見砂直照と東京キューバン・ボーイズ's ' "マック・ザ・ナイフ" was released on its scheduled release date, April 27, 2011. The duration of This song is about two minutes long, specifically at 2:32. This song does not appear to have any foul language. マック・ザ・ナイフ's duration is considered a little bit shorter than the average duration of a typical track. There is only one song in 見砂直照と東京キューバン・ボーイズ ゴールデン☆ベスト, so we believe that "マック・ザ・ナイフ" is a single. Based on our statistics, マック・ザ・ナイフ's popularity is unknown right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
The tempo marking of マック・ザ・ナイフ by 見砂直照と東京キューバン・ボーイズ is Allegro (fast, quick, and bright), since this song has a tempo of 144 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with jogging or cycling. The time signature for this track is 4/4.
B Major is the music key of this track. This also means that this song has a camelot key of 1B. So, the perfect camelot match for 1B would be either 1B or 2A. While, 2B can give you a low energy boost. For moderate energy boost, you would use 10B and a high energy boost can either be 3B or 8B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 1A or 12B will give you a low energy drop, 4B would be a moderate one, and 11B or 6B would be a high energy drop. Lastly, 10A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Aperitivo Glow | Bossa Nova Carioca | C Major | 3 | 8B | 132 BPM | ||
| 女と男のいる舗道(映画「女と男のいる舗道」より) | ロジェ・フランス楽団 | D♭ Major | 3 | 3B | 168 BPM | ||
| It Never Rains in California | Nick Perito Orchestra | G Minor | 6 | 6A | 166 BPM | ||
| Come Away With Me Now | Alex Kaeck, The Hana Hombres | F Major | 2 | 7B | 101 BPM | ||
| Proud Mary | 稲垣次郎とソウル・メディア, 見砂直照と東京キューバン・ボーイズ | C Major | 6 | 8B | 131 BPM | ||
| Cuando Ya No Me Quieras | Leroy Holmes And His Orchestra | B♭ Major | 3 | 6B | 73 BPM | ||
| Vanilla Horizon | Brisa Carioca | A♭ Major | 4 | 4B | 150 BPM | ||
| Mira Como Me Balanceo | Gustavo Pimentel | F Major | 7 | 7B | 146 BPM | ||
| Horizonte Sonoro | SonderRs | D Minor | 7 | 7A | 121 BPM | ||
| Red Bossa | Alessandro Alessandroni | B♭ Minor | 5 | 3A | 88 BPM | ||
| 恍惚のブルース(Live at 浅草国際劇場 1976) | Mina Aoe, 見砂直照と東京キューバン・ボーイズ | F Major | 5 | 7B | 88 BPM | ||
| Night Train | Jackie Davis | F♯ Major | 5 | 2B | 116 BPM | ||
| Love's Never Ending | George Felington | D♭ Major | 7 | 3B | 110 BPM | ||
| Sol sobre Leblon | RICARDO BOSANOVA | D♭ Major | 7 | 3B | 158 BPM | ||
| Cocktails For Two (Cha-Cha) | Xavier Cugat & His Orchestra | D♭ Major | 5 | 3B | 110 BPM | ||
| Claro de Luna en Vermont | DCO | G Minor | 4 | 6A | 73 BPM | ||
| Underwater City | Daloi | D♭ Major | 7 | 3B | 110 BPM | ||
| Die Schlüssel | Peter Thomas Sound Orchester | C Major | 6 | 8B | 62 BPM | ||
| ババルー・アジェ | 御影あい子, トリオ・ロス・チカノス, 見砂直照と東京キューバン・ボーイズ | B♭ Major | 5 | 6B | 114 BPM | ||
| Kariboshi Kiri-Uta | 見砂直照と東京キューバン・ボーイズ, 宮田耕八朗, 沢井忠夫 | D Major | 7 | 10B | 115 BPM | ||
| マカレーナの乙女 | 原信夫とシャープス・アンド・フラッツ, 見砂直照と東京キューバン・ボーイズ | D Major | 7 | 10B | 134 BPM | ||
| Teach Me Tonight | Muzak Orchestra | E Major | 2 | 12B | 79 BPM | ||
| Tango Delle Rose | Al Caiola | G Minor | 8 | 6A | 115 BPM | ||
| the Apartment (Original Mix) | Tito Rodriguez | D♭ Major | 7 | 3B | 110 BPM | ||
| Lazy Afternoon Dance | Bossa Morena | F Major | 6 | 7B | 83 BPM |