We Are Not Robots's 'Jesus Jones and the Lockout Party' had a release date set for September 10, 2016. Jesus Jones and the Lockout Party is 2 minutes and 44 seconds long and may contain bad words that may be unsuitable for children. The track order of this song in We Are Not Robots's "Killer in the Choir" album is number 4 out of 9. On top of that, Canada appears to be the country where this track was created. Based on our statistics, Jesus Jones and the Lockout Party's popularity is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Jesus Jones and the Lockout Party by We Are Not Robots to be Allegro (fast, quick, and bright) because the track has a tempo of 140 BPM, a half-time of 70BPM, and a double-time of 280 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, jogging or cycling, can go well with this song. The time signature for this track is 4/4.
The music key of this track is D♭ Minor. This also means that this song has a camelot key of 12A. So, the perfect camelot match for 12A would be either 12A or 11B. While, a low energy boost can consist of either 12B or 1A. For moderate energy boost, you would use 9A and a high energy boost can either be 2A or 7A. However, if you are looking for a low energy drop, finding a song with a camelot key of 11A would be a great choice. Where 3A would give you a moderate drop, and 10A or 5A would be a high energy drop. Lastly, 3B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| The One That Got Away | Glowtrees | G Major | 9 | 9B | 90 BPM | ||
| Fractures - Acoustic | Brusic | G Major | 9 | 9B | 180 BPM | ||
| Out Of Control - Radio Edit | Teddy Head | A♭ Major | 10 | 4B | 130 BPM | ||
| Only for One Night | Drop Tuned | E♭ Minor | 9 | 2A | 130 BPM | ||
| Alessa Moore | MAYA | F Minor | 9 | 4A | 140 BPM | ||
| Hocus Pocus | Wynch, Jason Barker | G Major | 9 | 9B | 180 BPM | ||
| A Broken Radio | Credible Witness | A♭ Major | 9 | 4B | 165 BPM | ||
| Comfortably Falling (Reimagined) | Sam Wood | C Major | 9 | 8B | 82 BPM | ||
| What Are You Waiting For? | We Are Not Robots | E Major | 9 | 12B | 120 BPM | ||
| Anywayz | Social Gravy | G Minor | 9 | 6A | 122 BPM | ||
| Loput | Nuclēaria | G Major | 9 | 9B | 180 BPM | ||
| Vice | Amongst Liars | A Minor | 10 | 8A | 168 BPM | ||
| See You Again | Modern Medicine | G Major | 9 | 9B | 180 BPM | ||
| Friends Till The End (Roadtripping) | The Midlifers | G Major | 9 | 9B | 180 BPM | ||
| Menacing King | BLOOMAWAY | D Minor | 7 | 7A | 150 BPM | ||
| This Game | Octavate | G Major | 8 | 9B | 107 BPM | ||
| Scions of Man | Death Valley Knights | F Minor | 9 | 4A | 169 BPM | ||
| Decisive | Paranoize | E Minor | 7 | 9A | 90 BPM | ||
| Saint Restraint | The Hot One Two | F♯ Major | 9 | 2B | 140 BPM | ||
| Bird On A Wire | All Ears Avow | E Major | 8 | 12B | 124 BPM | ||
| I See It In You | Requiem for an Angel | A♭ Major | 6 | 4B | 175 BPM | ||
| Cascade Drive | Phoenix Echoing Vibes | A Major | 10 | 11B | 155 BPM | ||
| Love is Pain | Hivesong | A Minor | 8 | 8A | 138 BPM | ||
| Run Through Me | Revel 9 | E Major | 10 | 12B | 77 BPM | ||
| Way Out | Ryan Butler | A Minor | 4 | 8A | 129 BPM |