz, Anand- Milind | C Minor | 6 | 5A | 142 BPM | ||
| Re Piya | Shivangi Bhayana, Altaaf Sayyed | D Minor | 6 | 7A | 170 BPM | ||
| Tu Mile Dil Khile - Jhankar Beats | DJ Harshit Shah, DJ MHD IND, Raj Barman | D Minor | 6 | 7A | 180 BPM | ||
| Ishq Wali Baarish | Altaaf Sayyed | G Minor | 5 | 6A | 122 BPM | ||
| Hamqadam | Shrey Singhal | D♭ Minor | 5 | 12A | 93 BPM | ||
| Har Dafaa | Shaan, Shruti Rane | E♭ Major | 4 | 5B | 130 BPM | ||
| Tera Chehra Jab Nazar Aaye | Raj Barman | D Major | 3 | 10B | 100 BPM | ||
| Dil Galti Hum sa Pagal Na Hoga | Swasti Mehul | E♭ Minor | 3 | 2A | 75 BPM | ||
| Chand Chhupa Badal Mein | Arry Gill | G Major | 7 | 9B | 174 BPM | ||
| Saansein Dene Aana - Duet / From "Om - Rashtra Kavach" | Palak Muchhal, Manoj Yadav, Raj Barman | D♭ Minor | 6 | 12A | 95 BPM | ||
| Tu Rooh Hai | Supriya Sinha, Akash Mandal | F♯ Minor | 2 | 11A | 166 BPM | ||
| Hawa Banke | Darshan Raval | G Minor | 6 | 6A | 90 BPM |