Thrice's ' "The Next Day" was released on its scheduled release date, March 6, 2001. With This song being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. The track order of this song in Thrice's "Identity Crisis" album is number 7 out of 11. On top of that, United States appears to be the country where this track was created. Based on our statistics, The Next Day's popularity is not that popular right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
We consider the tempo marking of The Next Day by Thrice to be Allegro (fast, quick, and bright) because the track has a tempo of 154 BPM, a half-time of 77BPM, and a double-time of 308 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, running, can go well with this song. The time signature for this track is 4/4.
This song has a musical key of E Minor. Because this track belongs in the E Minor key, the camelot key is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Everything Belongs | Thrice | D Major | 5 | 10B | 122 BPM | ||
| Losing Touching Searching | The Appleseed Cast | G Major | 8 | 9B | 135 BPM | ||
| Long to Go | From Autumn To Ashes | E♭ Minor | 9 | 2A | 122 BPM | ||
| The End Is Here...The End Is Beautiful | Maylene And The Sons Of Disaster | D Minor | 1 | 7A | 64 BPM | ||
| Flicker | Time Spent Driving | B♭ Major | 5 | 6B | 125 BPM | ||
| In Your Hands | Thrice | C Major | 10 | 8B | 98 BPM | ||
| Like Moths To Flame | Thrice | B Minor | 9 | 10A | 139 BPM | ||
| Aimless Endeavor | Beloved | A Major | 10 | 11B | 175 BPM | ||
| As The Ruin Falls | Thrice | F♯ Minor | 9 | 11A | 164 BPM | ||
| Unitive/West | Thrice | F Major | 1 | 7B | 180 BPM | ||
| Whoa Is Me | Dredg | D Minor | 6 | 7A | 156 BPM | ||
| Loved Ones (excerpts from speeches of how great you were, and will never be again) | Poison The Well | F Major | 9 | 7B | 83 BPM | ||
| The Friscalating Dusklight | If These Trees Could Talk | F Major | 8 | 7B | 113 BPM | ||
| Burial | Alexisonfire | E Minor | 4 | 9A | 93 BPM | ||
| Some Will Seek Forgiveness, Others Escape | Underoath | B Minor | 5 | 10A | 135 BPM | ||
| In Memoriam In Advance | From First To Last | G Major | 5 | 9B | 125 BPM | ||
| Alchemy Index, Vol. 1: Water 4 Of 6 | Thrice | C Minor | 4 | 5A | 108 BPM | ||
| Glass In The Trees | Dead Poetic | E Major | 9 | 12B | 136 BPM | ||
| The Salesman, The Husband, The Lover | The Receiving End Of Sirens | B Minor | 7 | 10A | 168 BPM | ||
| Inhale | Killswitch Engage | C Major | 2 | 8B | 155 BPM | ||
| Welcome, Ghosts | Explosions In The Sky | A Major | 7 | 11B | 114 BPM | ||
| They Looked Like Strong Hands | Bayside | D Major | 5 | 10B | 172 BPM | ||
| There Are a Million Reasons for Why This May Not Work…and Just One Good One for Why It Will | Moneen | D Minor | 7 | 7A | 175 BPM | ||
| The Fall Of Rome | Winter Solstice | F Major | 4 | 7B | 128 BPM | ||
| Without A Sound | Sparta | E Minor | 6 | 9A | 133 BPM |