On August 3, 1996, the song "Meri Pooja Kar Sweekaar" was released by Anuradha Paudwal. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Aditya Paudwal's "Jai Dakshineshwar Kaali Maa" album is number 8 out of 10. On top of that, India appears to be the country where this track was created. The popularity of Meri Pooja Kar Sweekaar is currently not that popular right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
We consider the tempo marking of Meri Pooja Kar Sweekaar by Anuradha Paudwal to be Vivace (lively and fast) because the track has a tempo of 166 BPM, a half-time of 83BPM, and a double-time of 332 BPM. Based on that, the speed of the song's tempo is fast. The time signature for this track is 4/4.
F Major is the music key of this track. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Aate Bhi Ram Bolo | Anil Hanslas | F Major | 5 | 7B | 85 BPM | ||
| Chandramukhi San Gauri | Rajni Pallavi | B♭ Major | 4 | 6B | 156 BPM | ||
| Koi Kahe Govind | Vandana Bhardwaj | F Major | 8 | 7B | 120 BPM | ||
| Main Pardesi Hoon Pahli Baar Aaya Hoon | Madhushmita, Parthiv Goel | A♭ Major | 7 | 4B | 86 BPM | ||
| Hari Sunder Nand Mukunda | Prem Prakash Karn | F Minor | 8 | 4A | 75 BPM | ||
| Apne Bhakton Ki Suno Zara Pukar | Sharma Bandhu | D♭ Major | 6 | 3B | 155 BPM | ||
| Bas Gyali Urdo Si | Narendra Singh Negi, Anuradha Nirala | B♭ Minor | 5 | 3A | 138 BPM | ||
| Aarti Jai Jambheshwar Ki | Sant Rajuram Ji | D♭ Major | 7 | 3B | 90 BPM | ||
| Aana Shree Krishan Bhagwan Hamare Hari Kirtan Mein | Anjali Jain | A♭ Minor | 6 | 1A | 120 BPM | ||
| O Gannnayak Maharaj | Manish Tiwari | B♭ Major | 5 | 6B | 81 BPM | ||
| Kanhaiya Tumhe Ek Nazar Dekhna Hai | Acharya Mridul Krishna Goswami | A♭ Major | 6 | 4B | 160 BPM | ||
| Bhola Shankar Bhola | Rishi Nityapragyan | F♯ Major | 7 | 2B | 97 BPM | ||
| Aa Darsh Dikhade Mere Shyam | Sanjay Mittal | F Minor | 7 | 4A | 97 BPM | ||
| Mahre Sir Par Hai Baba | Sanjay Mittal | B♭ Minor | 5 | 3A | 88 BPM | ||
| Baba Tere Bharose Mera Pariwar Hai | Manoj | C Major | 7 | 8B | 145 BPM | ||
| Duniya Se Main Haara | Chetna | C Major | 10 | 8B | 115 BPM | ||
| Bheja Hai Bulawa Tune Sheranwaliye (From "Mamta Ka Mandir") | Babla Mehta | E Minor | 8 | 9A | 82 BPM | ||
| Parvati Mata Aarti | Varsha Srivastava | D♭ Major | 7 | 3B | 95 BPM | ||
| Mujhe De Darshan Girdhari Re | Pujya Bhaishree Rameshbhai Ojha | B♭ Minor | 3 | 3A | 77 BPM | ||
| Ganpati Vandana | Manish Tiwari | G Major | 7 | 9B | 84 BPM | ||
| Do Akshar Ka Pyara Naam | Vivek Vashisht | B♭ Major | 8 | 6B | 78 BPM | ||
| Shree Ram Chalisa | Shailendra Bharti | E Major | 8 | 12B | 176 BPM | ||
| Pawanputra Is Ramdoot Ki Mahima Apaar | Babla Mehta | A♭ Major | 6 | 4B | 84 BPM | ||
| Hey Shambho Tere Mandir Mein | Sonu Nigam | G Major | 7 | 9B | 117 BPM | ||
| Nade Talmal Talmal Kare | Ramakrishna Math, Mahesh Ranjan Shome | F♯ Major | 4 | 2B | 146 BPM |