"Awakening" by Alexandre Desplat, Eldbjørg Hemsing had its release date on November 7, 2025. With This song being less than two minutes long, at 1:27, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 17 out of 37 in Frankenstein (Soundtrack from the Netflix Film) by Alexandre Desplat. The popularity of Awakening is currently average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Awakening by Alexandre Desplat, Eldbjørg Hemsing is Presto (very, very fast), since this song has a tempo of 179 BPM. With that information, we can conclude that the song has a fast tempo. The time signature for this track is 3/4.
D Major is the music key of this track. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Le cristal des souvenirs - Bande originale du film "Les Légendaires" | Cécile Corbel, Simon Caby | G Major | 2 | 9B | 89 BPM | ||
| Home I | Bryce Dessner | F Major | 2 | 7B | 79 BPM | ||
| The Lover (End Credits) | Gabriel Yared | G Major | 0 | 9B | 107 BPM | ||
| A Different Man - Main Theme | Umberto Smerilli | B♭ Minor | 2 | 3A | 88 BPM | ||
| Backstage Confrontation | John Powell, Stephen Schwartz | E Major | 1 | 12B | 84 BPM | ||
| Rêverie, CD 76 (Arr. for Marimba and Strings by Takeshi Fuse) | Claude Debussy, Mika Stoltzman, Steven Lipsitt, members of the Boston Symphony Orchestra, members of the Boston Modern Orchestra Project | G Major | 2 | 9B | 89 BPM | ||
| Joie de Vivre - String Orchestra - Bonus Track | Nicholas Britell | F Major | 3 | 7B | 203 BPM | ||
| A Travers En Ville | Jonathan Grow | G Major | 3 | 9B | 81 BPM | ||
| Practicing the Score - Cast and Crew Prepping | Nicholas Britell | F Major | 3 | 7B | 203 BPM | ||
| Ever Yours: II. Starbound | Osvaldo Golijov, Arethusa Quartet, Animato Quartet, Nicholas Schwartz | G Major | 2 | 9B | 89 BPM | ||
| Are We the Sum of Our Worst Moments | Daniel Hart | C Major | 0 | 8B | 91 BPM | ||
| First Time In New Orleans | Shruti Kumar | F Minor | 3 | 4A | 66 BPM | ||
| Ray and Della’s Theme - From "Ray" | Craig Armstrong, Brussels Philharmonic, Dirk Brossé | D♭ Minor | 1 | 12A | 82 BPM | ||
| Mother Tree | Tom Howe | C Major | 2 | 8B | 112 BPM | ||
| Soaring over Hogwarts | J Scott Rakozy, Hogwarts Legacy | G Major | 3 | 9B | 87 BPM | ||
| The Board | Mark Orton | E♭ Minor | 1 | 2A | 96 BPM | ||
| Alice Studies | Guy Farley | G Minor | 1 | 6A | 86 BPM | ||
| Truman Sleeps - Arr. for Orchestra by David Le Page | Philip Glass, Orchestra of the Swan, David le Page | F Minor | 1 | 4A | 72 BPM | ||
| Vien À Moi Encore | Daniel Hart | F Minor | 3 | 4A | 66 BPM | ||
| Faith Under the Rubble (from Babylon in the Sands) | Toshifumi Hinata | F♯ Major | 3 | 2B | 67 BPM | ||
| El Collar | Roque Baños, Pro Arte Orchestra Of London | E Minor | 0 | 9A | 85 BPM | ||
| The Mirror Crack'd from Side to Side | Dominik Scherrer | C Minor | 2 | 5A | 72 BPM | ||
| Confrontation | Alexandre Desplat, Eldbjørg Hemsing | D Major | 2 | 10B | 179 BPM | ||
| Eternal | Brian Tyler | G Major | 2 | 9B | 89 BPM | ||
| Aang and Hope | Jeremy Zuckerman | F Minor | 6 | 4A | 125 BPM |