Emily Loesser's 'Scene: Well Here We Are...' had a release date set for January 1, 2000. With This song being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. There are a total of 90 in the song's album "The Most Happy Fella: First Complete Recording". In this album, this song's track order is #29. Furthermore, we believe that the track originated from United Kingdom. Scene: Well Here We Are... is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Scene: Well Here We Are... by Emily Loesser having a BPM of 80 with a half-time of 40 BPM and a double-time of 160 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
E♭ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Sweet Liberty | Marla Schaffel, Jane Eyre Ensemble | E Major | 4 | 12B | 175 BPM | ||
| Adelaide's Lament (Reprise) | Faith Prince | F♯ Major | 0 | 2B | 92 BPM | ||
| I've Come To Wive It Wealthily In Padua | Broadway Cast Recording | B♭ Major | 5 | 6B | 109 BPM | ||
| The Song That Goes Like This - Original Broadway Cast Recording: "Spamalot" | Christopher Sieber, Sara Ramirez | F Major | 7 | 7B | 181 BPM | ||
| Come Back to Me | John Cullum | C Major | 4 | 8B | 143 BPM | ||
| People Will Say We're in Love (Excerpts From "Oklahoma!") | Gordon MacRae | A♭ Major | 3 | 4B | 134 BPM | ||
| Been A Long Day | Mary Faber, Rose Hemingway, Daniel Radcliffe | E♭ Major | 2 | 5B | 128 BPM | ||
| Falling In Love With Love | Original Broadway Cast "Boys From Syracuse" | C Major | 3 | 8B | 80 BPM | ||
| It Might As Well Be Spring | Andrea McArdle, Rodgers & Hammerstein | E♭ Major | 1 | 5B | 130 BPM | ||
| Always True To You (In My Fashion) | Broadway Cast Recording | D♭ Major | 2 | 3B | 82 BPM | ||
| There Is Nothin' Like a Dame | Danny Burstein, South Pacific Ensemble (2008) | E Major | 2 | 12B | 133 BPM | ||
| The Writing on the Wall (feat. Stephanie J. Block) | The Mystery of Edwin Drood - The 2013 New Broadway Cast | D Minor | 3 | 7A | 143 BPM | ||
| Half a Moment (from "By Jeeves") | Emily Loesser | G Major | 1 | 9B | 85 BPM | ||
| Soldiers' Gossip (#3) | Original Broadway Cast Of 'Passion' | D Major | 3 | 10B | 102 BPM | ||
| Funny Honey | Gwen Verdon | D Major | 7 | 10B | 133 BPM | ||
| That'll Show Him | Preshy Marker | C Major | 2 | 8B | 125 BPM | ||
| Spanish Panic | Sarah Jessica Parker, Mary Lou Rosato | A Minor | 4 | 8A | 123 BPM | ||
| Sweet Charity: I Love to Cry at Weddings | Cy Coleman, John Wheeler, Michael Davis, Helen Gallagher, Thelma Oliver, Sweet Charity Ensemble, Sweet Charity Original Broadway Cast, Fred Werner | G Major | 2 | 9B | 114 BPM | ||
| Marriage Tango | Jimmy Roberts, Joe DiPietro | E Minor | 4 | 9A | 121 BPM | ||
| Gliding | Peter Friedman | F Major | 1 | 7B | 81 BPM | ||
| We're In The Money | Caroline O'Connor | G Major | 6 | 9B | 105 BPM | ||
| My Time of Day | Peter Gallagher | F Major | 0 | 7B | 66 BPM | ||
| Cabaret: Perfectly Marvelous | John Kander, Jill Haworth, Bert Convy, Harold Hastings | G Major | 2 | 9B | 162 BPM | ||
| The Deadwood Stage | Debbie Gravitte | D Major | 2 | 10B | 86 BPM | ||
| One Hundred Easy Ways | Rosalind Russell | F Minor | 2 | 4A | 68 BPM |