"Grandiosas são as obras do Senhor - Salmo 110" by Abadia da Ressurreição had its release date on April 5, 2019. With this song being around four minutes long, at 3:49, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 16 in the song's album "Salmos, Vol.2". In this album, this song's track order is #15. Furthermore, we believe that the track originated from Brazil. Based on our statistics, Grandiosas são as obras do Senhor - Salmo 110's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Grandiosas são as obras do Senhor - Salmo 110 by Abadia da Ressurreição having a BPM of 133 with a half-time of 66 BPM and a double-time of 266 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
D♭ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Laudes : Psaume 117 | Église-qui-Chante, Joseph Gelineau, Marcel Godard, Henri Dumas, Chœur de l'abbaye Notre-Dame de Tamié, Philippe Hémon, Laurent Grégoire | B♭ Major | 1 | 6B | 62 BPM | ||
| Misa del Día: Aleluya DIES SANCTIFICATUS (2º modo) - Remastered | Chœur des Moines de l'Abbaye Saint-Pierre de Solesmes | G Minor | 1 | 6A | 137 BPM | ||
| Faithful Cross | The Singing Nuns | A♭ Minor | 1 | 1A | 69 BPM | ||
| In Manus Tuas Domine | Gregorian Chants | C Major | 2 | 8B | 67 BPM | ||
| Qui Manducat Hunc Panem | Chœur des Moines de l'Abbaye Saint-Pierre de Solesmes, Hubert Dopf S.J., Canonici Regolari Di Sant'Antimo | D Minor | 0 | 7A | 134 BPM | ||
| O Mysterium Ineffabile | Cathedral Choir, The Cathedral Singers | D Minor | 0 | 7A | 90 BPM | ||
| Misa de Medianoche: Antífonas QUEM VIDITIS (2º modo), GENUIT PUERPERA REGEM (2º modo), ANGELUS AD PASTORES (7º modo), FACTA EST CUM ANGELO (7º modo), PARVULUS FILIUS (8º modo) - Remastered | Chœur des Moines de l'Abbaye Saint-Pierre de Solesmes | F Minor | 1 | 4A | 76 BPM | ||
| Chorus Cordis Devoti | Chœur des Moines de l'Abbaye Saint-Pierre de Solesmes, Hubert Dopf S.J., Canonici Regolari Di Sant'Antimo | E♭ Major | 2 | 5B | 95 BPM | ||
| Silens Benedictionis | Monges Beneditinos, The Benedictine Monks of Worth Abbey, Gregorian Chant Schola of Saint Meinrad Archabbey | E Minor | 0 | 9A | 126 BPM | ||
| Догматик, глас 5 - Валаамский распев | Хор братии Валаамского монастыря, Иеродиакон Герман (Рябцев) | E Major | 0 | 12B | 166 BPM | ||
| Dogmatic Theotokion Tone I | All-Merciful Saviour Monastery | E♭ Major | 1 | 5B | 83 BPM | ||
| Litaniae Lauretanae | Verbum Gloriae | E Major | 0 | 12B | 75 BPM | ||
| Communio: Dominus dabit benignitatem | Marek Klein | F♯ Major | 0 | 2B | 133 BPM | ||
| ANTÍFONA DA SOLENIDADE DA ASSUNÇÃO DE N. SENHORA - Salmo 150 | Abadia da Ressurreição | G Minor | 1 | 6A | 82 BPM | ||
| Great Compline: "O Lord of Hosts" And Psalm 150 | Choir of the Monks of Chevetogne | D Major | 1 | 10B | 174 BPM | ||
| Alabanza Serena | Musica Catolica Gregoriana | D♭ Major | 0 | 3B | 139 BPM | ||
| Psalmus 85 | Mirko Krajči, Gregoriana, Jan Mikušek | D♭ Minor | 1 | 12A | 78 BPM | ||
| Del Kyriale: Kyrie del Tono II | Pro Musica Gregoriana, Susana Imbern | A Major | 1 | 11B | 81 BPM | ||
| Εκ νυκτός… , Αλληλούια, Ιδού ο Νυμφίος… | Musica Universalis | D♭ Minor | 0 | 12A | 92 BPM | ||
| Comunión Espiritual | Monjes Del Monasterio De San Pedro | D♭ Minor | 3 | 12A | 132 BPM | ||
| In I Vesperis: Lectio. Naura divina | Etienne de Liège, Psallentes, Hendrik Vanden Abeele | D Minor | 2 | 7A | 116 BPM | ||
| Gaudent in Caelis | Benedyktyni Opactwa Tynieckiego | E Major | 1 | 12B | 142 BPM | ||
| Adoro te Devote (Hino - V Modo) | Coro de Monges Beneditinos do Mosteiro de São Bento - SP | D Major | 1 | 10B | 80 BPM | ||
| Segundo Domingo Después de Pascua: Aleluya: Ego Sum Pastor Bonus (1er. modo) | Popular, Chœur des Moines de l'Abbaye Saint-Pierre de Solesmes, Joseph Gajard | F♯ Minor | 1 | 11A | 80 BPM | ||
| Ad Matutinum: Antiphona. Karitas pater est | Etienne de Liège, Psallentes, Hendrik Vanden Abeele | D Minor | 2 | 7A | 116 BPM |