Niccolò Paganini, Itzhak Perlman's 'Paganini: 24 Caprices, Op. 1: No. 20 in D Major' had a release date set for February 1, 2000. With this song being around four minutes long, at 3:38, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 24 in the song's album "Paganini: 24 Caprices". In this album, this song's track order is #20. Furthermore, we believe that the track originated from United Kingdom. In terms of popularity, Paganini: 24 Caprices, Op. 1: No. 20 in D Major is currently below average in popularity. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Paganini: 24 Caprices, Op. 1: No. 20 in D Major by Niccolò Paganini, Itzhak Perlman having a BPM of 105 with a half-time of 52 BPM and a double-time of 210 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of D Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Marchenbilder (Fairy Tales), Op. 113: III. Rasch | Robert Schumann, Tabea Zimmermann, Hartmut Höll | F Major | 1 | 7B | 82 BPM | ||
| Paganiniana | Nathan Milstein, Sueye Park | E Major | 1 | 12B | 83 BPM | ||
| Spohr: Duo Concertante in D Major, Op. 67 No. 2: I. Allegro | Louis Spohr, Itzhak Perlman, Pinchas Zukerman | D Major | 2 | 10B | 130 BPM | ||
| Carmen Fantasy, Op. 25: III. Allegro moderato | Pablo de Sarasate, Itzhak Perlman, New York Philharmonic, Zubin Mehta | D Major | 1 | 10B | 100 BPM | ||
| Paradis: Sicilienne | Maria Theresia von Paradis, Samuel Dushkin, Itzhak Perlman | E♭ Major | 1 | 5B | 88 BPM | ||
| 3 Violin Duets (1996 Digital Remaster): II. Gavotte | Itzhak Perlman, Pinchas Zukerman | A Major | 0 | 11B | 110 BPM | ||
| Melodie | Christoph Willibald Gluck, Itzhak Perlman, Samuel Sanders | D Minor | 1 | 7A | 89 BPM | ||
| Sibelius: Violin Concerto in D Minor, Op. 47: III. Allegro ma non tanto | Jean Sibelius, Itzhak Perlman, André Previn, Pittsburgh Symphony Orchestra | D Major | 3 | 10B | 108 BPM | ||
| Liebesleid | Itzhak Perlman, Samuel Sanders | A Major | 1 | 11B | 93 BPM | ||
| Brahms: Double Concerto for Violin and Cello in A Minor, Op. 102: III. Vivace non troppo | Johannes Brahms, Itzhak Perlman, Mstislav Rostropovich, Bernard Haitink, Royal Concertgebouw Orchestra | A Minor | 2 | 8A | 82 BPM | ||
| Symphony No. 5 in B-Flat Major, Op. 100: II. Allegro marcato | Sergei Prokofiev, The Cleveland Orchestra, Franz Welser-Möst | C Major | 0 | 8B | 105 BPM | ||
| Brahms: Violin Sonata No. 2 in A Major, Op. 100: I. Allegro amabile | Johannes Brahms, Itzhak Perlman, Vladimir Ashkenazy | A Major | 1 | 11B | 111 BPM | ||
| Zigeunerweisen, Op. 20 (version for violin and orchestra): III. Allegro molto vivace | RCA Victor Symphony Orchestra & William Steinberg | A♭ Major | 1 | 4B | 88 BPM | ||
| Violin Concerto in D Major, Op. 35, TH. 59: III. Allegro vivacissimo | Pyotr Ilyich Tchaikovsky, Hilary Hahn, Royal Liverpool Philharmonic Orchestra, Vasily Petrenko | B Minor | 1 | 10A | 82 BPM | ||
| Violin Concerto, Op. 48: II. Andante cantabile | Dmitry Kabalevsky, Neeme Järvi, Royal Scottish National Orchestra, Lydia Mordkovitch | A♭ Minor | 0 | 1A | 73 BPM | ||
| Brahms: Double Concerto for Violin and Cello in A Minor, Op. 102: II. Andante | Johannes Brahms, Itzhak Perlman, Bernard Haitink, Concertgebouworkest | D Major | 1 | 10B | 105 BPM | ||
| Sonata For Violin And Piano In A: 1. Allegretto ben moderato | César Franck, Itzhak Perlman, Vladimir Ashkenazy | A Major | 1 | 11B | 82 BPM | ||
| Glinka: Overture from Ruslan and Ludmilla | Mikhail Glinka, Budapest Philharmonic Orchestra, Rico Saccani | D Major | 3 | 10B | 76 BPM | ||
| 24 caprices en formes d'etudes: No. 2 in A Minor | Pierre Rode, Axel Strauss | A Minor | 2 | 8A | 83 BPM | ||
| Violin Sonata No. 3 in C Minor, Op. 45: III. Allegro animato | Edvard Grieg, Frederic Chiu, Pierre Amoyal | D Minor | 2 | 7A | 148 BPM | ||
| Violin Concerto No. 4 In D Minor, MS 60: I. Allegro Maestoso | Erno Rozsa, Slovak Radio Symphony Orchestra, Niccolò Paganini | D Minor | 1 | 7A | 121 BPM | ||
| Vivaldi: The Four Seasons, Violin Concerto in G Minor, Op. 8 No. 2, RV 315 "Summer": I. Allegro non molto | Antonio Vivaldi, Itzhak Perlman, Israel Philharmonic Orchestra | G Minor | 2 | 6A | 136 BPM | ||
| Violin Concerto, Op. 14: III. Presto in moto | Samuel Barber, Hilary Hahn, Hugh Wolff, Saint Paul Chamber Orchestra | A Minor | 3 | 8A | 108 BPM | ||
| 6 Sonatas for Violin Solo, Op. 27 / Sonata No. 2 in A Minor: IV. Les furies | Eugène Ysaÿe, Hilary Hahn | G Major | 1 | 9B | 97 BPM | ||
| Paganini: 24 Caprices, Op. 1: No. 7 in A Minor | Niccolò Paganini, Itzhak Perlman | A Minor | 2 | 8A | 51 BPM |