Slaughter & The Dogs's 'Saturday Night Till Sunday Morning' had a release date set for 2003. With this song being around four minutes long, at 4:20, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 5 out of 15 in A Dog Day Afternoon by Slaughter & The Dogs. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. The popularity of Saturday Night Till Sunday Morning is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Saturday Night Till Sunday Morning by Slaughter & The Dogs is Vivace (lively and fast), since this song has a tempo of 175 BPM. With that information, we can conclude that the song has a fast tempo. The time signature for this track is 4/4.
This song has a musical key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Fast Cars - 1996 Remastered Version | Buzzcocks | B♭ Minor | 8 | 3A | 93 BPM | ||
| Streets Of London | Anti-Nowhere League | A Major | 8 | 11B | 174 BPM | ||
| Don't You Ever Let Me Down | The Crack | B Major | 7 | 1B | 123 BPM | ||
| They Came In Force | Red Alert | B Major | 6 | 1B | 144 BPM | ||
| King Rocker | Generation X | G Major | 2 | 9B | 125 BPM | ||
| Gotta Gettaway | Stiff Little Fingers | G Major | 9 | 9B | 191 BPM | ||
| The Cockney Kids Are Innocent | Sham 69 | B Minor | 10 | 10A | 149 BPM | ||
| Society | The Ruts | B Major | 7 | 1B | 106 BPM | ||
| Cold Wars | The Rezillos | E Minor | 8 | 9A | 194 BPM | ||
| Don't Be Pushed Around | The Zips | D♭ Major | 7 | 3B | 171 BPM | ||
| 78 R.P.M. | Stiff Little Fingers, Doug Bennett | C Major | 8 | 8B | 120 BPM | ||
| You've Got My Number (Why Don't You Use It!) | The Undertones | E Major | 8 | 12B | 151 BPM | ||
| Live Fast Die Young | The Violators | B Minor | 9 | 10A | 93 BPM | ||
| Run Like Hell | Peter and the Test Tube Babies | C Major | 7 | 8B | 108 BPM | ||
| Thrill Me | The Undertones | D♭ Minor | 10 | 12A | 98 BPM | ||
| Flying Saucer Attack | The Rezillos | G Major | 6 | 9B | 197 BPM | ||
| I-Spy | Rudi | E Minor | 9 | 9A | 104 BPM | ||
| I Can Only Dream | Protex | A Major | 9 | 11B | 173 BPM | ||
| Bored Teenagers | The Adverts | A Minor | 9 | 8A | 176 BPM | ||
| Great British Mistake | The Adverts | G Major | 10 | 9B | 169 BPM | ||
| Bad Man | Cockney Rejects | C Major | 10 | 8B | 171 BPM | ||
| Ain't Bin to No Music School | The Nosebleeds | D♭ Minor | 10 | 12A | 181 BPM | ||
| Join the Rejects | Cockney Rejects | D Major | 9 | 10B | 160 BPM | ||
| Mods Skins Punks | The Professionals | E Major | 8 | 12B | 146 BPM | ||
| Fascist Dictator | The Cortinas | B Major | 9 | 1B | 198 BPM |