"Death Approaches" by Chris D'Ambrosio had its release date on October 9, 2018. The duration of This song is about two minutes long, specifically at 2:14. This song does not appear to have any foul language. Death Approaches's duration is considered a little bit shorter than the average duration of a typical track. This song is part of XCOM Legacy (Original Soundtrack) by Various Artists. The song's track number on the album is #14 out of 18 tracks. In terms of popularity, Death Approaches is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Death Approaches by Chris D'Ambrosio has a tempo of 90 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Death Approaches being at 90 BPM, the half-time would be 45 BPM with a double-time of 180 BPM.In addition, we consider the tempo speed to be pretty slow for this song. This makes this song perfect for activities such as, yoga or pilates. The time signature for this track is 3/4.
D Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Fighting Phase | Lauren Pham | A Minor | 6 | 8A | 120 BPM | ||
| Thought Leader | AfterInfinity | F Major | 0 | 7B | 105 BPM | ||
| Tension Underscore 2 | AfterHours Audio | G Major | 3 | 9B | 90 BPM | ||
| Tome Alone | Ben Prunty | D♭ Major | 1 | 3B | 115 BPM | ||
| Main Menu | Aleksi Aubry-Carlson | G Minor | 5 | 6A | 120 BPM | ||
| LZ Epsilon | Audiomachine | D Major | 4 | 10B | 137 BPM | ||
| The Reach | Alexei Zakharov | E Minor | 5 | 9A | 110 BPM | ||
| Magenta Clouds - ES2 Remix | Arnaud Roy | A Minor | 5 | 8A | 128 BPM | ||
| Lost Signal | Guillaume David | F Major | 6 | 7B | 87 BPM | ||
| The BattleScene II | Arnaud Roy | F Minor | 3 | 4A | 122 BPM | ||
| The Only Way Out Is Through | Sophus Alf, Troels Rohde Jørgensen | A Major | 2 | 11B | 79 BPM | ||
| Natural Light (Funnel) | Harry Callaghan | A♭ Major | 4 | 4B | 150 BPM | ||
| Dark Star | Chronyxis | C Minor | 2 | 5A | 142 BPM | ||
| Humanoid Target | AfterInfinity | E Major | 0 | 12B | 90 BPM | ||
| Dig Deeper | Finishing Move Inc. | F Minor | 3 | 4A | 90 BPM | ||
| rojo out | オレンジかもしれない | G Major | 3 | 9B | 90 BPM | ||
| Uneasy Pleasures | OGRE Sound | B Minor | 1 | 10A | 87 BPM | ||
| Resynthesis | Sam Hulick | A Minor | 4 | 8A | 120 BPM | ||
| Status Quo - PC Version | Mutti und Vati | D Major | 7 | 10B | 176 BPM | ||
| M.U.T.E. Protocol | Jon Opstad, Paul Haslinger | G Minor | 5 | 6A | 140 BPM | ||
| Badlanders | Inon Zur | C Minor | 2 | 5A | 110 BPM | ||
| The Storm | Jon Opstad | D Major | 7 | 10B | 100 BPM | ||
| Bright Promise | Alexei Zakharov | B Minor | 4 | 10A | 110 BPM | ||
| Space, The Final Frontier | Celestial Aeon Project, Tuomas Nikkinen | C Minor | 3 | 5A | 110 BPM | ||
| Drifting Through Space | Coltrin Compositions | A Major | 0 | 11B | 143 BPM |