"Kuus eesti rahvalaulu: VI. Hoogsalt" by Ester Mägi, VHK keelpilliorkester, Rasmus Puur, Kaija Lukas had its release date on March 29, 2024. The duration of This song is about two minutes long, specifically at 2:05. This song does not appear to have any foul language. Kuus eesti rahvalaulu: VI. Hoogsalt's duration is considered a little bit shorter than the average duration of a typical track. The song is number 8 out of 20 in Ester Mägi by Ester Mägi, VHK keelpilliorkester, Rasmus Puur. Going off of the ISRC code of this track, we detected that the origin of this track is from Estonia. In terms of popularity, Kuus eesti rahvalaulu: VI. Hoogsalt is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Kuus eesti rahvalaulu: VI. Hoogsalt by Ester Mägi, VHK keelpilliorkester, Rasmus Puur, Kaija Lukas is Moderato (at a moderate speed), since this song has a tempo of 118 BPM. With that information, we can conclude that the song has a moderate tempo. This song can go great with walking. The time signature for this track is 4/4.
G Major is the music key of this track. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Lord, Now Lettest Thou Thy Servant Depart | Pavel Chesnokov, PaTRAM Institute Male Choir, Vladimir Gorbik | C Major | 1 | 8B | 69 BPM | ||
| All-Night Vigil, Op. 37: X. Having Beheld the Resurrection of Christ | Sergei Rachmaninoff, Phoenix Chorale, Kansas City Chorale, Charles Bruffy, Joseph Warner | E Minor | 4 | 9A | 94 BPM | ||
| Piano Concerto in C-Sharp Minor, Op. 45: III. Largo | Amy Beach, Alan Feinberg, Nashville Symphony Orchestra, Kenneth Schermerhorn | F♯ Minor | 0 | 11A | 88 BPM | ||
| Miserere, Op. 44: 4. Domine Deus noster-Lento. Molto espressivo | Henryk Górecki, Los Angeles Master Chorale, Grant Gershon | G Major | 1 | 9B | 80 BPM | ||
| Materna Requiem: 1. Introit | Rebecca Dale, Louise Alder, Trystan, Edward Hyde, Kantos Chamber Choir, Dave Hinitt, Royal Liverpool Philharmonic Orchestra, Clark Rundell | A Minor | 1 | 8A | 109 BPM | ||
| Ten Poems on Texts by Revolutionary Poets, Op. 88: No. 5: To Those Condemned to Death | Dmitri Shostakovich, Chorus of the Academy of Choral Arts, Victor Popov | A Major | 0 | 11B | 77 BPM | ||
| Strauss, R: Der Bürger als Edelmann Suite, Op. 60-IIIa: V. Das Menuett des Lully | Richard Strauss, Jeffrey Tate, English Chamber Orchestra | E Minor | 1 | 9A | 64 BPM | ||
| Vespers, Op. 37: Come, Let Us Worship | Sergei Rachmaninoff, Yuri Korinnyk, Mykhaylo Tyshchenko, Olga Borusene, National Choir Of The Ukraine "Dumka", Yevhen Savchuk | F Major | 0 | 7B | 111 BPM | ||
| Rosary Sonata No. 1 in D Minor "The Annunciation" (Arr. for String Orchestra): I. Praeludium | Heinrich Ignaz Franz von Biber, Joshua Choe | D Minor | 0 | 7A | 77 BPM | ||
| Liturgy of St. John Chrysostom No. 2, Op. 29: Let us Hasten with Fervour (Arr. For Tenor and Bass Choir) | Alexander Tikhonovich Gretchaninoff, PaTRAM Institute Male Choir, Vladimir Gorbik | B Major | 2 | 1B | 80 BPM | ||
| Requiem: Requiem aeternam I | Herbert Howells, Conspirare, Craig Hella Johnson | E Minor | 0 | 9A | 80 BPM | ||
| Agnus Dei, "In memoriam Oleg Kagan": I. Agnus Dei (Larghetto) | Tigran Mansurian, Roeland Hendrikx Ensemble | E Minor | 1 | 9A | 64 BPM | ||
| Alleluia-Tropus | Arvo Pärt, Vox Clamantis, Jaan-Eik Tulve | A Minor | 1 | 8A | 171 BPM | ||
| Abschiedsserenade: II | Valentin Silvestrov, Munich Chamber Orchestra, Christoph Poppen | D♭ Major | 0 | 3B | 80 BPM | ||
| Mägi : Cantus & Processus : Cantus | Ester Mägi, Camerata Tallinn | G Major | 0 | 9B | 72 BPM | ||
| Vespers, Op. 37: IV. Peaceful Light | Sergei Rachmaninoff, Victor Rumyantsev, Valery Polyansky, The USSR Ministry of Culture Chamber Choir | F♯ Minor | 0 | 11A | 124 BPM | ||
| Grieg: Holberg Suite, Op. 40: V. Rigaudon | Edvard Grieg, Estonian National Symphony Orchestra, Paavo Järvi | G Major | 1 | 9B | 122 BPM | ||
| Purcell: March and Canzona for Queen Mary's Funeral, Z. 860: Canzona | Henry Purcell, Philip Ledger, The Philip Jones Brass Ensemble | B♭ Major | 0 | 6B | 128 BPM | ||
| Serenade for String Orchestra in C Minor, Op. posth.: VI. Andante sostenuto | Max Bruch, George Hanson, Sinfonieorchester Wuppertal | E♭ Major | 0 | 5B | 87 BPM | ||
| Fratres (Version for Wind Octet & Percussion) | Arvo Pärt, Joris Van Den Hauwe, Jan Maebe, Geert Baeckelandt, Lydia Rossignol, Francis Pollet, Bart Snauwaert, Martin Van Der Merwe, Jos Buurman, Huub Righarts | A♭ Major | 2 | 4B | 78 BPM | ||
| Ancient Airs & Dances, Suite No. 3, P. 172: I. Italiana | Ottorino Respighi, Chamber Orchestra of New York, Salvatore Di Vittorio | B Major | 0 | 1B | 119 BPM | ||
| Workin' for the Dawn of Peace (Arr. for Choir by Ron Jeffers) | Irving Gordon, Walter Kittredge, Skylark Vocal Ensemble, Matthew Guard | D♭ Major | 2 | 3B | 106 BPM | ||
| Kronstorfer Messe in D Minor, WAB 146: IV. Agnus Dei | Anton Bruckner, Latvian Radio Choir, Sigvards Kļava | D Major | 1 | 10B | 86 BPM | ||
| Requiem: XIV. Requiem | Alfred Schnittke, NDR Vokalensemble, Klaas Stok, Bernhard Fograscher, Fanis Gioles, Thomas Emanuel Cornelius, Michael Schröder, Sven Gätjens, Eunsol Hong, Yang-Hung Huang | F Major | 0 | 7B | 132 BPM | ||
| Love's Labour's Lost, Op.28: 3. Soliloquy 3: On a day, alack the day - Instrumental | Gerald Finzi, Aurora Orchestra, Nicholas Collon | B♭ Major | 1 | 6B | 103 BPM |