On January 1, 1956, the song "Stompy Jones (12)" was released by Duke Ellington. With this song being around four minutes long, at 3:52, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Duke Ellington's "Historically Speaking - The Duke (Remastered 2014)" album is number 3 out of 12. Stompy Jones (12) is not that popular right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
We consider the tempo marking of Stompy Jones (12) by Duke Ellington to be Andante (at a walking pace) because the track has a tempo of 81 BPM, a half-time of 40BPM, and a double-time of 162 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
A♭ Major is the music key of this track. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Big John Special | Chick Webb | G Minor | 5 | 6A | 160 BPM | ||
| Tidbits | Paul Tillotson the Love Trio | F♯ Major | 5 | 2B | 172 BPM | ||
| Vine Street Boogie | Jay McShann, Milt Buckner | D Minor | 5 | 7A | 146 BPM | ||
| Over the Waves | Teddy Riley, Teddy Riley's New Orleans Band | F Major | 8 | 7B | 116 BPM | ||
| Blowin' up a Storm | Woody Herman & His Orchestra | B♭ Major | 3 | 6B | 97 BPM | ||
| Barney's Bounce | Barney Bigard & His Orchestra | C Minor | 5 | 5A | 109 BPM | ||
| A Smo-o-o-oth One (feat. Benny Goodman & Charlie Christian) | Benny Goodman Sextet, Benny Goodman, Charlie Christian | G Minor | 2 | 6A | 124 BPM | ||
| Yes Indeed | Sy Oliver | C Major | 3 | 8B | 62 BPM | ||
| Don't Stop the Dance | The Bryan Ferry Orchestra | G Minor | 1 | 6A | 94 BPM | ||
| Call Me Happy | Earl Hines & His Orchestra | A♭ Major | 6 | 4B | 117 BPM | ||
| Clarinet Wobble | Johnny Dodds | A♭ Major | 5 | 4B | 106 BPM | ||
| Moanin' | Art Blakey & The Jazz Messengers | F Minor | 5 | 4A | 126 BPM | ||
| The Beautiful American - 1990 Remaster | Louis Armstrong, Duke Ellington | E Minor | 3 | 9A | 101 BPM | ||
| Gettin' In The Groove | Francis Panama And His Savoy Sultans | D♭ Major | 3 | 3B | 133 BPM | ||
| Mr Jelly Lord | Jelly Roll Morton | A♭ Major | 5 | 4B | 106 BPM | ||
| Rug Cutter's Swing | Fletcher Henderson | G Major | 4 | 9B | 111 BPM | ||
| Wrappin' It Up | Fletcher Henderson | F♯ Major | 6 | 2B | 106 BPM | ||
| New Moten Stomp | Bennie Moten | A♭ Major | 5 | 4B | 106 BPM | ||
| Hash Brown | Earl Hines | F♯ Major | 5 | 2B | 103 BPM | ||
| I'm free | Bob Crosby & His Orchestra, Bob Crosby | A♭ Major | 5 | 4B | 106 BPM | ||
| The Northwest Passage | Woody Herman & His Orchestra | E♭ Major | 6 | 5B | 136 BPM | ||
| The Gal From Joe's | Charlie Barnet | E♭ Major | 6 | 5B | 92 BPM | ||
| Rise and Shine | Candy Jacket Jazz Band | E♭ Major | 4 | 5B | 173 BPM | ||
| Down South Camp Meetin' | Benny Goodman | A♭ Major | 5 | 4B | 98 BPM | ||
| King Porter Stomp - 1987 Remastered | Benny Goodman | D♭ Major | 4 | 3B | 184 BPM |