"バレエ音楽「春の祭典」第1部「大地への讃仰」 春のきざしと若い娘達の踊り" by コロンビア交響楽団 had its release date on February 8, 2022. The duration of This song is about 3 minutes long, at 3:06. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There is only one song in ストラヴィンスキー バレエ音楽「春の祭典」「ペトルーシュカ」, so we believe that "バレエ音楽「春の祭典」第1部「大地への讃仰」 春のきざしと若い娘達の踊り" is a single. バレエ音楽「春の祭典」第1部「大地への讃仰」 春のきざしと若い娘達の踊り is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of バレエ音楽「春の祭典」第1部「大地への讃仰」 春のきざしと若い娘達の踊り by コロンビア交響楽団 is Adagio (slowly with great expression), since this song has a tempo of 69 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
C Major is the music key of this track. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Symphony No. 5 in B-Flat Major, D. 485: III. Menuetto. Allegro molto | Franz Schubert, Maxim Emelyanychev, Scottish Chamber Orchestra | G Minor | 1 | 6A | 128 BPM | ||
| String Quartet No. 6 in B Flat Major, Op. 18, No. 6 - IV. (Adagio) La Malinconia | Beethoven | D Major | 0 | 10B | 82 BPM | ||
| Symphony No. 35 KV385 in DMajor "Haffner": Allegro con spirito | Academy of St. Martin in the Fields, Iona Brown | D Major | 1 | 10B | 79 BPM | ||
| Il barbiere di Siviglia (the Barber of Seville): Sinfonia | Giovanni Paisiello, Dénes Gulyás, Krisztina Laki, József Gregor, Istvan Gati, Sandor Sòlyom-Nagy, Csaba Reti, Miklos Mersei, Gabor Vaghelyi, Attila Fulop, Hungarian State Orchestra, Ádám Fischer | G Major | 1 | 9B | 97 BPM | ||
| Fading Light | Orithia | D♭ Major | 5 | 3B | 195 BPM | ||
| Bizet: Petite suite des "Jeux d'enfants", Op. 22, WD 39: V. Galop "Le bal" | Georges Bizet, Alexander Gibson, Scottish National Orchestra | D Major | 0 | 10B | 82 BPM | ||
| Schubert: Symphony No. 3 in D Major, D. 200: IV. Presto vivace | Franz Schubert, Herbert von Karajan, Berliner Philharmoniker | D Major | 0 | 10B | 82 BPM | ||
| バレエ音楽「火の鳥」(1910年全曲版)より 夜明け | コロンビア交響楽団 | A♭ Minor | 0 | 1A | 137 BPM | ||
| Haydn: String Quartet in G Major, Op. 76 No. 1, Hob. III:75: IV. Finale. Allegro ma non troppo | Joseph Haydn, Quatuor Arod | B♭ Major | 2 | 6B | 99 BPM | ||
| Mozart: Concerto for Flute and Harp in C Major, K. 299: III. Rondeau. Allegro, Pt. 3 | Wolfgang Amadeus Mozart, Emmanuel Pahud, Marie-Pierre Langlamet, Berliner Philharmoniker, Claudio Abbado | C Major | 4 | 8B | 103 BPM | ||
| Entrega | Juan Pablo Fernández Ramos | A♭ Minor | 0 | 1A | 94 BPM | ||
| Achmet und Zenide, Act II: Ouverture Capriccio | Paul Wranitzky, Czech Philharmonic Chamber Orchestra, Marek Štilec | G Major | 0 | 9B | 123 BPM | ||
| Bassoon Concerto in F Major, WoO 23, S63: II. Romanza. Andantino e cantabile | Johann Nepomuk Hummel, Matthias Rácz, Nordwestdeutsche Philharmonie, Johannes Klumpp | E Minor | 0 | 9A | 77 BPM | ||
| Liebeslieder-Waltzer, Op. 65: No. 9 (Orchestral Version) | Johannes Brahms, Gewandhausorchester, Riccardo Chailly | A♭ Major | 1 | 4B | 136 BPM | ||
| Variations on a Theme by Haydn, Op. 56a: Var. 3. Con moto | Johannes Brahms, Wiener Philharmoniker, Carlo Maria Giulini | B♭ Major | 0 | 6B | 70 BPM | ||
| German Dance in G Major, K. 600 | Philharmonia Orchestra, Herbert von Karajan | G Major | 1 | 9B | 137 BPM | ||
| Gluck: Orpheus und Eurydike, Wq. 30, Act 2: Reigen seliger Geister | Christoph Willibald Gluck, Aurèle Nicolet, Münchener Bach-Orchester, Karl Richter | D Major | 0 | 10B | 82 BPM | ||
| Simple Symphony, Op. 4: IV. Frolicsome Finale | Benjamin Britten, Budapest Strings, Karoly Botvay | E♭ Major | 1 | 5B | 85 BPM | ||
| Merkur, der Heiratsstifter: Sinfonia | Paul Wranitzky, Czech Philharmonic Chamber Orchestra, Marek Štilec | A Major | 2 | 11B | 141 BPM | ||
| L'art de Délier Les Doigts, Op. 740.: Ecartement pour Donner de la Force aux Doigts | Carl Czerny, Jean-Frédéric Neuburger | G Major | 7 | 9B | 116 BPM | ||
| Octet-Partita in F Major, Op. 57 (Arr. for Woodwind Ensemble by Shea Lolin): I. Allegro vivace | Franz Krommer, Czech Philharmonic Wind Ensemble, Shea Lolin | D Major | 0 | 10B | 82 BPM | ||
| Douze Danses Allemandes - 4 Sib majeur | Beethoven | D Major | 0 | 10B | 82 BPM | ||
| Goldberg Variations, BWV 988 (Arr. for Orchestra by Robin O'Neill): Variation 30. Quodlibet | Robin O'Neill, Johann Sebastian Bach, Philharmonia Orchestra | G Major | 2 | 9B | 66 BPM | ||
| バレエ音楽「春の祭典」第2部「いけにえ」 乙女たちの神秘な集い | コロンビア交響楽団 | C Major | 2 | 8B | 69 BPM | ||
| 6 Hungarian Dances: No. 4, Con Verbunk | Antal Gyorgy Csermak, Budapest Strings, Karoly Botvay | B♭ Major | 0 | 6B | 123 BPM |