Two Minuets (attributed to Johann SebastianBach) - Arranged by Göran Söllscher by Christian Petzold, Göran Söllscher Song Details

Christian Petzold, Göran Söllscher's ' "Two Minuets (attributed to Johann SebastianBach) - Arranged by Göran Söllscher" was released on its scheduled release date, January 1, 2004. With this song being around four minutes long, at 3:34, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 8 out of 21 in Eleven String Baroque by Göran Söllscher. Based on our statistics, Two Minuets (attributed to Johann SebastianBach) - Arranged by Göran Söllscher's popularity is not that popular right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.

BPM and Tempo

The tempo marking of Two Minuets (attributed to Johann SebastianBach) - Arranged by Göran Söllscher by Christian Petzold, Göran Söllscher is Allegro (fast, quick, and bright), since this song has a tempo of 143 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with jogging or cycling. The time signature for this track is 3/4.

Music Key

B♭ Major is the music key of this track. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.

Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!

Popularity: 16%
Loudness: -24.274 dB
Acousticness: 99%
Danceability: 33%
Energy: 9%
Instrumentalness: 92%
Liveness: 11%
Loudness: 60%
Speechiness: 5%
Valence: 52%

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