- BPM
- 101
- Key
- A Minor
- Camelot
- 8A
Requiem In D Minor, K. 626: Sequence: V. Confutatis Maledictis by Slovak Philharmonic, Vladimir Ruso, Slovak Philharmonic Chorus, Stefan Klimo, Magdaléna Hajóssyová, Jaroslava Horska, Jozef Kundlák, Peter Mikulas, Wolfgang Amadeus Mozart Song Details
"Requiem In D Minor, K. 626: Sequence: V. Confutatis Maledictis" by Slovak Philharmonic, Vladimir Ruso, Slovak Philharmonic Chorus, Stefan Klimo, Magdaléna Hajóssyová, Jaroslava Horska, Jozef Kundlák, Peter Mikulas, Wolfgang Amadeus Mozart had its release date on April 15, 1989. The duration of This song is about 3 minutes long, at 3:07. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Slovak Philharmonic's "Mozart: Requiem In D Minor" album is number 7 out of 14. In terms of popularity, Requiem In D Minor, K. 626: Sequence: V. Confutatis Maledictis is currently below average in popularity. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
BPM and Tempo
We consider the tempo marking of Requiem In D Minor, K. 626: Sequence: V. Confutatis Maledictis by Slovak Philharmonic, Vladimir Ruso, Slovak Philharmonic Chorus, Stefan Klimo, Magdaléna Hajóssyová, Jaroslava Horska, Jozef Kundlák, Peter Mikulas, Wolfgang Amadeus Mozart to be Andante (at a walking pace) because the track has a tempo of 101 BPM, a half-time of 50BPM, and a double-time of 202 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
Music Key
This song has a musical key of A Minor. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
- Popularity
- 31%
- Loudness
- -25.795 dB
- Acousticness
- 99%
- Danceability
- 18%
- Energy
- 2%
- Instrumentalness
- 32%
- Liveness
- 12%
- Loudness
- 57%
- Speechiness
- 4%
- Valence
- 4%
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Requiem In D Minor, K. 626: Offertory: II. Hostias Et Preces | Slovak Philharmonic, Jozef Kundlák, Magdaléna Hajóssyová, Peter Mikulas, Vladimir Ruso, Slovak Philharmonic Chorus, Jaroslava Horska, Stefan Klimo, Wolfgang Amadeus Mozart | B♭ Major | 1 | 6B | 98 BPM | |
 | Mass in C Minor, K. 427 "Grosse Messe" (Version by Franz Beyer): Gloria: Domine Deus - Live | Wolfgang Amadeus Mozart, Arleen Auger, Frederica von Stade, Bavarian Radio Symphony Orchestra, Leonard Bernstein | G Minor | 1 | 6A | 113 BPM | |
 | Vocalise, Op. 34, No. 14 | Sergei Rachmaninoff, Berliner Philharmoniker, Lorin Maazel | E Minor | 1 | 9A | 76 BPM | |
 | Symphonie espagnole, Op. 21: I. Allegro non troppo | Édouard Lalo, Itzhak Perlman, Orchestre de Paris, Daniel Barenboim | D Minor | 1 | 7A | 75 BPM | |
 | Carmina Burana: Veris leta facies | Carl Orff, Cleveland Orchestra, Michael Tilson Thomas | D Major | 0 | 10B | 77 BPM | |
 | Mozart: Requiem in D Minor, K. 626: VIII. Lacrimosa | Wolfgang Amadeus Mozart, Richard Hickox, London Symphony Chorus, Northern Sinfonia Chorus, Royal Northern Sinfonia | G Minor | 2 | 6A | 81 BPM | |
 | Carmina Burana: XXIV. Ave formosissima | Carl Orff, Chor der Deutschen Oper Berlin, Orchester der Deutschen Oper Berlin, Eugen Jochum | E Minor | 3 | 9A | 172 BPM | |
 | Requiem, Op. 89, B. 165: Dies irae | Antonín Dvořák, Chór Filharmonii Narodowej w Warszawie, Orkiestra Filharmonii Narodowej w Warszawie, Antoni Wit | B♭ Major | 3 | 6B | 90 BPM | |
 | Vesperae solennes de confessore in C Major, K. 339, "Solemn Vespers": IV. Laudate Dominum | Wolfgang Amadeus Mozart, Priti Coles, Kosice Teachers' Choir, Camerata Cassovia, Johannes Wildner | F Major | 1 | 7B | 112 BPM | |
 | Das Rheingold: Entry of the Gods into Valhalla | Richard Wagner, George Szell, The Cleveland Orchestra | D♭ Major | 1 | 3B | 85 BPM | |
| Requiem In D Minor, K. 626: Sequence: III. Rex Tremendae Majestatis | Slovak Philharmonic, Magdaléna Hajóssyová, Jozef Kundlák, Slovak Philharmonic Chorus, Peter Mikulas, Jaroslava Horska, Stefan Klimo, Vladimir Ruso, Wolfgang Amadeus Mozart | G Minor | 1 | 6A | 82 BPM | |
 | Six Pieces, Op. 51, TH 143: VI. Valse sentimentale. Tempo di Valse | Pyotr Ilyich Tchaikovsky, Daniel Lozakovich, Stanislav Soloviev | D♭ Major | 1 | 3B | 108 BPM | |
 | Nocturne No. 19 in E Minor, Op. 72 No. 1 | Frédéric Chopin, Benjamin Grosvenor | D Major | 0 | 10B | 138 BPM | |
 | Requiem: II. Dies irae "Dies irae" | Giuseppe Verdi, London Symphony Orchestra, Gianandrea Noseda, London Symphony Chorus | C Minor | 3 | 5A | 91 BPM | |
 | Offertorium | Gabriel Fauré, Lisa Beckley, Elena Filipova, Magdaléna Hajóssyová, Peter Mikulas, Michel Piquemal, Gloria Scalchi, Michel Piquemal Vocal Ensemble, Hungarian State Opera Chorus, Oxford Schola Cantorum, Slovak Philharmonic Chorus, Hungarian State Opera Orch | D Major | 0 | 10B | 69 BPM | |
 | Le nozze di Figaro, K.492 / Act 4: "Gente, gente, all'armi" | Wolfgang Amadeus Mozart, Thomas Hampson, Ferruccio Furlanetto, Anthony Laciura, Renato Capecchi, Dawn Upshaw, Heidi Grant Murphy, Anne Sofie von Otter, Tatiana Troyanos, Kiri Te Kanawa, Metropolitan Opera Orchestra, James Levine | F Major | 2 | 7B | 114 BPM | |
 | Piano Sonata No. 13 In B Flat Major, K. 333: I. Allegro | Jenő Jandó, Wolfgang Amadeus Mozart | B♭ Major | 1 | 6B | 127 BPM | |
 | Aladdin Suite, Op. 34, FS 89: I. The Festival March | Carl Nielsen, South Jutland Symphony Orchestra, Niklas Willen | A♭ Major | 0 | 4B | 132 BPM | |
 | Requiem No. 1 in C Minor: Graduale: Requiem aeternam | Luigi Cherubini, Radio Svizzera Choir, Lugano, Radio Svizzera Italiana Orchestra, Diego Fasolis | G Minor | 1 | 6A | 111 BPM | |
 | Die Meistersinger Von Nurnberg (The Mastersingers Of Nuremberg): Wach Auf! | Slovak Radio Symphony Orchestra, Slovak Philharmonic Chorus, Richard Wagner | G Major | 2 | 9B | 112 BPM | |
 | Götterdämmerung, WWV 86D / Act III: Trauermarsch - Edit / Remastered 2022 | Richard Wagner, Wiener Philharmoniker, Sir Georg Solti | E Minor | 1 | 9A | 79 BPM | |
 | Samson et Dalila, Op. 47: Bacchanale | Camille Saint-Saëns, Leonard Bernstein, New York Philharmonic | D Minor | 2 | 7A | 145 BPM | |
 | Le nozze di Figaro, K. 492, Atto III Scene 9 - 10: No. 21, Su l'aria... (Duettino Susanna, La Contessa) | Wolfgang Amadeus Mozart, Concerto Köln, René Jacobs, Véronique Gens, Patrizia Ciofi | B♭ Major | 1 | 6B | 81 BPM | |
 | Prokofiev: Suite No. 2 from Romeo and Juliet, Op. 64ter: I. The Montagues and Capulets (Excerpt) | Sergei Prokofiev, Philadelphia Orchestra, Riccardo Muti | A Minor | 3 | 8A | 108 BPM | |
 | Requiem in D Minor, K. 626: No 3, Sequence - Tuba Mirum | Wolfgang Amadeus Mozart, Sir Colin Davis, Marie Arnet, Anna Stephany, London Symphony Orchestra, Andrew Kennedy, Darren Jeffery | D Major | 4 | 10B | 80 BPM |
- ISRC
- This song does not have an ISRC.
- Label
- L-M Records/RCA Records