Gilmore & Roberts's ' "False Knight" was released on its scheduled release date, 2012. With this song being around four minutes long, at 4:03, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 10 in the song's album "The Innocent Left". In this album, this song's track order is #7. Furthermore, we believe that the track originated from United Kingdom. In terms of popularity, False Knight is currently not that popular. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
With False Knight by Gilmore & Roberts having a BPM of 108 with a half-time of 54 BPM and a double-time of 216 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall moderate tempo. The time signature for this track is 4/4.
This song is in the music key of E Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| All I've Known | Gilmore & Roberts | D Major | 7 | 10B | 120 BPM | ||
| I'd Rather Be Tending My Sheep | The Furrow Collective | D Major | 1 | 10B | 109 BPM | ||
| Slaves | Faustus | D Major | 7 | 10B | 78 BPM | ||
| Georgie | Janice Burns & Jon Doran | C Minor | 2 | 5A | 130 BPM | ||
| Star O' the Bar | Siobhan Miller | B Major | 8 | 1B | 119 BPM | ||
| Scarecrow | Gilmore & Roberts | E Major | 5 | 12B | 108 BPM | ||
| Horo Illean | Kathleen MacInnes | G Major | 1 | 9B | 141 BPM | ||
| Adoon Winding Nith | Emily Smith, Jamie McClennan | D Major | 1 | 10B | 172 BPM | ||
| Dance to Your Daddy | James Fagan, Nancy Kerr | D Major | 5 | 10B | 121 BPM | ||
| Roll the Woodpile Down | Bellowhead | D Major | 8 | 10B | 117 BPM | ||
| The False Lady | Karan Casey, John Doyle | B Minor | 4 | 10A | 104 BPM | ||
| Òran Eile don Phrionnsa | Dàibhidh Stiùbhard | F♯ Minor | 3 | 11A | 170 BPM | ||
| Carrying the Coffin | The Young'uns | A Major | 4 | 11B | 110 BPM | ||
| Fol the Day-o | The Full English | A♭ Major | 0 | 4B | 110 BPM | ||
| The Cottager's Reply | Jimmy Aldridge & Sid Goldsmith | C Minor | 1 | 5A | 139 BPM | ||
| Crow on the Cradle | Show Of Hands | B Minor | 3 | 10A | 115 BPM | ||
| The Cunning Cobbler | Ruth Notman, Sam Kelly | B♭ Major | 1 | 6B | 93 BPM | ||
| Love will still remain | Seth Lakeman | D Major | 8 | 10B | 132 BPM | ||
| Fifty Verses | Melrose Quartet | C Major | 3 | 8B | 142 BPM | ||
| Silent Majority | The Paul McKenna Band | E Minor | 6 | 9A | 127 BPM | ||
| Games People Play | Fara | C Major | 1 | 8B | 140 BPM | ||
| Birds of Passage | Breabach | F♯ Minor | 10 | 11A | 120 BPM | ||
| Erin Go Bragh | Hannah Rarity | A Minor | 4 | 8A | 183 BPM | ||
| Bagpipers | Leveret | G Major | 6 | 9B | 105 BPM | ||
| The Herring Girl | Bella Hardy | E Major | 3 | 12B | 179 BPM |