"Un recuerdo" by Hector Rojas had its release date on 1998. With This song being less than two minutes long, at 1:31, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Hector Rojas's "Manuel M. Ponce Obra Completa para Piano" album is number 15 out of 186. Based on our statistics, Un recuerdo's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Un recuerdo by Hector Rojas to be Allegro (fast, quick, and bright) because the track has a tempo of 129 BPM, a half-time of 64BPM, and a double-time of 258 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 5/4.
This song is in the music key of E♭ Major. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Água e Vinho | Rosie Bennet | G Major | 1 | 9B | 115 BPM | ||
| Escarramán, A Suite of Spanish Dances from the XVI Century (after Cervantes), Op. 177: I. Gallarda | Mario Castelnuovo-Tedesco, Davide Giovanni Tomasi | G Major | 1 | 9B | 115 BPM | ||
| Canción | Manuel de Falla, Javier Perianes | C Minor | 0 | 5A | 76 BPM | ||
| Caprichos de Goya: No. 18, El sueño de la razón produce monstruos | Mario Castelnuovo-Tedesco, Vincenzo Fiamingo | A Minor | 2 | 8A | 81 BPM | ||
| Orfeo ed Euridice, Wq. 30: Dance of the Blessed Spirits "Melody" (Arr. Sgambati for Piano) | Christoph Willibald Gluck, Yuja Wang | D Minor | 0 | 7A | 70 BPM | ||
| La Frontera de Dios: III. Idilio | Regino Sáinz de la Maza, Franz Halász | E Minor | 0 | 9A | 136 BPM | ||
| Nocturno | Federico Moreno Torroba, Orquesta Sinfónica De Radio Hamburgo, Ferdinand Canonovich | A Major | 2 | 11B | 92 BPM | ||
| Kitsch-Musik: III. Allegretto | Valentin Silvestrov, Elisaveta Blumina | E♭ Major | 0 | 5B | 68 BPM | ||
| Etude No. 6 (arr. of F. Sor: 24 Very Easy Exercises Op. 35 No. 17) | Fernando Sor, Roland Dyens, Quatuor Arthur. Le Blanc | G Major | 0 | 9B | 126 BPM | ||
| Canarios | Gaspar Sanz, Simon Dinnigan | D Major | 1 | 10B | 96 BPM | ||
| Sonatina canonica, Op. 196: III. Fandango en Rondeau | Mario Castelnuovo-Tedesco, Brasil Guitar Duo | E Minor | 0 | 9A | 68 BPM | ||
| Apariciones: Valses Romanticos: Sensitive | Enrique Granados, Douglas Riva | C Minor | 0 | 5A | 143 BPM | ||
| Study in E Minor op. 60 no. 22 | Fernando Sor, Søren Bødker Madsen | E Minor | 1 | 9A | 117 BPM | ||
| El Día Que Me Quieras | Victor Villadangos | D Major | 0 | 10B | 80 BPM | ||
| Etude No. 5 en si mineur | Fernando Sor, Arnaud Dumond | E Minor | 0 | 9A | 84 BPM | ||
| Brouwer: 2 Aires populares cubanos: No. 1, Guajira criolla | Leo Brouwer, Eliot Fisk | A Major | 1 | 11B | 105 BPM | ||
| Preludio : Preludio | Adam Holzman, Manuel Ponce | A Major | 1 | 11B | 131 BPM | ||
| Andante No. 1, Op. 320 | Ferdinando Carulli, Flavio Cucchi | A Minor | 0 | 8A | 147 BPM | ||
| Tansman: Musique de cour d'après Robert de Visée: I. Entrée | Alexandre Tansman, Thibaut García, Ben Glassberg, Orchestre National Du Capitole De Toulouse | D Minor | 0 | 7A | 87 BPM | ||
| 12 Songs for Guitar: No. 6, What a Friend - Arr. for Guitar by T. Takemitsu | Toru Takemitsu, Charles Crozat Converse, Giacomo Palazzesi | G Major | 1 | 9B | 83 BPM | ||
| La Catedral: Preludio Saudade | Berta Rojas | B Minor | 1 | 10A | 103 BPM | ||
| Cello Sonata: I. Allegro selvaggio | Manuel Ponce, Carlos Prieto, Edison Quintana | E♭ Major | 0 | 5B | 74 BPM | ||
| Scherzino Mexicano | Adam Holzman, Manuel Ponce | D Major | 1 | 10B | 126 BPM | ||
| Exercise, Op. 35: Study No. 17 in D Major | Fernando Sor, Timo Korhonen | B Minor | 0 | 10A | 48 BPM | ||
| Homenaje a Andalucía: II. Boliche (Bolero Clásico) | Ángel Barrios, Guillem Perez-Quer | E Minor | 1 | 9A | 85 BPM |