On January 1, 1997, the song "Lover, Come Back To Me - Alternate" was released by The Albert Nicholas Quartet, Art Hodes. The duration of This song is about two minutes long, specifically at 2:45. This song does not appear to have any foul language. Lover, Come Back To Me - Alternate's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 21 in the song's album "The New Orleans-Chicago Connection". In this album, this song's track order is #14. Furthermore, we believe that the track originated from United States. Based on our statistics, Lover, Come Back To Me - Alternate's popularity is unknown right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
With Lover, Come Back To Me - Alternate by The Albert Nicholas Quartet, Art Hodes having a BPM of 121 with a half-time of 60 BPM and a double-time of 242 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song has a musical key of F Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Safari Stomp | Claude Hopkins | A♭ Major | 3 | 4B | 109 BPM | ||
| Gotta Be This Or That | Bobby Gordon, Dave McKenna | F Major | 1 | 7B | 133 BPM | ||
| Home (#1) | Archie Semple, Fred Hunt, Dickie Hawdon | F♯ Minor | 5 | 11A | 169 BPM | ||
| Night in Counterpoint | Silas Moonray | F Minor | 3 | 4A | 113 BPM | ||
| Nothing But Time | Sherbourne Rivers | C Major | 1 | 8B | 97 BPM | ||
| Weightless Harmony | Arthur Glasswing | F Minor | 3 | 4A | 113 BPM | ||
| Ammonia Blues (#2) | Archie Semple, Fred Hunt, Dickie Hawdon | F♯ Minor | 5 | 11A | 169 BPM | ||
| Quiet Deals in Minor | Milo Crescent | F Minor | 3 | 4A | 113 BPM | ||
| Balling The Jack | Eddie Condon | C Minor | 4 | 5A | 189 BPM | ||
| Perdido | Duke Ellington | F Minor | 3 | 4A | 113 BPM | ||
| Boulevard | scoth | F Minor | 3 | 4A | 113 BPM | ||
| Nice 'n Easy | Staffan Nilson Trio | G Major | 2 | 9B | 122 BPM | ||
| Royal Gardens Blues | Count Basie Trio | F♯ Major | 3 | 2B | 92 BPM | ||
| Light Becomes Rhythm | Rowan Blackstone | F Minor | 3 | 4A | 113 BPM | ||
| Down for Double | Al Cohn, Joe Newman, Freddie Green | A♭ Major | 4 | 4B | 205 BPM | ||
| Etta - Alternate | The Albert Nicholas Quartet, Art Hodes | F Major | 3 | 7B | 121 BPM | ||
| My Reward | Johnny Hodges & His Orchestra | C Major | 2 | 8B | 66 BPM | ||
| december calm | eire music | F Minor | 4 | 4A | 90 BPM | ||
| Cobalt Portico | Monochrome Silence | C Minor | 3 | 5A | 80 BPM | ||
| Last Train Swing | Diner Express | G Major | 2 | 9B | 111 BPM | ||
| After the Ball | Don Albert, Louis Cottrell, Waldren "Frog" Joseph, Jeanette Kimball, Placide Adams, Paul Barbarin | B♭ Major | 5 | 6B | 178 BPM | ||
| Empty Sunset Boulevard | Smoky Avenue | F Minor | 2 | 4A | 89 BPM | ||
| Under the River | Noiracle | E♭ Minor | 1 | 2A | 113 BPM | ||
| Silver's Blue | Horace Silver | C Minor | 3 | 5A | 135 BPM | ||
| Returns | Nerra Vale | B♭ Major | 1 | 6B | 103 BPM |