"Fort William Rescue" by Bear McCreary had its release date on September 25, 2015. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 15 in the song's album "Outlander: Season 1, Vol. 2 (Original Television Soundtrack)". In this album, this song's track order is #2. Fort William Rescue is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Fort William Rescue by Bear McCreary having a BPM of 79 with a half-time of 40 BPM and a double-time of 158 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
G Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Far from the Madding Crowd Love Theme | Craig Armstrong | A Minor | 3 | 8A | 87 BPM | ||
| You Are Like a Dream I Had | Steven Price | E Minor | 1 | 9A | 73 BPM | ||
| Yennefer of Vengerberg | Sonya Belousova, Giona Ostinelli | B Major | 1 | 1B | 73 BPM | ||
| Guinevere Comes To Lancelot | Carter Burwell | C Major | 0 | 8B | 62 BPM | ||
| Ancient Storm | Adrian Von Ziegler | E♭ Minor | 4 | 2A | 80 BPM | ||
| Linlithgow Palace | BBC Scottish Symphony Orchestra | F Minor | 0 | 4A | 100 BPM | ||
| Battle Of Stirling | BBC Scottish Symphony Orchestra | G Minor | 2 | 6A | 105 BPM | ||
| The Hilltop | Max Richter | D Major | 5 | 10B | 80 BPM | ||
| May Your Souls Take Flight | Atli Örvarsson | D Major | 2 | 10B | 110 BPM | ||
| Theme for Rohan | Chance Thomas | C Minor | 1 | 5A | 82 BPM | ||
| Breathless | Evlin | E Major | 0 | 12B | 70 BPM | ||
| Reunited | Alan Silvestri | D Major | 2 | 10B | 80 BPM | ||
| Opening Titles | David Arnold | C Minor | 1 | 5A | 99 BPM | ||
| Courtyard Apocalypse | Alexandre Desplat | D♭ Major | 3 | 3B | 97 BPM | ||
| Secret Religion | BBC Scottish Symphony Orchestra | D Major | 2 | 10B | 61 BPM | ||
| Enchanting Beauty | Logan Epic Canto | D Major | 7 | 10B | 130 BPM | ||
| Murmurs of Love and Death | John Powell | C Minor | 2 | 5A | 69 BPM | ||
| Everything That's Good | Thomas Newman | C Major | 1 | 8B | 120 BPM | ||
| Farewell to the Lasses of Mon Tays | Jeff Victor | G Major | 3 | 9B | 88 BPM | ||
| Castle Leoch | Bear McCreary | A Minor | 1 | 8A | 123 BPM | ||
| Shadow of the Argonath | Chance Thomas | G Major | 2 | 9B | 141 BPM | ||
| Copper and Tin | Anne Dudley, The Chamber Orchestra Of London | C Major | 2 | 8B | 128 BPM | ||
| You Cannot Imagine His Anguish | Steven Price | A Minor | 1 | 8A | 177 BPM | ||
| River's Dance | Greg Edmonson | C Major | 3 | 8B | 120 BPM | ||
| Lower Away | Roque Baños | C Minor | 4 | 5A | 93 BPM |