Mike Trask's ' "Welcome To The Bizarre" was released on its scheduled release date, May 15, 2021. The duration of This song is about two minutes long, specifically at 2:43. This song does not appear to have any foul language. Welcome To The Bizarre's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 11 in the song's album "TV Dinner". In this album, this song's track order is #7. In terms of popularity, Welcome To The Bizarre is currently not that popular. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
With Welcome To The Bizarre by Mike Trask having a BPM of 117 with a half-time of 58 BPM and a double-time of 234 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song is in the music key of B Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 1B. So, the perfect camelot match for 1B would be either 1B or 2A. While, 2B can give you a low energy boost. For moderate energy boost, you would use 10B and a high energy boost can either be 3B or 8B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 1A or 12B will give you a low energy drop, 4B would be a moderate one, and 11B or 6B would be a high energy drop. Lastly, 10A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Betcha Bottom Dollar | Lloyd Spiegel | E Minor | 8 | 9A | 185 BPM | ||
| Hey Truckers | Andre Williams, The Sadies | D Major | 8 | 10B | 142 BPM | ||
| Feed My Monkey | Ramsay Midwood | G Major | 5 | 9B | 208 BPM | ||
| Blow for Blow | Early James | A Major | 6 | 11B | 127 BPM | ||
| Trixin’ | Nat Myers | A Major | 4 | 11B | 169 BPM | ||
| Keep On Pushing | Cedric Burnside | G Minor | 8 | 6A | 109 BPM | ||
| Brainwashed | Terry Schwebke | F♯ Major | 5 | 2B | 113 BPM | ||
| The Future Ain't What It Used to Be | Seth Walker | F Major | 1 | 7B | 78 BPM | ||
| That's My Girl | Cedric Burnside, Lightnin' Malcom | B Minor | 6 | 10A | 179 BPM | ||
| Bout in the Morning | Hollow Horses | D Major | 4 | 10B | 85 BPM | ||
| I Got Drunk, Laid And Stoned | Selwyn Birchwood | F♯ Major | 9 | 2B | 204 BPM | ||
| Getting Closer | Jake La Botz | G Major | 8 | 9B | 129 BPM | ||
| Dance In The Fire | Early James | E Major | 4 | 12B | 170 BPM | ||
| Back on Top | Buffalo Nichols | B♭ Minor | 6 | 3A | 179 BPM | ||
| Mad Tom of Bedlam | Marty O'Reilly & the Old Soul Orchestra | G Minor | 6 | 6A | 94 BPM | ||
| Low Down Ways | Jontavious Willis | E Major | 8 | 12B | 194 BPM | ||
| Change My Way | Seth Walker | A Major | 4 | 11B | 124 BPM | ||
| When The Noise Disappears | Luca Rossi | B♭ Major | 8 | 6B | 137 BPM | ||
| Hotel Lonely | Martin Harley | B Minor | 7 | 10A | 110 BPM | ||
| Rest For My Bones | Reverend Stomp | E Minor | 3 | 9A | 98 BPM | ||
| Oklahoma | Jonah Tolchin | C Major | 6 | 8B | 109 BPM | ||
| One of These Days | Slim Harpo | B♭ Major | 9 | 6B | 122 BPM | ||
| Roll On | CW Ayon | B Minor | 7 | 10A | 92 BPM | ||
| Go Out & Get It | Lightnin Jack | G Major | 2 | 9B | 116 BPM | ||
| Ghost Baby | OLD LADY | B Minor | 8 | 10A | 110 BPM |