Tito Rodriguez's ' "Cuando Cuando" was released on its scheduled release date, 1987. The duration of This song is about two minutes long, specifically at 2:45. This song does not appear to have any foul language. Cuando Cuando's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 18 in the song's album "Un Retrato de Tito Rodriguez - El Hombre, Su Musica, Su Vida". In this album, this song's track order is #6. Furthermore, we believe that the track originated from United States. In terms of popularity, Cuando Cuando is currently unknown. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
With Cuando Cuando by Tito Rodriguez having a BPM of 95 with a half-time of 48 BPM and a double-time of 190 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
This song has a musical key of A Minor. Which also means that the camelot key for this song is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Cuatro Vidas | Ñico Membiela | B♭ Major | 5 | 6B | 204 BPM | ||
| Ausencia | Barbarito Diez, Orquesta Antonio María Romeu | A♭ Major | 6 | 4B | 144 BPM | ||
| Canta Canta | Toña "La Negra" | E♭ Major | 4 | 5B | 131 BPM | ||
| Tú Estabas Ahí | Vitin Aviles | A Minor | 5 | 8A | 99 BPM | ||
| Borrasca | Nelson Pinedo | E Minor | 2 | 9A | 178 BPM | ||
| Esta Tarde Vi Llover | Roberto Ledesma | D Major | 4 | 10B | 185 BPM | ||
| Campanitas de Cristal | Toña La Negra Y Daniel Santos | G Major | 3 | 9B | 143 BPM | ||
| Borrasca | Carmen Delia Dipini, Trío Los Andinos | G Minor | 4 | 6A | 96 BPM | ||
| La Vida Es un Sueño | Lino Borges | C Minor | 4 | 5A | 89 BPM | ||
| Dimelo | Carmen Delia Dipini | A♭ Major | 6 | 4B | 144 BPM | ||
| Bonito y Sabroso | Havana Social Club | A Major | 7 | 11B | 100 BPM | ||
| Siete Notas de Amor | Johnny Albino y Su Trío San Juan | D Major | 3 | 10B | 89 BPM | ||
| Señora Bonita | Fernando Albuerne | B♭ Major | 4 | 6B | 110 BPM | ||
| Las Perlas De Tu Boca | Barbarito Diez | G Minor | 3 | 6A | 132 BPM | ||
| Olvídame | José Luis Moneró, La Súper Orquesta Original | C Major | 1 | 8B | 133 BPM | ||
| Ese Bolero Es Mío | Felipe Pirela | A♭ Major | 6 | 4B | 144 BPM | ||
| Odio Gitano | Blanca Rosa Gil | G Minor | 4 | 6A | 116 BPM | ||
| Ni Buenos, Ni Regulares | Vitin Aviles, Tito Rodriguez | F Major | 7 | 7B | 97 BPM | ||
| Vanidad | Los Hermanos Arriagada | F♯ Minor | 4 | 11A | 178 BPM | ||
| Blancas Azucenas | Dimension Latina | F♯ Major | 5 | 2B | 127 BPM | ||
| De Enero a Enero | Jimmy Sabater | B♭ Minor | 3 | 3A | 105 BPM | ||
| Cosas Como Tú | La Rondalla Venezolana, Cheo Feliciano | E Major | 3 | 12B | 98 BPM | ||
| Por Eso No Debes | Tito Rodriguez, La Rondalla Venezolano | E Major | 3 | 12B | 92 BPM | ||
| Confidencia / Amigo / Cobardía | Leo Marini | B♭ Major | 4 | 6B | 111 BPM | ||
| En las Tinieblas | José Tejedor | B♭ Minor | 4 | 3A | 108 BPM |