"3 Angelitos Mexicanos: No. 2. Sangrita: Tranquillamente" by Stephen McNeff, Morgan Szymanski had its release date on April 7, 2015. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 14 in the song's album "Nuevo Mundo". In this album, this song's track order is #13. Furthermore, we believe that the track originated from United Kingdom. 3 Angelitos Mexicanos: No. 2. Sangrita: Tranquillamente is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With 3 Angelitos Mexicanos: No. 2. Sangrita: Tranquillamente by Stephen McNeff, Morgan Szymanski having a BPM of 77 with a half-time of 38 BPM and a double-time of 154 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Ballet Suite No. 3 (arr. L. Atovmyan): Waltz (The Limpid Stream) | Lev Atovmyan, Dmitri Shostakovich, Russian Philharmonic Orchestra, Dmitry Yablonsky | F Major | 2 | 7B | 96 BPM | ||
| Fantasia & Fugue in G Minor, BWV 542 "The Great" (Arr. for Orchestra by Sir Andrew Davis): I. Fantasia | Johann Sebastian Bach, Martyn Brabbins, BBC Philharmonic | E♭ Major | 0 | 5B | 73 BPM | ||
| Ol’ Man River | Michel Bell | F♯ Major | 6 | 2B | 136 BPM | ||
| Cannibalize The Future | Danke Timi Briggs | B♭ Major | 3 | 6B | 80 BPM | ||
| Auf dem Strom, Op. post 119, D943 | Franz Schubert, Jung Eun Oh, Richard King, Orli Shaham | E Major | 2 | 12B | 86 BPM | ||
| Prokofiev: Peter and the Wolf, Op. 67: No. 4 Grandfather | Sergei Prokofiev, Alexander Armstrong, Vasily Petrenko, Royal Liverpool Philharmonic Orchestra | B Minor | 1 | 10A | 102 BPM | ||
| Ghosts: VII. The Blackpool Tram | Stephen McNeff, Philharmonia A Vent, John P. Boyd | C Minor | 2 | 5A | 132 BPM | ||
| Ballet Suite No. 4 (arr. L. Atovmyan): Scherzo (The Bolt) | Lev Atovmyan, Dmitri Shostakovich, Russian Philharmonic Orchestra, Dmitry Yablonsky | C Major | 3 | 8B | 77 BPM | ||
| Alice Poems: No. 1, Jabberwocky | Alan Ridout, Richard Baker, Coull Quartet | A Minor | 2 | 8A | 92 BPM | ||
| Seven Last Words from the Cross: I. Father, Forgive Them, for They Know Not What They Do | James MacMillan, Britten Sinfonia, Polyphony, Stephen Layton | B Major | 2 | 1B | 80 BPM | ||
| Songs of the Fleet, Op. 117: II. The Song of the Sou'Wester | Charles Villiers Stanford, Richard Hickox, BBC National Orchestra Of Wales, Gerald Finley, BBC National Chorus of Wales | C Major | 2 | 8B | 89 BPM | ||
| 2117/Hedd Wyn, Act III: Er i helynt y gerrynt ei guro | Stephen McNeff, Gruff Rhys, Meinir Wyn Roberts, Welsh National Opera Orchestra | A Minor | 2 | 8A | 179 BPM | ||
| Trial by Jury: Oh, Joy Unbounded | Gilbert & Sullivan Society of Houston | D Major | 4 | 10B | 132 BPM | ||
| Scheherazade the Young Prince and the Princess | Olive the Otter Dog | C Major | 0 | 8B | 80 BPM | ||
| 2117/Hedd Wyn, Act II: Clic a chlac a trac y trên | Stephen McNeff, Gruff Rhys, Welsh National Youth Opera, Only Boys Aloud, Steffan Lloyd Owen, Laurence Kilsby, Meinir Wyn Roberts, Paul Carey Jones, Alys Mererid Roberts, Welsh National Opera Orchestra | D♭ Major | 3 | 3B | 77 BPM | ||
| 21. Braid the raven hair, Weave the supple tresses | Arthur Sullivan, Peggy Ann Jones, The D'Oyly Carte Opera Chorus, Royal Philharmonic Orchestra, Royston Nash | B♭ Major | 1 | 6B | 141 BPM | ||
| Harlem Boogie-Woogie | Jerome Kern, Robert Russell Bennett, London Sinfonietta, John McGlinn | F Minor | 6 | 4A | 171 BPM | ||
| Coward: Bitter Sweet, Act 2: "When We're Thoroughly Wined and Dined" (Captain Lutte, Officers) | Noel Coward, Johnny Douglas, John McCarthy Singers, Neville Jason, Johnny Douglas Orchestra | B♭ Major | 4 | 6B | 142 BPM | ||
| Peter and the Wolf - A Musical Tale for Children Op. 67 [Baker version] (1995 Digital Remaster): Early one morning... (Peter) | Richard Baker, Raymond Leppard, New Philharmonia Orchestra | G Major | 1 | 9B | 88 BPM | ||
| Wedgwood Blue: Wedgewood Blue | Albert Ketèlbey, Slovak Radio Symphony Orchestra, Adrian Leaper | B♭ Major | 0 | 6B | 121 BPM | ||
| A Voice of One Delight: Part 1 - Livorno - 1 | Stephen McNeff, Clare McCaldin, Andrew West, Orchestra Nova Ensemble, George Vass | A♭ Minor | 1 | 1A | 168 BPM | ||
| My Fair Lady, Act I Scene 4: How'd Ya Like That? | Frederick Loewe, Annie Wensak, Leo Roberts, Alun Armstrong | D♭ Major | 2 | 3B | 50 BPM | ||
| Coppélia, Tableau 1: No. 8 Final | Léo Delibes, Orchestra Victoria, Barry Wordsworth | E♭ Major | 2 | 5B | 142 BPM | ||
| The Work Song (Cinderella) | London Pops Orchestra, Nelson Corbin | D♭ Major | 2 | 3B | 123 BPM | ||
| Scheherazade the Sea and Sinbad's Ship | Olive the Otter Dog | E Major | 0 | 12B | 167 BPM |