On July 19, 2019, the song "Open Late" was released by Ben Levin. With this song being around four minutes long, at 4:24, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 12 out of 12 in Before Me by Ben Levin. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. Based on our statistics, Open Late's popularity is unknown right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
The tempo marking of Open Late by Ben Levin is Allegro (fast, quick, and bright), since this song has a tempo of 136 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
F♯ Minor is the music key of this track. This also means that this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| easy to lie | Jonathan Sanson | F♯ Major | 8 | 2B | 160 BPM | ||
| You Got Me Where You Want Me | Antone's 50th Allstars, Sue Foley | C Major | 7 | 8B | 176 BPM | ||
| The Three Kings And Me | Coco Montoya | G Major | 4 | 9B | 152 BPM | ||
| Boogie Real Low | Sue Foley | C Major | 8 | 8B | 137 BPM | ||
| Good Intentions | Chris Cain | F Minor | 9 | 4A | 130 BPM | ||
| For You My Love | Colin Abraham | F♯ Major | 8 | 2B | 96 BPM | ||
| Strange Things Happening Every Day | Kid Ramos, Brian Templeton, Johnny Ramos | B♭ Major | 6 | 6B | 136 BPM | ||
| I'm Still Leaving You | Katie Webster | E♭ Major | 5 | 5B | 118 BPM | ||
| Liquor Stores And Legs | D.K. Harrell | C Major | 9 | 8B | 168 BPM | ||
| Down in the Flats - Instrumental | Johnny Nocturne Band, John Firmin | D♭ Major | 6 | 3B | 158 BPM | ||
| Blues #572 | Johnnie Johnson | G Major | 3 | 9B | 107 BPM | ||
| So Glad I'm Living | Bob Corritore, Sam Lay | D Major | 8 | 10B | 94 BPM | ||
| Ain't Gonna Worry No More | Sue Foley | C Major | 2 | 8B | 78 BPM | ||
| Love Me or Leave Me | Chris Barber, James Cotton, Alexis Korner, Keith Scott | C Major | 6 | 8B | 96 BPM | ||
| It's My Life | Bob Corritore, Nora Jean | D Major | 6 | 10B | 173 BPM | ||
| That's What I Really Want | Marlon Pichel | F♯ Major | 8 | 2B | 160 BPM | ||
| Real Good Friends | Billy Branch & The Sons of Blues | G Major | 9 | 9B | 125 BPM | ||
| Got Me Where You Want Me | W.C. Clark | B♭ Major | 9 | 6B | 126 BPM | ||
| That's Big | Little Charlie & The Nightcats | E Major | 7 | 12B | 119 BPM | ||
| Just Kiss Me | Duke Robillard | F Major | 8 | 7B | 183 BPM | ||
| Pinksi | Ecen Kumble | A Major | 2 | 11B | 85 BPM | ||
| Nobody But You | Billy Branch, Billy Branch & The Sons of Blues | B♭ Major | 8 | 6B | 148 BPM | ||
| My Girl’s Oh So Fine | Bonerama | F♯ Major | 8 | 2B | 160 BPM | ||
| Feelin' Better Now | Andrew Duncanson, Michael Peloquin | E Major | 7 | 12B | 76 BPM | ||
| Ain't That Just Like a Woman | Billy Boy Arnold | D♭ Minor | 7 | 12A | 78 BPM |