On June 19, 2025, the song "We Had Chemistry (Briefly)" was released by Adelaide Jazz Project. With this song being around four minutes long, at 3:42, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 18 in the song's album "Synaptic Swing". In this album, this song's track order is #5. Furthermore, we believe that the track originated from United States. The popularity of We Had Chemistry (Briefly) is currently not that popular right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
With We Had Chemistry (Briefly) by Adelaide Jazz Project having a BPM of 177 with a half-time of 88 BPM and a double-time of 354 BPM, we would consider this track to have a Presto (very, very fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. The time signature for this track is 4/4.
F Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Freudian Swing (From Neurotic Sessions) | Adelaide Jazz Project | F Major | 4 | 7B | 177 BPM | ||
| Take to the Sky | Julie | D Minor | 1 | 7A | 97 BPM | ||
| Just One Wish Tonight | Janice Dalton | B♭ Major | 2 | 6B | 204 BPM | ||
| You Make Me Feel | Anna Lovdal, Per Thornberg | D Major | 3 | 10B | 119 BPM | ||
| Drink it In | Mark Niedzwiedz, Mark Kingswood | E♭ Major | 3 | 5B | 123 BPM | ||
| Wise Women Know | Soesja Citroen, Berend van den Berg, Ruud Ouwehand | F Major | 1 | 7B | 57 BPM | ||
| Roads We Didn’t Travel | Velour JAZZ | B♭ Minor | 0 | 3A | 82 BPM | ||
| Lamppost Piazza | Polaroid Sessions | G Major | 3 | 9B | 111 BPM | ||
| Misty Nights | Choll | D♭ Major | 1 | 3B | 114 BPM | ||
| Just No Getting Over You | Jeff Meegan, David Tobin | C Major | 6 | 8B | 130 BPM | ||
| Afterlight Quartet | Bluestroke | B♭ Major | 2 | 6B | 204 BPM | ||
| Mold of misery | Ralf Gerber | B Major | 6 | 1B | 123 BPM | ||
| The Sound of Goodbye – Vintage Love | Vintage Heartbeat Radio | E♭ Major | 4 | 5B | 178 BPM | ||
| Right Lane | J. Johnson Esposito | F Major | 3 | 7B | 110 BPM | ||
| In Between Moments | Fredo Kopi | C Major | 1 | 8B | 93 BPM | ||
| An Angel Left | Eclipse Sinfónico | F Major | 3 | 7B | 79 BPM | ||
| Kisses We Forgot to End – Vintage Love Song (Romantic Oldies) | Vintage Heartbeat Radio | F Major | 3 | 7B | 72 BPM | ||
| The Jazz Of The Broken Hearted | Natural Beat Records | A♭ Major | 5 | 4B | 120 BPM | ||
| Midnight on Bourbon Street. Pt. 1 | Art Swing | C Minor | 3 | 5A | 136 BPM | ||
| After the last train | Gigi Z | B♭ Major | 2 | 6B | 204 BPM | ||
| Just Friends / Can't We Be Friends? (Arr. for Voice, Piano, Guitar, Bass, Drums and Strings by R. Mounsey) | Kay Swift, John Klenner, Zachary Wilder, Rob Mounsey, Matt Beck, David Finck, Mark McLean | B♭ Major | 2 | 6B | 204 BPM | ||
| You Are the Reason I Stay | Eddie Gold | G Minor | 2 | 6A | 68 BPM | ||
| Moonlight of the Sweet Dream | Midnight in Mono | A Major | 4 | 11B | 198 BPM | ||
| Stitched in Fog | Mira Rae | C Major | 2 | 8B | 116 BPM | ||
| Blue Silence (1940s Jazz) | ZChill Jazz | B♭ Minor | 1 | 3A | 172 BPM |